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The collection

33 works match your filters.

Medium:Drawing215 Painting192 Photography36 Print33 Textile5 Sculpture3

Image

With image33
All120
Metadata only87

Year range

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Decade

2010s6
2000s31
1990s72
1980s82
1970s125
1960s222
1950s132
1940s33
1930s19
1920s110
1910s250
1900s131
1890s197
1880s109
1870s102
1860s135
1850s227
1840s291
1830s238
1820s162
1810s130
1800s96
1790s79
1780s126
1770s111

Medium

Painting192
Print33
Drawing215
Photography36
Sculpture3
Textile5

Institution

The Museum of Modern Art31
Harvard Art Museums1
Tate1

Nationality

- Europe
- Americas
Brazilian16
German4
Swiss4
French3
Belgian2
American1
British1
Dutch1
Italian1

Movement

Impressionism5
abstract art4
Dada2
Art Concret1
Bauhaus1
concrete art1
Constructivism1
De Stijl1
Expressionism1
geometric abstraction1
Movimento Arte Concreta1
Orphism1
simultanism1
surrealism1
Symbolism1

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Girl with a Fig Leaf, Lucian Freud, 1947, Intaglio print on paper

Girl with a Fig Leaf

Lucian Freud · 1947

Intaglio print on paper

Iacy from Maria 1946, Maria Martins, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Iacy from Maria 1946

Maria Martins · 1946

Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Without Echo (Sans-écho) from Maria 1946, Maria Martins, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Without Echo (Sans-écho) from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Explanation III (Explication III) from Maria 1946, Maria Martins, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Explanation III (Explication III) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Implacable Place (Place à l'implacable) from Maria 1946, Maria Martins, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Implacable Place (Place à l'implacable) from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Frontispiece from the illustrated book Naturelles by René de Solier, Wols (A. O. Wolfgang Schulze), published c. 1946, Drypoint

Frontispiece from the illustrated book Naturelles by René de Solier

Wols (A. O. Wolfgang Schulze) · published c. 1946

Drypoint

The Museum of Modern Art

Like a Vine (Comme une liane) from Maria 1946, Maria Martins, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Like a Vine (Comme une liane) from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Explanation I (Explication I) from Maria 1946, Maria Martins, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Explanation I (Explication I) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Plate 2 from the illustrated book Naturelles by René de Solier, Wols (A. O. Wolfgang Schulze), published c. 1946, Drypoint

Plate 2 from the illustrated book Naturelles by René de Solier

Wols (A. O. Wolfgang Schulze) · published c. 1946

Drypoint

The Museum of Modern Art

Explanation IV (Explication IV) from Maria 1946, Maria Martins, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Explanation IV (Explication IV) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Wrapper front from Maria 1946, Maria Martins, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Wrapper front from Maria 1946

Maria Martins · 1946

Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Day and Dream, Max Beckmann, 1946, Portfolio of 15 lithographs

Day and Dream

Max Beckmann · 1946

Portfolio of 15 lithographs

Harvard Art Museums

Impossible from Maria 1946, Maria Martins, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Impossible from Maria 1946

Maria Martins · 1946

Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Maria 1946, Maria Martins, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures

Maria 1946

Maria Martins · 1946

Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures

The Museum of Modern Art

Explanation II (Explication II) from Maria 1946, Maria Martins, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

Explanation II (Explication II) from Maria 1946

Maria Martins · 1946

Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving

The Museum of Modern Art

Untitled, Willi Baumeister, 1943, Lithographic crayon, charcoal, and colored pencil on colored paper

Untitled

Willi Baumeister · 1943

Lithographic crayon, charcoal, and colored pencil on colored paper

The Museum of Modern Art

Plate (folio 12) from 10 Origin, Vasily Kandinsky, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 12) from 10 Origin

Vasily Kandinsky · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 4) from 10 Origin, Jean (Hans) Arp, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 4) from 10 Origin

Jean (Hans) Arp · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 6) from 10 Origin, Max Bill, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 6) from 10 Origin

Max Bill · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 14) from 10 Origin, Léo Leuppi, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 14) from 10 Origin

Léo Leuppi · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 8) from 10 Origin, Sonia Delaunay, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 8) from 10 Origin

Sonia Delaunay · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 10) from 10 Origin, César Domela-Nieuwenhuis, 1942, Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 10) from 10 Origin

César Domela-Nieuwenhuis · 1942

Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate from 10 Origin, Sophie Taeuber-Arp, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate from 10 Origin

Sophie Taeuber-Arp · 1942

Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

Plate (folio 18) from 10 Origin, Alberto Magnelli, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

Plate (folio 18) from 10 Origin

Alberto Magnelli · 1942

Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

The Museum of Modern Art

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