Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Browse

The collection

46 works match your filters.

Medium:Print34 Painting10 Drawing2

Image

With image46
All51
Metadata only5

Year range

to

Decade

1950s2
1940s3
1930s3
1920s46
1910s26
1900s37
1890s45
1880s17
1870s9
1860s7
1840s1
1830s1

Medium

Painting10
Print34
Drawing2

Institution

The Museum of Modern Art42
Städel Museum2
Art Institute of Chicago1
Cleveland Museum of Art1

Nationality

- Europe
French36
Austrian4
Czech2
Dutch2
Belgian1
Swiss1

Movement

Expressionism92
Constructivism46
Symbolism46
surrealism41
Fauvism35
Bauhaus33
Dada33
Color Field31
pointillism31
cubism28
Suprematism24
New Objectivity19
Orphism15
Impressionism13
simultanism13
Russian avant-garde12
expressionism10
modernism10
De Stijl6
Heidelberg School6
Futurism4
Neo-impressionism4
Post-impressionism4
Rayonism4
degenerate art3
abstract art2
conceptual art2
Les Nabis2
abstraction1
absurdism1

Related

Post-impressionism

Exhibition History

Has exhibition record2

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

canvas1
oil paint (paint)1

1920s×Remove filter Symbolism×Remove filter Clear all

Sort:

Export:Download

View:Works Exhibitions2 works

Untitled, František Kupka, 1928, Gouache, watercolor, and pencil on paper

Untitled

František Kupka · 1928

Gouache, watercolor, and pencil on paper

The Museum of Modern Art

Blue (Blau), Vasily Kandinsky, 1927, Oil on board

Blue (Blau)

Vasily Kandinsky · 1927

Oil on board

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Composition with Red, Yellow, and Blue

Piet Mondrian · 1927

oil on canvas

Cleveland Museum of Art

CC0

8 shows

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

The Great Grandmother (Die Urgrossmutter), Alfred Kubin, 1926, Watercolor and ink on paper

The Great Grandmother (Die Urgrossmutter)

Alfred Kubin · 1926

Watercolor and ink on paper

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Untitled, František Kupka, c. 1925–30, Colored pencil, pencil, ink, and oil on paper

Untitled

František Kupka · c. 1925–30

Colored pencil, pencil, ink, and oil on paper

The Museum of Modern Art

Homecoming (Heimkehr), Alfred Kubin, (c. 1924), Pen and ink on paper

Homecoming (Heimkehr)

Alfred Kubin · (c. 1924)

Pen and ink on paper

The Museum of Modern Art

Black Relationship (Schwarze Beziehung), Vasily Kandinsky, 1924, Watercolor and ink on paper

Black Relationship (Schwarze Beziehung)

Vasily Kandinsky · 1924

Watercolor and ink on paper

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint with roulette over photogravure

The Museum of Modern Art

Christ's Entry into Jerusalem (Der Einzug in Jerusalem), Alfred Kubin, (1923), Pencil on paper

Christ's Entry into Jerusalem (Der Einzug in Jerusalem)

Alfred Kubin · (1923)

Pencil on paper

The Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, Georges Rouault, 1923, Aquatint and lift ground aquatint with roulette over photogravure

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

Georges Rouault · 1923

Aquatint and lift ground aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

The Reciter (Der Rezitator), Alfred Kubin, (c. 1923), Ink and watercolor on paper

The Reciter (Der Rezitator)

Alfred Kubin · (c. 1923)

Ink and watercolor on paper

The Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, Georges Rouault, 1923, Lift ground aquatint, etching, and drypoint over photogravure

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

Georges Rouault · 1923

Lift ground aquatint, etching, and drypoint over photogravure

The Museum of Modern Art

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere, Georges Rouault, 1923, Aquatint and drypoint with roulette over photogravure

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

Georges Rouault · 1923

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere, Georges Rouault, 1922, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

Georges Rouault · 1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere, Georges Rouault, 1922, Aquatint and drypoint with roulette over photogravure

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere

Georges Rouault · 1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

← Prev

1
2