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The collection

92 works match your filters.

Medium:Print41 Painting25 Drawing18

Image

With image92
All99
Metadata only7

Year range

to

Decade

1970s7
1960s4
1950s3
1940s13
1930s21
1920s92
1910s64
1900s29
1890s10
1880s5

Medium

Painting25
Print41
Drawing18

Institution

The Museum of Modern Art69
Städel Museum17
National Gallery of Art5
Art Institute of Chicago1

Nationality

- Europe
- Americas
French37
German36
American12
Austrian3
Dutch3
Belgian1

Movement

Expressionism92
Constructivism46
Symbolism46
surrealism41
Fauvism35
Bauhaus33
Dada33
Color Field31
pointillism31
cubism28
Suprematism24
New Objectivity19
Orphism15
Impressionism13
simultanism13
Russian avant-garde12
expressionism10
modernism10
De Stijl6
Heidelberg School6
Futurism4
Neo-impressionism4
Post-impressionism4
Rayonism4
degenerate art3
abstract art2
conceptual art2
Les Nabis2
abstraction1
absurdism1

Related

New Objectivity

abstract expressionism

Catalan modernism

Exhibition History

Has exhibition record1

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)1

1920s×Remove filter Expressionism×Remove filter Clear all

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View:Works Exhibitions1 works

Wildboden, Ernst Ludwig Kirchner, c. 1924, Aquarell und Gouache über Bleistift auf Velinkarton

Wildboden

Ernst Ludwig Kirchner · c. 1924

Aquarell und Gouache über Bleistift auf Velinkarton

Public domain

Mondnacht; Handorgler in Mondnacht, Ernst Ludwig Kirchner, 1924, Öl auf Leinwand

Mondnacht; Handorgler in Mondnacht

Ernst Ludwig Kirchner · 1924

Öl auf Leinwand

Public domain

Beggars, Käthe Kollwitz, 1924, charcoal

Beggars

Käthe Kollwitz · 1924

charcoal

National Gallery of Art

Public domain

Germany's Children are Hungry! (Deutschlands Kinder Hungern!), Käthe Kollwitz, 1924, lithograph

Germany's Children are Hungry! (Deutschlands Kinder Hungern!)

Käthe Kollwitz · 1924

lithograph

National Gallery of Art

Public domain

Bettelnde (Begging), Käthe Kollwitz, 1924, lithograph

Bettelnde (Begging)

Käthe Kollwitz · 1924

lithograph

National Gallery of Art

Public domain

Black Relationship (Schwarze Beziehung), Vasily Kandinsky, 1924, Watercolor and ink on paper

Black Relationship (Schwarze Beziehung)

Vasily Kandinsky · 1924

Watercolor and ink on paper

The Museum of Modern Art

At the Circus Medrano (Im Zirkus Medrano), George Grosz, 1924, Ink on paper

At the Circus Medrano (Im Zirkus Medrano)

George Grosz · 1924

Ink on paper

The Museum of Modern Art

Carmencita, Lovis Corinth, 1924, Öl auf Leinwand

Carmencita

Lovis Corinth · 1924

Öl auf Leinwand

Public domain

Nie wieder Krieg, Käthe Kollwitz, 1924, Kreide- und Pinsellithografie (Umdruck) in Schwarz auf Velinpapier (braunes Affichenpapier)

Nie wieder Krieg

Käthe Kollwitz · 1924

Kreide- und Pinsellithografie (Umdruck) in Schwarz auf Velinpapier (braunes Affichenpapier)

Public domain

Self-Portrait, Käthe Kollwitz, 1924, Transfer lithograph in black on cream wove paper

Self-Portrait

Käthe Kollwitz · 1924

Transfer lithograph in black on cream wove paper

Art Institute of Chicago

1 show

Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat), George Grosz, 1924, Ink and pencil on paper

Cirque Medrano, Clowns Poitu and Chocolat (Circus Medrano, Clowns Poitu et Chocolat)

George Grosz · 1924

Ink and pencil on paper

The Museum of Modern Art

At the Cirque Medrano (Im Zirkus Medrano), George Grosz, 1924, Ink on paper

At the Cirque Medrano (Im Zirkus Medrano)

George Grosz · 1924

Ink on paper

The Museum of Modern Art

Mutter und Kind; Frau und Mädchen, Ernst Ludwig Kirchner, 1924, Arvenholz

Mutter und Kind; Frau und Mädchen

Ernst Ludwig Kirchner · 1924

Arvenholz

Public domain

Passer-By (Schreitende), Otto Dix, (1923), Pencil on paper

Passer-By (Schreitende)

Otto Dix · (1923)

Pencil on paper

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint with roulette over photogravure

The Museum of Modern Art

Study for a Composition, Theo van Doesburg, 1923, Gouache and ink on tissue paper and pen and ink on paper

Study for a Composition

Theo van Doesburg · 1923

Gouache and ink on tissue paper and pen and ink on paper

The Museum of Modern Art

Contra-construction in a Circle, Theo van Doesburg, c. 1923, Gouache, ink, and pencil on paper

Contra-construction in a Circle

Theo van Doesburg · c. 1923

Gouache, ink, and pencil on paper

The Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere, Georges Rouault, 1923, Aquatint and lift ground aquatint with roulette over photogravure

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

Georges Rouault · 1923

Aquatint and lift ground aquatint with roulette over photogravure

The Museum of Modern Art

Walchensee im Winter, Lovis Corinth, 1923, Öl auf Leinwand

Walchensee im Winter

Lovis Corinth · 1923

Öl auf Leinwand

Public domain

Trial proof for We Think Ourselves Kings, plate VII from Miserere, Georges Rouault, 1923, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Georges Rouault · 1923

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Selbstbildnis, Lovis Corinth, 1923, Aquarell auf rauem Velinpapier

Selbstbildnis

Lovis Corinth · 1923

Aquarell auf rauem Velinpapier

Public domain

Liegender weiblicher Akt, Ernst Ludwig Kirchner, c. 1923, Pinsel in Schwarz über Bleistift auf Karton

Liegender weiblicher Akt

Ernst Ludwig Kirchner · c. 1923

Pinsel in Schwarz über Bleistift auf Karton

Public domain

Leonid Osipovich Pasternak, Lovis Corinth, (1923), Crayon and chalk on paper

Leonid Osipovich Pasternak

Lovis Corinth · (1923)

Crayon and chalk on paper

The Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere, Georges Rouault, 1923, Lift ground aquatint, etching, and drypoint over photogravure

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

Georges Rouault · 1923

Lift ground aquatint, etching, and drypoint over photogravure

The Museum of Modern Art

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