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The collection

92 works match your filters.

Medium:Print41 Painting25 Drawing18

Image

With image92
All99
Metadata only7

Year range

to

Decade

1970s7
1960s4
1950s3
1940s13
1930s21
1920s92
1910s64
1900s29
1890s10
1880s5

Medium

Painting25
Print41
Drawing18

Institution

The Museum of Modern Art69
Städel Museum17
National Gallery of Art5
Art Institute of Chicago1

Nationality

- Europe
- Americas
French37
German36
American12
Austrian3
Dutch3
Belgian1

Movement

Expressionism92
Constructivism46
Symbolism46
surrealism41
Fauvism35
Bauhaus33
Dada33
Color Field31
pointillism31
cubism28
Suprematism24
New Objectivity19
Orphism15
Impressionism13
simultanism13
Russian avant-garde12
expressionism10
modernism10
De Stijl6
Heidelberg School6
Futurism4
Neo-impressionism4
Post-impressionism4
Rayonism4
degenerate art3
abstract art2
conceptual art2
Les Nabis2
abstraction1
absurdism1

Related

New Objectivity

abstract expressionism

Catalan modernism

Exhibition History

Has exhibition record1

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)1

1920s×Remove filter Expressionism×Remove filter Clear all

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View:Works Exhibitions1 works

Schlafende mit Kind, Käthe Kollwitz, 1929, Holzschnitt in Schwarz auf Japanpapier

Schlafende mit Kind

Käthe Kollwitz · 1929

Holzschnitt in Schwarz auf Japanpapier

Public domain

Brandenburger Tor, Ernst Ludwig Kirchner, 1929, Öl auf Leinwand

Brandenburger Tor

Ernst Ludwig Kirchner · 1929

Öl auf Leinwand

Public domain

Bildnis Dr. Carl Hagemann, Ernst Ludwig Kirchner, 1928–1933, Öl auf Leinwand

Bildnis Dr. Carl Hagemann

Ernst Ludwig Kirchner · 1928–1933

Öl auf Leinwand

Public domain

Das Leben, Ernst Ludwig Kirchner, 1928–1932, Gewebte Wolle

Das Leben

Ernst Ludwig Kirchner · 1928–1932

Gewebte Wolle

Public domain

The Hornblower (Der Hornbläser), Ernst Barlach, 1927, Charcoal on paper

The Hornblower (Der Hornbläser)

Ernst Barlach · 1927

Charcoal on paper

The Museum of Modern Art

Seated Girl (Sitzendes Mädchen), George Grosz, 1927, Pencil on paper

Seated Girl (Sitzendes Mädchen)

George Grosz · 1927

Pencil on paper

The Museum of Modern Art

Blue (Blau), Vasily Kandinsky, 1927, Oil on board

Blue (Blau)

Vasily Kandinsky · 1927

Oil on board

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, Georges Rouault, 1927, Aquatint and drypoint with roulette over photogravure

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Georges Rouault · 1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, Georges Rouault, 1927, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Georges Rouault · 1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Circe (recto); Untitled (verso), George Grosz, 1927, Watercolor and ink on paper (recto); Ink on paper (verso)

Circe (recto); Untitled (verso)

George Grosz · 1927

Watercolor and ink on paper (recto); Ink on paper (verso)

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure

Trial proof for Face To Face, plate XL from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Anna Peter, George Grosz, 1926–27, Pencil on paper

Anna Peter

George Grosz · 1926–27

Pencil on paper

The Museum of Modern Art

Szene im Café, Ernst Ludwig Kirchner, c. 1926, Öl auf Leinwand

Szene im Café

Ernst Ludwig Kirchner · c. 1926

Öl auf Leinwand

Public domain

Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925, Emil Nolde, (1926, published 1927), Lithograph

Mythical Creatures (Fabelwesen) from Das graphische Werk von Emil Nolde 1910-1925

Emil Nolde · (1926, published 1927)

Lithograph

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, Georges Rouault, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Georges Rouault · 1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925, Emil Nolde, (1926, published 1927), Lithograph

Elderly Men (Ältere Herren) from Das graphische Werk von Emil Nolde 1920-1925

Emil Nolde · (1926, published 1927)

Lithograph

The Museum of Modern Art

Café, George Grosz, c. 1926, Ink and pencil on paper

Café

George Grosz · c. 1926

Ink and pencil on paper

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, Georges Rouault, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Georges Rouault · 1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere, Georges Rouault, 1926, Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Georges Rouault · 1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere, Georges Rouault, 1926, Aquatint and drypoint over photogravure, with pen and ink additions

Trial proof for "With Tooth and Nail," plate L from Miserere

Georges Rouault · 1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Self-Portrait with Reflections, Lovis Corinth, 1925, Crayon on paper

Self-Portrait with Reflections

Lovis Corinth · 1925

Crayon on paper

The Museum of Modern Art

Max Herrmann-Neisse, George Grosz, 1925, Ink on paper

Max Herrmann-Neisse

George Grosz · 1925

Ink on paper

The Museum of Modern Art

Bread (Brot), Käthe Kollwitz, 1924, lithograph

Bread (Brot)

Käthe Kollwitz · 1924

lithograph

National Gallery of Art

Public domain

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