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The collection

14 works match your filters.

Medium:Drawing15 Painting14 Print1

Image

With image14
All14
Metadata only0

Year range

to

Decade

1950s1
1940s5
1930s7
1920s14
1910s4
1900s1

Medium

Painting14
Print1
Drawing15

Painting type

Oil2
Watercolor5
Gouache9

Institution

The Museum of Modern Art13
Art Institute of Chicago1

Nationality

- Europe
- Americas
French9
American4
German1

Movement

Expressionism25
Bauhaus21
Color Field19
pointillism19
Dada14
Orphism13
surrealism12
simultanism11
cubism10
Symbolism10
Constructivism8
New Objectivity8
De Stijl6
expressionism6
modernism6
Impressionism4
Post-impressionism4
Suprematism4
Futurism3
Neo-impressionism3
Rayonism3
Russian avant-garde3
abstract art2
abstraction1
absurdism1
alogism1
American Impressionism1
avant-garde1
degenerate art1
Fauvism1

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Exhibition History

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Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions1 works

Têtes-paysage, Francis Picabia, 1928, Oil on canvas

Têtes-paysage

Francis Picabia · 1928

Oil on canvas

Art Institute of Chicago

1 show

Circe (recto); Untitled (verso), George Grosz, 1927, Watercolor and ink on paper (recto); Ink on paper (verso)

Circe (recto); Untitled (verso)

George Grosz · 1927

Watercolor and ink on paper (recto); Ink on paper (verso)

The Museum of Modern Art

Mountain, Navel, Anchors, Table, Jean (Hans) Arp, 1925, Gouache on board with cutouts

Mountain, Navel, Anchors, Table

Jean (Hans) Arp · 1925

Gouache on board with cutouts

The Museum of Modern Art

Fuel Pump (Pompe à combustible), Francis Picabia, 1922, Pencil, ink, colored ink, and gouache on paper

Fuel Pump (Pompe à combustible)

Francis Picabia · 1922

Pencil, ink, colored ink, and gouache on paper

The Museum of Modern Art

Methusalem. Costume design for the play Methusalem, George Grosz, 1922, Watercolor, ink, metallic paint, and pencil on paper

Methusalem. Costume design for the play Methusalem

George Grosz · 1922

Watercolor, ink, metallic paint, and pencil on paper

The Museum of Modern Art

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses), Max Ernst, 1921, Gouache, ink, and pencil on printed paper on paperboard

The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisous grivelés et les échinodermes courbants l'échine pour quêter des caresses)

Max Ernst · 1921

Gouache, ink, and pencil on printed paper on paperboard

The Museum of Modern Art

Study for Man and Machine (Skizze zu Mensch und Maschine), Hannah Höch, 1921, Watercolor, gouache, and pencil on paper

Study for Man and Machine (Skizze zu Mensch und Maschine)

Hannah Höch · 1921

Watercolor, gouache, and pencil on paper

The Museum of Modern Art

Untitled, Max Ernst, 1920s, Cut-and-pasted printed paper on printed paper with gouache and pencil

Untitled

Max Ernst · 1920s

Cut-and-pasted printed paper on printed paper with gouache and pencil

The Museum of Modern Art

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), George Grosz, 1920, Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)

George Grosz · 1920

Watercolor, ink, pencil, and cut-and-pasted printed paper on paper

The Museum of Modern Art

Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer), Max Ernst, 1920, Gouache and pencil on printed paper on cardstock

Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss 2 kinds of lungwort 2 kinds of ruptures of the perinaeum growths of the heart b) the same thing in a well-polished little box somewhat more expensive (schichtgestein naturgabe aus gneis lava isländisch moos 2 sorten lungenkraut 2 sorten dammriss/herzgewächse b) dasselbe in fein poliertem kästchen etwas teurer)

Max Ernst · 1920

Gouache and pencil on printed paper on cardstock

The Museum of Modern Art

The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac), Max Ernst, 1920, Gouache, pencil, and ink on printed wallpaper on board

The Little Tear Gland That Says Tic Tac (La Petite fistule lacrimale qui dit tic tac)

Max Ernst · 1920

Gouache, pencil, and ink on printed wallpaper on board

The Museum of Modern Art

The Horse He's Sick (Un Peu malade le cheval), Max Ernst, 1920, Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock

The Horse He's Sick (Un Peu malade le cheval)

Max Ernst · 1920

Cut-and-pasted printed paper with pencil and gouache on printed paper on cardstock

The Museum of Modern Art

The Hat Makes the Man (C'est le chapeau qui fait l'homme), Max Ernst, 1920, Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board

The Hat Makes the Man (C'est le chapeau qui fait l'homme)

Max Ernst · 1920

Gouache, pencil, oil, and ink on cut-and-pasted printed paper on board

The Museum of Modern Art

Republican Automatons (Republikanische Automaten), George Grosz, 1920, Watercolor and pencil on paper

Republican Automatons (Republikanische Automaten)

George Grosz · 1920

Watercolor and pencil on paper

The Museum of Modern Art