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The collection

31 works match your filters.

Medium:Print14 Drawing12 Painting5

Image

With image31
All31
Metadata only0

Year range

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Decade

1990s4
1980s6
1970s12
1960s11
1950s24
1940s22
1930s3
1920s8
1910s31
1900s15
1890s6
1860s3
1830s3
1820s2
1770s1
1750s1
1740s1
1730s1
1710s1
1700s1
1680s1
1640s1
1480s1
1450s1
1440s1

Medium

Painting5
Print14
Drawing12

Institution

The Museum of Modern Art26
The Metropolitan Museum of Art4
Städel Museum1

Nationality

French711
American237
German105
Italian41
Russian40
British37
Austrian30
Spanish26
Australian8
Dutch8
Swiss7
Georgian5
Czech2
Ukrainian2
Unknown2
Belgian1
Finnish1
Korean1
Mexican1
Norwegian1
Polish1
Scottish1

Movement

Expressionism15
Symbolism12
Art Nouveau9

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Half-figure of a Young Woman, Gustav Klimt, 1918, Graphite.

Half-figure of a Young Woman

Gustav Klimt · 1918

Graphite.

The Metropolitan Museum of Art

CC0

Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), Alfred Kubin, (1918), Lithograph

Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen)

Alfred Kubin · (1918)

Lithograph

The Museum of Modern Art

Standing Woman in Kimono (Dame im Kimono), Gustav Klimt, 1917–18, Pencil on paper

Standing Woman in Kimono (Dame im Kimono)

Gustav Klimt · 1917–18

Pencil on paper

The Museum of Modern Art

Reclining Nude with Drapery, Back View, Gustav Klimt, 1917–1918, Graphite

Reclining Nude with Drapery, Back View

Gustav Klimt · 1917–1918

Graphite

The Metropolitan Museum of Art

CC0

Reclining Woman (Liegender Halbakt), Gustav Klimt, c. 1917, Pencil on paper

Reclining Woman (Liegender Halbakt)

Gustav Klimt · c. 1917

Pencil on paper

The Museum of Modern Art

Woman with Slipper (Frau mit Hausschuh), Egon Schiele, 1917, Charcoal on paper

Woman with Slipper (Frau mit Hausschuh)

Egon Schiele · 1917

Charcoal on paper

The Museum of Modern Art

Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), Oskar Kokoschka, (1917), Ink on paper

Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch)

Oskar Kokoschka · (1917)

Ink on paper

The Museum of Modern Art

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Portfolio of twelve lithographs

The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Portfolio of twelve lithographs

The Museum of Modern Art

Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Seated Woman (Sitzend nach rechts, Halbbild), Gustav Klimt, c. 1915, Pencil and colored pencil on paper

Seated Woman (Sitzend nach rechts, Halbbild)

Gustav Klimt · c. 1915

Pencil and colored pencil on paper

The Museum of Modern Art

Two Studies for a Crouching Woman, Gustav Klimt, 1914–15, Graphite

Two Studies for a Crouching Woman

Gustav Klimt · 1914–15

Graphite

The Metropolitan Museum of Art

CC0

Eifersucht, Edvard Munch, 1913, Öl auf Leinwand

Eifersucht

Edvard Munch · 1913

Öl auf Leinwand

Public domain

The Lovers, Gustav Klimt, 1913, Graphite

The Lovers

Gustav Klimt · 1913

Graphite

The Metropolitan Museum of Art

CC0

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