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The collection

64 works match your filters.

Medium:Painting24 Print19 Drawing15

Image

With image64
All68
Metadata only4

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Decade

1970s7
1960s4
1950s3
1940s13
1930s21
1920s92
1910s64
1900s29
1890s10
1880s5

Medium

Painting24
Print19
Drawing15

Institution

The Museum of Modern Art47
Städel Museum14
National Gallery of Art3

Nationality

- Europe
- Americas
German25
French15
Austrian14
American6
Dutch3
Norwegian1

Movement

Expressionism64
Symbolism26
Bauhaus22
Futurism19
cubism17
Color Field15
Dada15
pointillism15
expressionism12
Art Nouveau11
Suprematism11
Constructivism10
surrealism10
New Objectivity8
Catalan modernism7
Heidelberg School7
Rayonism7
De Stijl6
modern art6
modernism6
Russian avant-garde6
Impressionism5
Orphism5
abstract art4
Cubo-Futurism4
neo-primitivism4
Salon Cubism4
Section d'Or4
Fauvism3
Neo-impressionism3

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abstract expressionism

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Christ in Gethsemane, Ernst Barlach, 1919, woodcut

Christ in Gethsemane

Ernst Barlach · 1919

woodcut

National Gallery of Art

Public domain

Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment), Vasily Kandinsky, 1919 (published 1920), Complete set of eight issues of periodical, with line block reproductions in most

Iskusstvo. Vestnik otdela izobrazitel'nykh iskusstv narodnogo Komissariata po prosveshcheniiu (Art: Bulletin of the Department of Visual Arts in the People's Commissariat for Enlightenment)

Vasily Kandinsky · 1919 (published 1920)

Complete set of eight issues of periodical, with line block reproductions in most

The Museum of Modern Art

The First Human Beings (Die ersten Menschen), Lovis Corinth, (c. 1919), Lithographic crayon and pencil on paper

The First Human Beings (Die ersten Menschen)

Lovis Corinth · (c. 1919)

Lithographic crayon and pencil on paper

The Museum of Modern Art

Längmatte bei Monduntergang, Ernst Ludwig Kirchner, 1919, Farbholzschnitt von mehreren (nach Schiefler vier zerteilten) Stöcken in Hellblau, Rosa, Dunkelblau, Grün, Gelb, Orangerot, Dunkelrot und Weiß auf glattem Velinpapier

Längmatte bei Monduntergang

Ernst Ludwig Kirchner · 1919

Farbholzschnitt von mehreren (nach Schiefler vier zerteilten) Stöcken in Hellblau, Rosa, Dunkelblau, Grün, Gelb, Orangerot, Dunkelrot und Weiß auf glattem Velinpapier

Public domain

Heraus mit unsern Gefangenen, Käthe Kollwitz, 1919, Kreide- und Pinsellithografie (Umdruck) in Schwarz mit gelbem Tonstein auf dünnem Papier

Heraus mit unsern Gefangenen

Käthe Kollwitz · 1919

Kreide- und Pinsellithografie (Umdruck) in Schwarz mit gelbem Tonstein auf dünnem Papier

Public domain

The End of the Day, George Grosz, c. 1919, Ink on paper

The End of the Day

George Grosz · c. 1919

Ink on paper

The Museum of Modern Art

Fit for Active Service (Kriegsverwendungsfähig), George Grosz, 1918, Ink and pencil on paper

Fit for Active Service (Kriegsverwendungsfähig)

George Grosz · 1918

Ink and pencil on paper

The Museum of Modern Art

Study for Composition VIII (The Cow) (recto); Untitled (verso), Theo van Doesburg, c. 1917, Gouache, oil, and charcoal on paper (recto and verso)

Study for Composition VIII (The Cow) (recto); Untitled (verso)

Theo van Doesburg · c. 1917

Gouache, oil, and charcoal on paper (recto and verso)

The Museum of Modern Art

The Christmas Brothers, George Grosz, 1917, Ink on paper

The Christmas Brothers

George Grosz · 1917

Ink on paper

The Museum of Modern Art

Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), Oskar Kokoschka, (1917), Ink on paper

Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch)

Oskar Kokoschka · (1917)

Ink on paper

The Museum of Modern Art

Wolfgang Gurlitt, Lovis Corinth, (1917), Crayon on paper

Wolfgang Gurlitt

Lovis Corinth · (1917)

Crayon on paper

The Museum of Modern Art

Composition, Theo van Doesburg, 1917, dated 1915, Charcoal on paper

Composition

Theo van Doesburg · 1917, dated 1915

Charcoal on paper

The Museum of Modern Art

Study for Composition (The Cow), Theo van Doesburg, 1917, Pencil on paper

Study for Composition (The Cow)

Theo van Doesburg · 1917

Pencil on paper

The Museum of Modern Art

Head of van de Velde, Bright (Kopf van de Velde, Hell), Ernst Ludwig Kirchner, 1917, woodcut

Head of van de Velde, Bright (Kopf van de Velde, Hell)

Ernst Ludwig Kirchner · 1917

woodcut

National Gallery of Art

Public domain

Man with Spectacles, Georges Rouault, 1917, Watercolor and crayon on paper

Man with Spectacles

Georges Rouault · 1917

Watercolor and crayon on paper

The Museum of Modern Art

Metropolis (Grossstadt), George Grosz, 1917, Oil on board

Metropolis (Grossstadt)

George Grosz · 1917

Oil on board

The Museum of Modern Art

Homage to Gogol. Design for curtain for Gogol festival, Marc Chagall, 1917, Gouache, watercolor, and pencil on paper

Homage to Gogol. Design for curtain for Gogol festival

Marc Chagall · 1917

Gouache, watercolor, and pencil on paper

The Museum of Modern Art

Bildnis Erna mit Hut, Ernst Ludwig Kirchner, c. 1917, Rohrfeder in blaugrauer Tinte, Blindlinien (trockene Rohrfeder?) und Bleistift auf weiß gestrichenem Velin-Karton (halbmatt)

Bildnis Erna mit Hut

Ernst Ludwig Kirchner · c. 1917

Rohrfeder in blaugrauer Tinte, Blindlinien (trockene Rohrfeder?) und Bleistift auf weiß gestrichenem Velin-Karton (halbmatt)

Public domain

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

A Riddled Wall (Zerschossene Mauern), Otto Dix, (1916), Pencil on paper

A Riddled Wall (Zerschossene Mauern)

Otto Dix · (1916)

Pencil on paper

The Museum of Modern Art

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