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The collection

19 works match your filters.

Medium:Painting24 Print19 Drawing15

Image

With image19
All23
Metadata only4

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Decade

1970s7
1950s2
1940s1
1920s41
1910s19
1900s6
1890s7

Medium

Painting24
Print19
Drawing15

Institution

The Museum of Modern Art14
National Gallery of Art3
Städel Museum2

Nationality

- Europe
Austrian13
German6

Movement

Expressionism19
Bauhaus3
Color Field3
pointillism3
Constructivism2
Futurism2
Impressionism2
expressionism1
Rayonism1
Russian avant-garde1
Russian Futurism1
Suprematism1
Symbolism1

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New Objectivity

abstract expressionism

Catalan modernism

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Christ in Gethsemane, Ernst Barlach, 1919, woodcut

Christ in Gethsemane

Ernst Barlach · 1919

woodcut

National Gallery of Art

Public domain

The First Human Beings (Die ersten Menschen), Lovis Corinth, (c. 1919), Lithographic crayon and pencil on paper

The First Human Beings (Die ersten Menschen)

Lovis Corinth · (c. 1919)

Lithographic crayon and pencil on paper

The Museum of Modern Art

Head of van de Velde, Bright (Kopf van de Velde, Hell), Ernst Ludwig Kirchner, 1917, woodcut

Head of van de Velde, Bright (Kopf van de Velde, Hell)

Ernst Ludwig Kirchner · 1917

woodcut

National Gallery of Art

Public domain

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Portfolio of twelve lithographs

The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Portfolio of twelve lithographs

The Museum of Modern Art

Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), Oskar Kokoschka, 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs

Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

Schwangere Frau, Käthe Kollwitz, 1910, Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier)

Schwangere Frau

Käthe Kollwitz · 1910

Strichätzung, Aquatinta, Kaltnadel sowie Vernis mou mit Durchdruck von Bütten und Zieglerschem Umdruckpapier in Braun auf Velinpapier (Kupferdruckpapier)

Public domain

Frauenakt, Käthe Kollwitz, 1910?, Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier)

Frauenakt

Käthe Kollwitz · 1910?

Strichätzung, Aquatinta und Vernis mou mit Durchdruck von Bütten in Braun auf Velinpapier (Kupferdruckpapier)

Public domain

Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn), Käthe Kollwitz, 1910, etching and drypoint in black-brown ink on wove paper

Self-Portrait with Hand on Forehead (Selbstbildnis mit der Hand an der Stirn)

Käthe Kollwitz · 1910

etching and drypoint in black-brown ink on wove paper

National Gallery of Art

Public domain