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27 works match your filters.

Medium:Print18 Painting4 Drawing4 Sculpture1

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Death as Savior, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Death as Savior, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Poor Family, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Poor Family, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Road, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Road, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Night, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Night, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Sailors, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Sailors, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Child, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Child, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Sea, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Sea, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

On the Tracks, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

On the Tracks, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Blick auf Siena, Max Klinger, 8. Februar 1889, Aquarell und Gouache über Bleistift auf mattem Velinpapier

Blick auf Siena

Max Klinger · 8. Februar 1889

Aquarell und Gouache über Bleistift auf mattem Velinpapier

Public domain

Herod, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Herod, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Farmer, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Farmer, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Earth, from the series The Four Elements, Frederick G. Smith, c. 1888–89, Pen and ink, brush and wash over graphite

Earth, from the series The Four Elements

Frederick G. Smith · c. 1888–89

Pen and ink, brush and wash over graphite

Minneapolis Institute of Art

CC0

Air, from the series The Four Elements, Frederick G. Smith, c.1888–89, Pen and ink, brush and wash over graphite

Air, from the series The Four Elements

Frederick G. Smith · c.1888–89

Pen and ink, brush and wash over graphite

Minneapolis Institute of Art

CC0

Water, from the series The Four Elements, Frederick G. Smith, c. 1888–89, Pen and ink, brush and wash over graphite

Water, from the series The Four Elements

Frederick G. Smith · c. 1888–89

Pen and ink, brush and wash over graphite

Minneapolis Institute of Art

CC0

Fire, from the series The Four Elements, Frederick G. Smith, c. 1888–89, Pen and ink, brush and wash over graphite

Fire, from the series The Four Elements

Frederick G. Smith · c. 1888–89

Pen and ink, brush and wash over graphite

Minneapolis Institute of Art

CC0

Breaking Up of the Agamemnon (The Second Plate), Francis Seymour Haden, 1886, etching

Breaking Up of the Agamemnon (The Second Plate)

Francis Seymour Haden · 1886

etching

National Gallery of Art

Public domain

Cassandra, Max Klinger, (1886–1895/cast 1895–1904), Bronze; 23 1/2 x 13 1/2 X 13 1/2 in. (57 x 34.3 x 34.2 cm)

Cassandra

Max Klinger · (1886–1895/cast 1895–1904)

Bronze; 23 1/2 x 13 1/2 X 13 1/2 in. (57 x 34.3 x 34.2 cm)

Hirshhorn Museum and Sculpture Garden

CC0

Der Weber, Max Liebermann, 1882, Öl auf Leinwand

Der Weber

Max Liebermann · 1882

Öl auf Leinwand

Public domain

The Test at Longparish, Francis Seymour Haden, 1882, etching with drypoint in dark brown

The Test at Longparish

Francis Seymour Haden · 1882

etching with drypoint in dark brown

National Gallery of Art

Public domain

Encombe Woods (No.1), Francis Seymour Haden, 1881, etching, retouched with pencil (crayon?)

Encombe Woods (No.1)

Francis Seymour Haden · 1881

etching, retouched with pencil (crayon?)

National Gallery of Art

Public domain

Le Marché aux Bestiaux, Dieppe, Walter Richard Sickert, c. 1886, Oil on panel

Le Marché aux Bestiaux, Dieppe

Walter Richard Sickert · c. 1886

Oil on panel

Harvard Art Museums

A Lancashire River, Francis Seymour Haden, 1881, etching and drypoint

A Lancashire River

Francis Seymour Haden · 1881

etching and drypoint

National Gallery of Art

Public domain

Freistunde im Amsterdamer Waisenhaus, Max Liebermann, 1881–1882, Öl auf Leinwand

Freistunde im Amsterdamer Waisenhaus

Max Liebermann · 1881–1882

Öl auf Leinwand

Public domain

Self-Portrait at the Easel, Francis Seymour Haden, 1880, etching on laid paper

Self-Portrait at the Easel

Francis Seymour Haden · 1880

etching on laid paper

National Gallery of Art

Public domain

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