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The collection

109 works match your filters.

Medium:Print109 Painting64 Drawing38 Photography19 Ceramics18 Sculpture14 Textile6

Image

With image109
All135
Metadata only26

Year range

to

Decade

2010s6
2000s31
1990s72
1980s82
1970s125
1960s222
1950s132
1940s33
1930s19
1920s110
1910s250
1900s131
1890s197
1880s109
1870s102
1860s135
1850s227
1840s291
1830s238
1820s162
1810s130
1800s96
1790s79
1780s126
1770s111

Medium

Painting64
Print109
Drawing38
Photography19
Sculpture14
Ceramics18
Textile6

Institution

National Gallery of Art82
Harvard Art Museums11
Tate9
National Museum of Asian Art2
National Portrait Gallery2
The Museum of Modern Art2
Art Institute of Chicago1

Nationality

French48
American27
German10
British8
Australian5

Movement

Aestheticism23
French Realism2
Impressionism2
Orientalism2
Symbolism2

Exhibition History

Has exhibition record1

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)1

1880s×Remove filter Print×Remove filter Last exhibited before 2026×Remove filter Clear all

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View:Works Exhibitions1 works

The Sick Mother (La mère malade), Albert Besnard, 1889, etching and drypoint on wove paper

The Sick Mother (La mère malade)

Albert Besnard · 1889

etching and drypoint on wove paper

National Gallery of Art

Public domain

Death as Savior, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Death as Savior, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Poor Family, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Poor Family, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Road, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Road, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Night, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Night, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Images (Les images), Auguste Lepère, 1889, drypoint

Images (Les images)

Auguste Lepère · 1889

drypoint

National Gallery of Art

Public domain

Images (Les images), Auguste Lepère, 1889, drypoint

Images (Les images)

Auguste Lepère · 1889

drypoint

National Gallery of Art

Public domain

Intimacy (Intimité), Albert Besnard, 1889, etching and drypoint on wove paper

Intimacy (Intimité)

Albert Besnard · 1889

etching and drypoint on wove paper

National Gallery of Art

Public domain

Sailors, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Sailors, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Les toits de Saint-Severin, Auguste Lepère, 1889, etching

Les toits de Saint-Severin

Auguste Lepère · 1889

etching

National Gallery of Art

Public domain

Child, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Child, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Sea, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Sea, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

On the Tracks, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

On the Tracks, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Woman in a Cape (La femme à la pèlerine), Albert Besnard, 1889, etching, drypoint, and aquatint on laid paper

Woman in a Cape (La femme à la pèlerine)

Albert Besnard · 1889

etching, drypoint, and aquatint on laid paper

National Gallery of Art

Public domain

Herod, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Herod, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Farmer, from the portfolio "On Death, Part One, Opus XI", Max Klinger, 1889 (printed 1897), Etching and aquatint printed in black ink on off-white wove paper

Farmer, from the portfolio "On Death, Part One, Opus XI"

Max Klinger · 1889 (printed 1897)

Etching and aquatint printed in black ink on off-white wove paper

Harvard Art Museums

Sur la Seine, la nuit, Auguste Lepère, 1888, etching and drypoint

Sur la Seine, la nuit

Auguste Lepère · 1888

etching and drypoint

National Gallery of Art

Public domain

Le cabinet particulier (5e planche) (The Private Room) (fifth plate), Jean-Louis Forain, c. 1893, lithograph on wove Arches vellum paper

Le cabinet particulier (5e planche) (The Private Room) (fifth plate)

Jean-Louis Forain · c. 1893

lithograph on wove Arches vellum paper

National Gallery of Art

Public domain

Rouen Cathedral (La Cathedral de Rouen), Auguste Lepère, 1888, wood engraving

Rouen Cathedral (La Cathedral de Rouen)

Auguste Lepère · 1888

wood engraving

National Gallery of Art

Public domain

Le cabinet particulier (4e planche) (The Private Room) (fourth plate), Jean-Louis Forain, c. 1893, lithograph on wove Arches vellum paper

Le cabinet particulier (4e planche) (The Private Room) (fourth plate)

Jean-Louis Forain · c. 1893

lithograph on wove Arches vellum paper

National Gallery of Art

Public domain

Le cabinet particulier (3e planche) (The Private Room) (third plate), Jean-Louis Forain, c. 1893, lithograph on wove Arches vellum paper

Le cabinet particulier (3e planche) (The Private Room) (third plate)

Jean-Louis Forain · c. 1893

lithograph on wove Arches vellum paper

National Gallery of Art

Public domain

a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso), Jean-Louis Forain, c. 1893, a) lithograph on wove Arches vellum paper; b) graphite on wove Arches vellum paper

a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso)

Jean-Louis Forain · c. 1893

a) lithograph on wove Arches vellum paper; b) graphite on wove Arches vellum paper

National Gallery of Art

Public domain

Le cabinet particulier (1ère planche) (The Private Room) (first plate), Jean-Louis Forain, c. 1893, lithograph on wove Arches vellum paper

Le cabinet particulier (1ère planche) (The Private Room) (first plate)

Jean-Louis Forain · c. 1893

lithograph on wove Arches vellum paper

National Gallery of Art

Public domain

Bathing at Talloires (La baignade à Talloires), Albert Besnard, 1888, etching and drypoint on wove paper

Bathing at Talloires (La baignade à Talloires)

Albert Besnard · 1888

etching and drypoint on wove paper

National Gallery of Art

Public domain

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