The collection

Old Sal for ‘At the Back of the North Wind’

Arthur Hughes · c.1869

Ink on paper

Court petition regarding the children of Harriet, a freedwoman

Jeremiah Fuller · November 4, 1867

ink on paper; H x W: 6 1/2 x 7 3/4 in. (16.5 x 19.7 cm)

Public domain

Study of a Girl’s Head

Sir Edward Coley, Bt Burne-Jones · 1866

Graphite on paper

Study of a Man’s Head

Sir Edward Coley, Bt Burne-Jones · 1866

Graphite on paper

Study of a Seated Woman for ‘The Hours’

Sir Edward Coley, Bt Burne-Jones · c.1866

Graphite on paper

War Scene (A Female Casualty)

Théodule Ribot · c. 1870–72

Pen and black ink, brush and gray wash, with touches of red ink

CC0

Portrait of Lincoln and Washington

Shuyler · after c. 1865-before 1900

pencil on paper; sheet: 15 3/8 x 19 1/4 in. (39.2 x 48.9 cm)

CC0

Markt, Coburg

William Callow · 1863

Graphite on paper

Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper. Verso: graphite on paper

Nude Study of Knight for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Study of Knight for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Composition Study for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Nude Study of the Knight for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite and chalk on paper

Coburg

William Callow · 1863

Graphite on paper

Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite and chalk on paper

Study of a Tree

Tina Blau · 1863

Black chalk

CC0

Nude Study of Knight for ‘The Merciful Knight’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper

Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’

Sir Edward Coley, Bt Burne-Jones · c.1863

Graphite on paper. Verso: graphite on paper

Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram

Sir Edward Coley, Bt Burne-Jones · c.1862

Graphite on paper. Verso: graphite on paper

Two Studies of Tristram for ‘The Madness of Sir Tristram’

Sir Edward Coley, Bt Burne-Jones · c.1862

Graphite on paper

Bill of Sale for Chloe from Z. B. Oakes to Elias N. Ball

Walker · October 25, 1862

ink on paper; H x W: 14 × 8 1/2 in. (35.6 × 21.6 cm)

Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’

Sir Edward Coley, Bt Burne-Jones · c.1862, c.1863

Graphite on paper. Verso: graphite on paper

Sketch of Two Seated Figures: ‘Chant d’Amour’

Sir Edward Coley, Bt Burne-Jones · c.1862–5

Graphite on paper