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The collection

505 works match your filters.

Medium:Print268 Painting60 Drawing56 Sculpture50 Ceramics7 Textile4

Image

With image426
All505
Metadata only79

Year range

to

Decade

2020s420
2010s1,943
2000s3,026
1990s3,024
1980s3,248
1970s3,667
1960s2,433
1950s1,533
1940s1,467
1930s1,373
1920s1,892
1910s2,300
1900s1,679
1890s1,151
1880s646
1870s568
1860s552
1850s594
1840s516
1830s505
1820s362
1810s290
1800s2,596
1790s3,022
1780s362

Medium

Painting60
Print268
Drawing56
Sculpture50
Ceramics7
Textile4

Institution

National Gallery of Art276
Art Institute of Chicago66
Queensland Art Gallery and Gallery of Modern Art66
The Metropolitan Museum of Art30
Städel Museum24
Walters Art Museum15
National Portrait Gallery10
Cleveland Museum of Art8
Tate5
Minneapolis Institute of Art3
National Museum of African American History and Culture1
Statens Museum for Kunst (National Gallery of Denmark)1

Nationality

French295
American19
Australian12
Prussian10
German9
British6
Japanese6
American, born Scotland3
Austrian3
Bavarian2
Kingdom of Saxony2
Albany1
English1
Grand Duchy of Baden1
Swedish1

Movement

Romanticism16
English painting4
Nazarene movement4
Neoclassicism4
realism4
Impressionism3
Biedermeier1
Düsseldorf school of painting1
French Realism1
German Romanticism1
Post-romanticism1
Symbolism1

Exhibition History

Has exhibition record15

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)62
silk (fiber)1

1830s×Remove filter All works×Remove filter Clear all

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View:Works Exhibitions15 works

Milo of Crotona Rending the Oak, George Baxter, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Milo of Crotona Rending the Oak

George Baxter · 1838

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Dying Gladiator, George Baxter, 1838, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

The Dying Gladiator

George Baxter · 1838

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Young Eastern Woman, Friedrich Amerling, 1838, oil on fabric

The Young Eastern Woman

Friedrich Amerling · 1838

oil on fabric

Cleveland Museum of Art

CC0

1 show

Meta-koosega, John T. Bowen, 1838, Hand-colored lithograph on paper; Sheet: 50.2 × 35cm (19 3/4 × 13 3/4")

Meta-koosega

John T. Bowen · 1838

Hand-colored lithograph on paper; Sheet: 50.2 × 35cm (19 3/4 × 13 3/4")

National Portrait Gallery

CC0

Le Chevalier des Adrets est l'amant..., Honoré Daumier, 1838, lithograph

Le Chevalier des Adrets est l'amant...

Honoré Daumier · 1838

lithograph

National Gallery of Art

Public domain

L'Éducation au biberon, Honoré Daumier, 1838, lithograph

L'Éducation au biberon

Honoré Daumier · 1838

lithograph

National Gallery of Art

Public domain

Bildnis der Freifrau von Bernus, Philipp Veit, 1838, Öl auf Leinwand

Bildnis der Freifrau von Bernus

Philipp Veit · 1838

Öl auf Leinwand

Public domain

The Old Water Mill, George Baxter, 1838, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

The Old Water Mill

George Baxter · 1838

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Friedhof in Ischl, Rudolf von Alt, 1838, Aquarell auf rauem Velinpapier

Friedhof in Ischl

Rudolf von Alt · 1838

Aquarell auf rauem Velinpapier

Public domain

Fragment, Gertrude Rapp, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet

Fragment

Gertrude Rapp · 1838/1855

Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet

Art Institute of Chicago

CC0

1 show

English Ship by Moonlight (Melaia), George Baxter, 1838, Steel etching, aquatint, and roulette printed in black, with block printing in colors, on ivory wove paper

English Ship by Moonlight (Melaia)

George Baxter · 1838

Steel etching, aquatint, and roulette printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Gräfin Tatischeff, Ferdinand Georg Waldmüller, c. 1838, Öl auf Leinwand

Gräfin Tatischeff

Ferdinand Georg Waldmüller · c. 1838

Öl auf Leinwand

Public domain

View of Schroon Mountain, Essex County, New York, After a Storm, Thomas Cole, 1838, oil on canvas

View of Schroon Mountain, Essex County, New York, After a Storm

Thomas Cole · 1838

oil on canvas

Cleveland Museum of Art

CC0

15 shows

Paddy-Carr - Creek Interpreter, Alfred M. Hoffy, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8")

Paddy-Carr - Creek Interpreter

Alfred M. Hoffy · 1838

Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8")

National Portrait Gallery

CC0

Armchair, Auguste-Emile Rinquet-Leprince, c. 1843, Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts

Armchair

Auguste-Emile Rinquet-Leprince · c. 1843

Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts

The Metropolitan Museum of Art

CC0

The John Wesley Missionary Ship, George Baxter, 1838/41, Steel etching, aquatint, and stipple printed in black on ivory wove paper

The John Wesley Missionary Ship

George Baxter · 1838/41

Steel etching, aquatint, and stipple printed in black on ivory wove paper

Art Institute of Chicago

CC0

C'est tout de même flatteur d'avoir fait tant d'élèves!..., Honoré Daumier, 1838, lithograph

C'est tout de même flatteur d'avoir fait tant d'élèves!...

Honoré Daumier · 1838

lithograph

National Gallery of Art

Public domain

Armchair, Auguste-Emile Rinquet-Leprince, c. 1843, Applewood or pearwood, ebonized walnut, beech

Armchair

Auguste-Emile Rinquet-Leprince · c. 1843

Applewood or pearwood, ebonized walnut, beech

The Metropolitan Museum of Art

CC0

+ 6 metadata-only matchesshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

La Cuisine (The kitchen)Celestin-Francois - Collaborating artist (image), MALAPEAU, Charles-Louis Nanteuil · 1838
Kozuka with Cherry Tree and SwallowsKoretomo · c. 1850 (late Edo)
Still life with gameW.B. Gould · c.1838–45
Chain Bridge over the River Tees (from 'Picturesque views in England and Wales')W.R. - Engraver, TURNER, after J.M.W. Smith · 1838
Kashira with Seven Sages in a Bamboo GroveKimura Tomonaga · c. 1850 (late Edo-Meiji)
Vessantara Jataka, Chapter 3 (The Gift)Thai · c. 1850–1870 (Rattanakosin)

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