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The collection

505 works match your filters.

Medium:Print268 Painting60 Drawing56 Sculpture50 Ceramics7 Textile4

Image

With image426
All505
Metadata only79

Year range

to

Decade

2020s420
2010s1,943
2000s3,026
1990s3,024
1980s3,248
1970s3,667
1960s2,433
1950s1,533
1940s1,467
1930s1,373
1920s1,892
1910s2,300
1900s1,679
1890s1,151
1880s646
1870s568
1860s552
1850s594
1840s516
1830s505
1820s362
1810s290
1800s2,596
1790s3,022
1780s362

Medium

Painting60
Print268
Drawing56
Sculpture50
Ceramics7
Textile4

Institution

National Gallery of Art276
Art Institute of Chicago66
Queensland Art Gallery and Gallery of Modern Art66
The Metropolitan Museum of Art30
Städel Museum24
Walters Art Museum15
National Portrait Gallery10
Cleveland Museum of Art8
Tate5
Minneapolis Institute of Art3
National Museum of African American History and Culture1
Statens Museum for Kunst (National Gallery of Denmark)1

Nationality

French295
American19
Australian12
Prussian10
German9
British6
Japanese6
American, born Scotland3
Austrian3
Bavarian2
Kingdom of Saxony2
Albany1
English1
Grand Duchy of Baden1
Swedish1

Movement

Romanticism16
English painting4
Nazarene movement4
Neoclassicism4
realism4
Impressionism3
Biedermeier1
Düsseldorf school of painting1
French Realism1
German Romanticism1
Post-romanticism1
Symbolism1

Exhibition History

Has exhibition record15

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)62
silk (fiber)1

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View:Works Exhibitions15 works

Michaelangelo's Moses, George Baxter, 1839, Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Michaelangelo's Moses

George Baxter · 1839

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Victoria, Queen of Great Britain, also called Queen's Hand on Table, George Baxter, after 1839, Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount

Victoria, Queen of Great Britain, also called Queen's Hand on Table

George Baxter · after 1839

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Les Badauds, Honoré Daumier, 1839, lithograph

Les Badauds

Honoré Daumier · 1839

lithograph

National Gallery of Art

Public domain

Rafaralahy, Governor of Foule Point Madagascar, George Baxter, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper

Rafaralahy, Governor of Foule Point Madagascar

George Baxter · 1839

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

Lo Studio, George Baxter, 1839, Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

Lo Studio

George Baxter · 1839

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Lo Studio, George Baxter, 1839, Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

Lo Studio

George Baxter · 1839

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, Honoré Daumier, 1839/42, Lithograph in black, with additions in pen and iron gall ink, on cream wove paper

I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs

Honoré Daumier · 1839/42

Lithograph in black, with additions in pen and iron gall ink, on cream wove paper

Art Institute of Chicago

CC0

1 show

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, Honoré Daumier, 1839, Lithograph in black on ivory wove paper

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs

Honoré Daumier · 1839

Lithograph in black on ivory wove paper

Art Institute of Chicago

CC0

1 show

La Panne, Charles Meryon, 1839, graphite on wove paper

La Panne

Charles Meryon · 1839

graphite on wove paper

National Gallery of Art

Public domain

Volé!... Rue vide-gousset..., Honoré Daumier, 1839, lithograph

Volé!... Rue vide-gousset...

Honoré Daumier · 1839

lithograph

National Gallery of Art

Public domain

Parsonage at Ovingham, George Baxter, 1839, Steel etching with block printing in sepia, on ivory wove paper

Parsonage at Ovingham

George Baxter · 1839

Steel etching with block printing in sepia, on ivory wove paper

Art Institute of Chicago

CC0

Der Schutzengel rettet Kaiser Maximilian aus der Martinswand, Alfred Rethel, 1839, Öl auf Leinwand

Der Schutzengel rettet Kaiser Maximilian aus der Martinswand

Alfred Rethel · 1839

Öl auf Leinwand

Public domain

Équitation boutiquière, Honoré Daumier, 1839, lithograph

Équitation boutiquière

Honoré Daumier · 1839

lithograph

National Gallery of Art

Public domain

Self-Portrait, Alfred Jacob Miller, c. 1850, oil on canvas

Self-Portrait

Alfred Jacob Miller · c. 1850

oil on canvas

Walters Art Museum

The John Wesley Missionary Ship, George Baxter, 1838/41, Steel etching, aquating, and stipple printed in black on ivory wove paper

The John Wesley Missionary Ship

George Baxter · 1838/41

Steel etching, aquating, and stipple printed in black on ivory wove paper

Art Institute of Chicago

CC0

Wa-bish-kee-pe-nas - The White Pigeon, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16")

Wa-bish-kee-pe-nas - The White Pigeon

1838

Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16")

National Portrait Gallery

CC0

Stum-ma-nu - A Flathead Boy, Alfred M. Hoffy, 1838, Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8")

Stum-ma-nu - A Flathead Boy

Alfred M. Hoffy · 1838

Hand-colored lithograph on paper; Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16"); Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8")

National Portrait Gallery

CC0

Shau-hau-napo-tinia, 1838, Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16")

Shau-hau-napo-tinia

1838

Hand-colored lithograph on paper; Sheet: 50 × 36cm (19 11/16 × 14 3/16")

National Portrait Gallery

CC0

+ 6 metadata-only matchesshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Four salt cellarsJOHN and WILLIAM BARNARD Edward · c.1839–40
Dr Channing - portrait of manS. Gambardella · 1839
Un echantillon (from 'Types Parisiens' series)Honoré Daumier · c.1839–40
Untitled (near Port Albert)S.T. Gill · c.1839–80
Flinders Range looking south east from Mt BrownS.T. Gill · c.1839–50?
Landscape (With cows and fence)S.T. Gill · c.1839–80

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