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66 works match your filters.

1830s Art Institute of Chicago With image Clear all

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Michaelangelo's Moses

George Baxter · 1839

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

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Victoria, Queen of Great Britain, also called Queen's Hand on Table

George Baxter · after 1839

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount

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Rafaralahy, Governor of Foule Point Madagascar

George Baxter · 1839

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper

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Lo Studio

George Baxter · 1839

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

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Lo Studio

George Baxter · 1839

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

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I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs

Honoré Daumier · 1839/42

Lithograph in black, with additions in pen and iron gall ink, on cream wove paper

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Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs

Honoré Daumier · 1839

Lithograph in black on ivory wove paper

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Parsonage at Ovingham

George Baxter · 1839

Steel etching with block printing in sepia, on ivory wove paper

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The John Wesley Missionary Ship

George Baxter · 1838/41

Steel etching, aquating, and stipple printed in black on ivory wove paper

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Milo of Crotona Rending the Oak

George Baxter · 1838

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

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The Dying Gladiator

George Baxter · 1838

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

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The Old Water Mill

George Baxter · 1838

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

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Fragment

Gertrude Rapp · 1838/1855

Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet

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English Ship by Moonlight (Melaia)

George Baxter · 1838

Steel etching, aquatint, and roulette printed in black, with block printing in colors, on ivory wove paper

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The John Wesley Missionary Ship

George Baxter · 1838/41

Steel etching, aquatint, and stipple printed in black on ivory wove paper

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Avalanche at Lewes

George Baxter · 1837

Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper

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Turn of the Monsoon

George Baxter · 1837

Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper

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The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)"

Utagawa Hiroshige · 1837–38

Color woodblock print; ōban

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Te Po, a Chief of Rarotonga

George Baxter · 1837

Steel etching printed in black, with block printing in colors, on ivory wove paper

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Cleopatra

George Baxter · 1837

Steel etching and stipple printd in purple, with block printing in colors (from 16 blocks), on wove paper, laid down on original stamped mount

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Rev. John Williams

George Baxter · 1837

Steel etching and aquatint, with block printing in colors, on ivory wove paper

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Summer Fly

George Baxter · 1837

Steel etching printed in blue, with block printing in colors, on ivory wove paper

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Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)"

Utagawa Hiroshige · 1837–38

Color woodblock print; ōban

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Isola Bella, Lago Maggiore, Italy

George Baxter · 1837

Steel etching printed in blue, with block printing in colors, on ivory wove paper

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