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dartabase Play Browse Movements

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The collection

505 works match your filters.

Medium:Print268 Painting60 Drawing56 Sculpture50 Ceramics7 Textile4

Image

With image426
All505
Metadata only79

Year range

to

Decade

2020s420
2010s1,943
2000s3,026
1990s3,024
1980s3,248
1970s3,667
1960s2,433
1950s1,533
1940s1,467
1930s1,373
1920s1,892
1910s2,300
1900s1,679
1890s1,151
1880s646
1870s568
1860s552
1850s594
1840s516
1830s505
1820s362
1810s290
1800s2,596
1790s3,022
1780s362

Medium

Painting60
Print268
Drawing56
Sculpture50
Ceramics7
Textile4

Institution

National Gallery of Art276
Art Institute of Chicago66
Queensland Art Gallery and Gallery of Modern Art66
The Metropolitan Museum of Art30
Städel Museum24
Walters Art Museum15
National Portrait Gallery10
Cleveland Museum of Art8
Tate5
Minneapolis Institute of Art3
National Museum of African American History and Culture1
Statens Museum for Kunst (National Gallery of Denmark)1

Nationality

French295
American19
Australian12
Prussian10
German9
British6
Japanese6
American, born Scotland3
Austrian3
Bavarian2
Kingdom of Saxony2
Albany1
English1
Grand Duchy of Baden1
Swedish1

Movement

Romanticism16
English painting4
Nazarene movement4
Neoclassicism4
realism4
Impressionism3
Biedermeier1
Düsseldorf school of painting1
French Realism1
German Romanticism1
Post-romanticism1
Symbolism1

Exhibition History

Has exhibition record15

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)62
silk (fiber)1

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View:Works Exhibitions15 works

I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, Honoré Daumier, 1839/42, Lithograph in black, with additions in pen and iron gall ink, on cream wove paper

I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs

Honoré Daumier · 1839/42

Lithograph in black, with additions in pen and iron gall ink, on cream wove paper

Art Institute of Chicago

CC0

1 show

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, Honoré Daumier, 1839, Lithograph in black on ivory wove paper

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs

Honoré Daumier · 1839

Lithograph in black on ivory wove paper

Art Institute of Chicago

CC0

1 show

Fragment, Gertrude Rapp, 1838/1855, Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet

Fragment

Gertrude Rapp · 1838/1855

Silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet

Art Institute of Chicago

CC0

1 show

View of Florence, Thomas Cole, 1837, oil on canvas

View of Florence

Thomas Cole · 1837

oil on canvas

Cleveland Museum of Art

CC0

6 shows

Antiochus and Stratonice, Jean Auguste Dominique Ingres, c. 1838, oil on linen

Antiochus and Stratonice

Jean Auguste Dominique Ingres · c. 1838

oil on linen

Cleveland Museum of Art

CC0

3 shows

Madame Désiré Raoul-Rochette, Jean Auguste Dominique Ingres, 1830, graphite on cream wove paper

Madame Désiré Raoul-Rochette

Jean Auguste Dominique Ingres · 1830

graphite on cream wove paper

Cleveland Museum of Art

CC0

30 shows

Self-Portrait, Achille Devéria, c. 1835, Lithograph in black on off-white China paper, laid down on cream wove paper

Self-Portrait

Achille Devéria · c. 1835

Lithograph in black on off-white China paper, laid down on cream wove paper

Art Institute of Chicago

CC0

1 show

Two Girls in Regional Costume, François Hippolyte Lalaisse, n.d., Oil paint, over graphite, on tan wove paper (discolored), prepared with a textured oil ground

Two Girls in Regional Costume

François Hippolyte Lalaisse · n.d.

Oil paint, over graphite, on tan wove paper (discolored), prepared with a textured oil ground

Art Institute of Chicago

CC0

1 show

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