Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Browse

The collection

30 works match your filters.

Medium:Print10 Painting9 Drawing5 Sculpture1 Textile1

Image

With image30
All35
Metadata only5

Year range

to

Decade

2010s1
2000s30
1990s111
1980s211
1970s164
1960s170
1950s115
1940s100
1930s87
1920s814
1910s857
1900s969
1890s341
1880s145
1870s163
1860s155
1850s158
1840s223
1830s296
1820s30
1810s28
1800s58
1790s49
1780s163
1770s167

Medium

Painting9
Print10
Drawing5
Sculpture1
Textile1

Institution

National Gallery of Art13
The Metropolitan Museum of Art7
Städel Museum6
Harvard Art Museums1
Minneapolis Institute of Art1
Statens Museum for Kunst (National Gallery of Denmark)1
Walters Art Museum1

Nationality

British92
American27
French26
Spanish4
German3
Prussian3
Chinese2
Grand Duchy of Baden2
Austrian1
Continental1
Italian1
Japanese1
Kingdom of Saxony1
Lübeck1
Norwegian1
Saxe-Weimar-Eisenach1
Swiss1
Unknown1

Movement

Romanticism7
realism1

1820s×Remove filter Italian×Remove filter German×Remove filter French×Remove filter Clear all

Sort:

Export:Download

Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre), Eugène Delacroix, c. 1828/1833, etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper

Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre)

Eugène Delacroix · c. 1828/1833

etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper

National Gallery of Art

Public domain

Blick auf den Vesuv, Jean Baptiste Camille Corot, 1828, Bleistift auf Velinpapier

Blick auf den Vesuv

Jean Baptiste Camille Corot · 1828

Bleistift auf Velinpapier

Public domain

Don Quixote and the Dead Mule, Honoré Daumier, after 1864, Oil on wood

Don Quixote and the Dead Mule

Honoré Daumier · after 1864

Oil on wood

The Metropolitan Museum of Art

CC0

Morgen am Tegernsee, Wilhelm von Kobell, 1827, Öl auf Leinwand

Morgen am Tegernsee

Wilhelm von Kobell · 1827

Öl auf Leinwand

Public domain

Bewaldete Felsformation bei Cività Castellana, Jean Baptiste Camille Corot, c. 1827, Bleistift und Feder in Braun auf Velinpapier

Bewaldete Felsformation bei Cività Castellana

Jean Baptiste Camille Corot · c. 1827

Bleistift und Feder in Braun auf Velinpapier

Public domain

Lake Albano and Castel Gandolfo, Jean Baptiste Camille Corot, 1826–27, Oil on paper, laid down on wood

Lake Albano and Castel Gandolfo

Jean Baptiste Camille Corot · 1826–27

Oil on paper, laid down on wood

The Metropolitan Museum of Art

CC0

Blick auf Marino in den Albaner Bergen am frühen Morgen, Jean Baptiste Camille Corot, 1826–1827, Öl auf Leinwand

Blick auf Marino in den Albaner Bergen am frühen Morgen

Jean Baptiste Camille Corot · 1826–1827

Öl auf Leinwand

Public domain

Italienische Herbstlandschaft bei Marino, Jean Baptiste Camille Corot, 1826–1827, Öl auf Leinwand

Italienische Herbstlandschaft bei Marino

Jean Baptiste Camille Corot · 1826–1827

Öl auf Leinwand

Public domain

Faust und Mephisto auf dem Blocksberg, Eugène Delacroix, c. 1826–1827, Pinsel in Schwarz und Grau über Bleistift auf Velinpapier

Faust und Mephisto auf dem Blocksberg

Eugène Delacroix · c. 1826–1827

Pinsel in Schwarz und Grau über Bleistift auf Velinpapier

Public domain

Branches, Rodolphe Bresdin, 1825, etching

Branches

Rodolphe Bresdin · 1825

etching

National Gallery of Art

Public domain

Madonna and Child, Italian 19th Century, mid 19th century, marble

Madonna and Child

Italian 19th Century · mid 19th century

marble

National Gallery of Art

Public domain

Honfleur: Calvary, Jean Baptiste Camille Corot, c. 1830, Oil on wood

Honfleur: Calvary

Jean Baptiste Camille Corot · c. 1830

Oil on wood

The Metropolitan Museum of Art

CC0

Four Magistrates of Besançon (Quatre magistrats de Besançon), Jean-Auguste-Dominique Ingres, 1825, lithograph on wove paper

Four Magistrates of Besançon (Quatre magistrats de Besançon)

Jean-Auguste-Dominique Ingres · 1825

lithograph on wove paper

National Gallery of Art

Public domain

Panel, France, 1825, Cotton, copperplate or roller-printed fabric

Panel

France · 1825

Cotton, copperplate or roller-printed fabric

Minneapolis Institute of Art

CC0

A Farmhouse with a Thatched Roof and Trees Beside a River, Constant Troyon, 1825–65, Black chalk with touches of white, on blue paper

A Farmhouse with a Thatched Roof and Trees Beside a River

Constant Troyon · 1825–65

Black chalk with touches of white, on blue paper

The Metropolitan Museum of Art

CC0

Italian Landscape, Jean Baptiste Camille Corot, c. 1825–28, Oil on paper, laid down on canvas

Italian Landscape

Jean Baptiste Camille Corot · c. 1825–28

Oil on paper, laid down on canvas

The Metropolitan Museum of Art

CC0

The Suicide, Alexandre-Gabriel Decamps, c. 1836, oil on canvas

The Suicide

Alexandre-Gabriel Decamps · c. 1836

oil on canvas

Walters Art Museum

The Natchez, Eugène Delacroix, 1823–24 and 1835, Oil on canvas

The Natchez

Eugène Delacroix · 1823–24 and 1835

Oil on canvas

The Metropolitan Museum of Art

CC0

Infanterie legère française, Carabinier, Nicolas-Toussaint Charlet, 1822, lithograph

Infanterie legère française, Carabinier

Nicolas-Toussaint Charlet · 1822

lithograph

National Gallery of Art

Public domain

Ecole du balayeur, Nicolas-Toussaint Charlet, 1822, lithograph

Ecole du balayeur

Nicolas-Toussaint Charlet · 1822

lithograph

National Gallery of Art

Public domain

Infanterie legère française, Voltigeur, Nicolas-Toussaint Charlet, 1822, lithograph

Infanterie legère française, Voltigeur

Nicolas-Toussaint Charlet · 1822

lithograph

National Gallery of Art

Public domain

Studies of a Damned Man, for "The Barque of Dante", Eugène Delacroix, 1822, Pen, brown ink, black wash over black chalk and graphite

Studies of a Damned Man, for "The Barque of Dante"

Eugène Delacroix · 1822

Pen, brown ink, black wash over black chalk and graphite

The Metropolitan Museum of Art

CC0

The Flemish Farrier, Théodore Géricault, 1821, lithograph

The Flemish Farrier

Théodore Géricault · 1821

lithograph

National Gallery of Art

Public domain

Chasse-maree au plus pres, Charles Meryon, 1821, graphite on wove paper

Chasse-maree au plus pres

Charles Meryon · 1821

graphite on wove paper

National Gallery of Art

Public domain

← Prev

1
2