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The collection

53 works match your filters.

Medium:Painting20 Print9 Drawing6 Ceramics1 Textile1

Image

With image53
All57
Metadata only4

Year range

to

Decade

2010s10
2000s39
1990s174
1980s255
1970s484
1960s486
1950s268
1940s324
1930s303
1920s844
1910s948
1900s1,024
1890s480
1880s218
1870s223
1860s182
1850s183
1840s235
1830s305
1820s53
1810s43
1800s83
1790s81
1780s156
1770s172

Medium

Painting20
Print9
Drawing6
Ceramics1
Textile1

Institution

The Metropolitan Museum of Art20
National Gallery of Art17
Städel Museum5
Minneapolis Institute of Art4
Harvard Art Museums2
National Museum of African American History and Culture2
Walters Art Museum2
Cleveland Museum of Art1

Nationality

British92
American27
French26
Spanish4
German3
Prussian3
Chinese2
Grand Duchy of Baden2
Austrian1
Continental1
Italian1
Japanese1
Kingdom of Saxony1
Lübeck1
Norwegian1
Saxe-Weimar-Eisenach1
Swiss1
Unknown1

Movement

Romanticism7
Neoclassicism1
realism1

Exhibition History

Has exhibition record1

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions1 works

Record of taxes on property, including enslaved persons, owned by Rouzee estates, Rouzee Family, October 1829, ink on paper; L x W: 6 3/4 x 8 in. (17.1 x 20.3 cm)

Record of taxes on property, including enslaved persons, owned by Rouzee estates

Rouzee Family · October 1829

ink on paper; L x W: 6 3/4 x 8 in. (17.1 x 20.3 cm)

National Museum of African American History and Culture

Public domain

John Randolph, Chester Harding, 1829, oil on canvas

John Randolph

Chester Harding · 1829

oil on canvas

National Gallery of Art

Public domain

Beaker, Oliver Trask, c. 1832–39, Pewter

Beaker

Oliver Trask · c. 1832–39

Pewter

The Metropolitan Museum of Art

CC0

Robert G. L. De Peyster, Samuel Lovett Waldo, 1828, oil on wood

Robert G. L. De Peyster

Samuel Lovett Waldo · 1828

oil on wood

National Gallery of Art

Public domain

Portrait of Antoine Clement, Alfred Jacob Miller, c. 1840, oil on canvas

Portrait of Antoine Clement

Alfred Jacob Miller · c. 1840

oil on canvas

Walters Art Museum

Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre), Eugène Delacroix, c. 1828/1833, etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper

Tiger Sleeping at the Entrance to its Lair (Tigre couché à l'entrée de son antre)

Eugène Delacroix · c. 1828/1833

etching, drypoint, mezzotint (?), and roulette with burnishing on wove paper

National Gallery of Art

Public domain

Blick auf den Vesuv, Jean Baptiste Camille Corot, 1828, Bleistift auf Velinpapier

Blick auf den Vesuv

Jean Baptiste Camille Corot · 1828

Bleistift auf Velinpapier

Public domain

Don Quixote and the Dead Mule, Honoré Daumier, after 1864, Oil on wood

Don Quixote and the Dead Mule

Honoré Daumier · after 1864

Oil on wood

The Metropolitan Museum of Art

CC0

Beaker, C. White, c. 1830–40, Silver

Beaker

C. White · c. 1830–40

Silver

The Metropolitan Museum of Art

CC0

Architectural elements from a Retiring Room in the North Family Dwelling American, New Lebanon, New York, United Society of Believers in Christ’s Second Appearing (“Shakers”), c. 1830–40, Wood

Architectural elements from a Retiring Room in the North Family Dwelling American, New Lebanon, New York

United Society of Believers in Christ’s Second Appearing (“Shakers”) · c. 1830–40

Wood

The Metropolitan Museum of Art

CC0

Bewaldete Felsformation bei Cività Castellana, Jean Baptiste Camille Corot, c. 1827, Bleistift und Feder in Braun auf Velinpapier

Bewaldete Felsformation bei Cività Castellana

Jean Baptiste Camille Corot · c. 1827

Bleistift und Feder in Braun auf Velinpapier

Public domain

Cup and Saucer, Tucker Factory, 1826–38, Porcelain

Cup and Saucer

Tucker Factory · 1826–38

Porcelain

The Metropolitan Museum of Art

CC0

Lake Albano and Castel Gandolfo, Jean Baptiste Camille Corot, 1826–27, Oil on paper, laid down on wood

Lake Albano and Castel Gandolfo

Jean Baptiste Camille Corot · 1826–27

Oil on paper, laid down on wood

The Metropolitan Museum of Art

CC0

Blick auf Marino in den Albaner Bergen am frühen Morgen, Jean Baptiste Camille Corot, 1826–1827, Öl auf Leinwand

Blick auf Marino in den Albaner Bergen am frühen Morgen

Jean Baptiste Camille Corot · 1826–1827

Öl auf Leinwand

Public domain

Italienische Herbstlandschaft bei Marino, Jean Baptiste Camille Corot, 1826–1827, Öl auf Leinwand

Italienische Herbstlandschaft bei Marino

Jean Baptiste Camille Corot · 1826–1827

Öl auf Leinwand

Public domain

Faust und Mephisto auf dem Blocksberg, Eugène Delacroix, c. 1826–1827, Pinsel in Schwarz und Grau über Bleistift auf Velinpapier

Faust und Mephisto auf dem Blocksberg

Eugène Delacroix · c. 1826–1827

Pinsel in Schwarz und Grau über Bleistift auf Velinpapier

Public domain

Portrait of a Lady, American 19th Century, c. 1825, oil on canvas

Portrait of a Lady

American 19th Century · c. 1825

oil on canvas

National Gallery of Art

Public domain

Branches, Rodolphe Bresdin, 1825, etching

Branches

Rodolphe Bresdin · 1825

etching

National Gallery of Art

Public domain

Landscape, Thomas Cole, 1825, Oil on canvas

Landscape

Thomas Cole · 1825

Oil on canvas

Minneapolis Institute of Art

CC0

Honfleur: Calvary, Jean Baptiste Camille Corot, c. 1830, Oil on wood

Honfleur: Calvary

Jean Baptiste Camille Corot · c. 1830

Oil on wood

The Metropolitan Museum of Art

CC0

Bottle, Boston & Sandwich Glass Company, 1825–40, Blown-molded glass

Bottle

Boston & Sandwich Glass Company · 1825–40

Blown-molded glass

The Metropolitan Museum of Art

CC0

Four Magistrates of Besançon (Quatre magistrats de Besançon), Jean-Auguste-Dominique Ingres, 1825, lithograph on wove paper

Four Magistrates of Besançon (Quatre magistrats de Besançon)

Jean-Auguste-Dominique Ingres · 1825

lithograph on wove paper

National Gallery of Art

Public domain

Panel, France, 1825, Cotton, copperplate or roller-printed fabric

Panel

France · 1825

Cotton, copperplate or roller-printed fabric

Minneapolis Institute of Art

CC0

A Farmhouse with a Thatched Roof and Trees Beside a River, Constant Troyon, 1825–65, Black chalk with touches of white, on blue paper

A Farmhouse with a Thatched Roof and Trees Beside a River

Constant Troyon · 1825–65

Black chalk with touches of white, on blue paper

The Metropolitan Museum of Art

CC0

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