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The collection

218 works match your filters.

Medium:Print130 Painting42 Drawing14 Sculpture4 Photography1 Ceramics1

Image

With image218
All290
Metadata only72

Year range

to

Decade

2020s4
2010s97
2000s156
1990s440
1980s618
1970s831
1960s1,062
1950s622
1940s553
1930s505
1920s1,212
1910s1,306
1900s1,249
1890s843
1880s329
1870s308
1860s357
1850s410
1840s380
1830s426
1820s253
1810s218
1800s1,848
1790s2,342
1780s312

Medium

Painting42
Print130
Drawing14
Photography1
Sculpture4
Ceramics1

Institution

Tate126
National Gallery of Art34
The Metropolitan Museum of Art24
Städel Museum13
Art Institute of Chicago8
Cleveland Museum of Art5
Minneapolis Institute of Art4
Walters Art Museum2
Cooper Hewitt, Smithsonian Design Museum1
National Museum of African American History and Culture1

Nationality

- Europe
- Americas
British126
French24
American19
Spanish5
German3
Grand Duchy of Baden3
American, born Scotland2
Free City of Frankfurt2
American (Boston)1
Anhalt-Dessau1
Italian1
Lübeck1
Paris1
Prussian1
Scottish1

Movement

Romanticism128
English painting119
French Realism3
Neoclassicism3
Rococo3
Nazarene movement1
realism1

Exhibition History

Has exhibition record13

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)7
graphite2
wash2
black ink1
charcoal1
colored ink1
gray wash1
ink1
oil wash1
organic material1
wove paper1

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View:Works Exhibitions13 works

View of the Villa Medici and Sta Trinità dei Monti from Ingres's Studio in the Pavillon San Gaetano, Rome, Achille Etna Michallon, 1819, Graphite on ivory laid paper

View of the Villa Medici and Sta Trinità dei Monti from Ingres's Studio in the Pavillon San Gaetano, Rome

Achille Etna Michallon · 1819

Graphite on ivory laid paper

Art Institute of Chicago

CC0

1 show

Aided by Eeriboia, Hermes Carries Off the Exhausted Ares from the Sleeping Sons of Aloeus (recto); Sketch of One of the Sleeping Sons of Aloeus (verso), Henry Fuseli, 1819, Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper

Aided by Eeriboia, Hermes Carries Off the Exhausted Ares from the Sleeping Sons of Aloeus (recto); Sketch of One of the Sleeping Sons of Aloeus (verso)

Henry Fuseli · 1819

Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper

Art Institute of Chicago

CC0

1 show

Fighting Horses, Théodore Géricault, c. 1820, watercolor over graphite

Fighting Horses

Théodore Géricault · c. 1820

watercolor over graphite

Cleveland Museum of Art

CC0

32 shows

A View in San Lorenzo Fuori le Mura, Rome, Gustav Friedrich Hetsch, c. 1820, Pen and brown ink and brush and various brown washes on ivory wove paper, edge-mounted to an ivory laid paper inlay

A View in San Lorenzo Fuori le Mura, Rome

Gustav Friedrich Hetsch · c. 1820

Pen and brown ink and brush and various brown washes on ivory wove paper, edge-mounted to an ivory laid paper inlay

Art Institute of Chicago

CC0

1 show

Portrait of Jean Terford David, Thomas Sully, 1813, oil on canvas

Portrait of Jean Terford David

Thomas Sully · 1813

oil on canvas

Cleveland Museum of Art

CC0

3 shows

Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side, Henry Fuseli, c. 1818, Etching and aquatint on ivory wove paper

Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side

Henry Fuseli · c. 1818

Etching and aquatint on ivory wove paper

Art Institute of Chicago

CC0

1 show

Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso), Christoffer Wilhelm Eckersberg, 1812, Pen and black ink, with brush and gray and brown washes, over graphite (recto); graphite and pen and black ink (verso) on off-white wove paper

Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso)

Christoffer Wilhelm Eckersberg · 1812

Pen and black ink, with brush and gray and brown washes, over graphite (recto); graphite and pen and black ink (verso) on off-white wove paper

Art Institute of Chicago

CC0

1 show

Landscape with Saint George and the Dragon and the Monte Soratte, Joseph Anton Koch, c. 1816, Pen and dark gray ink, over graphite (recto); graphite (verso) on ivory laid paper

Landscape with Saint George and the Dragon and the Monte Soratte

Joseph Anton Koch · c. 1816

Pen and dark gray ink, over graphite (recto); graphite (verso) on ivory laid paper

Art Institute of Chicago

CC0

1 show

Perseus Starting from the Cave of the Gorgons, Henry Fuseli, c. 1816, Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid down on off-white Japanese paper

Perseus Starting from the Cave of the Gorgons

Henry Fuseli · c. 1816

Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid down on off-white Japanese paper

Art Institute of Chicago

CC0

1 show

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