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The collection

42 works match your filters.

Medium:Painting12 Drawing4 Print2 Sculpture1 Textile1

Image

With image42
All42
Metadata only0

Year range

to

Decade

2010s76
2000s15
1990s29
1980s24
1970s35
1960s126
1950s61
1940s67
1930s51
1920s72
1910s44
1900s69
1890s85
1880s34
1870s38
1860s32
1850s27
1840s12
1830s15
1820s8
1810s13
1800s16
1790s42
1780s35
1770s22

Medium

Painting12
Print2
Drawing4
Sculpture1
Textile1

Institution

Art Institute of Chicago34
Cleveland Museum of Art8

Nationality

Japanese22
British6
American2
French2
Italian1
Spanish1

Movement

Romanticism4
fairy painting2
Neoclassicism2
Rococo1

Exhibition History

Has exhibition record42

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)18
paint4
water-base paint3
watercolor3
ink2
brown ink1
canvas1
chalk sticks1
coating (material)1
colored ink1
gouache1
graphite1
gray ink1
inorganic material1
marble1

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View:Works Exhibitions42 works

St. Matthew, William Blake, 1799, tempera on canvas

St. Matthew

William Blake · 1799

tempera on canvas

Cleveland Museum of Art

CC0

1 show

Yamauba Holding Chestnuts while Kintaro Reaches for Them, Kitagawa Utamaro, c. 1804/05, Color woodblock print; naga-oban

Yamauba Holding Chestnuts while Kintaro Reaches for Them

Kitagawa Utamaro · c. 1804/05

Color woodblock print; naga-oban

Art Institute of Chicago

CC0

1 show

The Witches Appear to Macbeth and Banquo, James Caldwall, 1798, Etching on ivory wove paper

The Witches Appear to Macbeth and Banquo

James Caldwall · 1798

Etching on ivory wove paper

Art Institute of Chicago

CC0

1 show

Elizabeth Beltzhoover Mason, Gilbert Stuart, c. 1803–5, oil on canvas

Elizabeth Beltzhoover Mason

Gilbert Stuart · c. 1803–5

oil on canvas

Cleveland Museum of Art

CC0

6 shows

The Spirit of Knowledge, Henry Fuseli, 1798, Black chalk and brush and gray wash on ivory laid paper

The Spirit of Knowledge

Henry Fuseli · 1798

Black chalk and brush and gray wash on ivory laid paper

Art Institute of Chicago

CC0

1 show

Settee, Thomas Hope, c. 1802–07, gilt-wood, reproduction wool upholstery

Settee

Thomas Hope · c. 1802–07

gilt-wood, reproduction wool upholstery

Cleveland Museum of Art

CC0

1 show

The Monkey Bridge in Winter, Utagawa Hiroshige, Mid-19th century, Woodblock print; hashira-e

The Monkey Bridge in Winter

Utagawa Hiroshige · Mid-19th century

Woodblock print; hashira-e

Art Institute of Chicago

CC0

1 show

Landscape with Waterfall, Utagawa Hiroshige, 18th century, Woodblock print; hashira-e

Landscape with Waterfall

Utagawa Hiroshige · 18th century

Woodblock print; hashira-e

Art Institute of Chicago

CC0

1 show

Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, Francisco José de Goya y Lucientes, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper

Francisco Goya y Lucientes, Painter, plate one from Los Caprichos

Francisco José de Goya y Lucientes · 1797/99

Etching, aquatint, drypoint and burin in black on ivory laid paper

Art Institute of Chicago

CC0

1 show

Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), Utagawa Hiroshige, n.d., Woodblock print; ishizuri-e, section of harimaze sheet

Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami)

Utagawa Hiroshige · n.d.

Woodblock print; ishizuri-e, section of harimaze sheet

Art Institute of Chicago

CC0

1 show

Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), Utagawa Hiroshige, n.d., Woodblock print; ishizuri-e, harimaze

Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami)

Utagawa Hiroshige · n.d.

Woodblock print; ishizuri-e, harimaze

Art Institute of Chicago

CC0

1 show

Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", Utagawa Hiroshige, n.d., Woodblock print; ishizuri-e, harimaze

Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)"

Utagawa Hiroshige · n.d.

Woodblock print; ishizuri-e, harimaze

Art Institute of Chicago

CC0

1 show

Sophie Crouzet, Louis Hersent, c. 1801, oil on fabric

Sophie Crouzet

Louis Hersent · c. 1801

oil on fabric

Cleveland Museum of Art

CC0

4 shows

Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus, Anne-Louis Girodet de Roussy-Trioson, c. 1801, Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper

Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus

Anne-Louis Girodet de Roussy-Trioson · c. 1801

Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper

Art Institute of Chicago

CC0

1 show

Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), Kitagawa Utamaro, c. 1800, Color woodblock print; hashira-e

Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo)

Kitagawa Utamaro · c. 1800

Color woodblock print; hashira-e

Art Institute of Chicago

CC0

1 show

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), Kitagawa Utamaro, c. 1800, Color woodblock print; hashira-e

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)

Kitagawa Utamaro · c. 1800

Color woodblock print; hashira-e

Art Institute of Chicago

CC0

1 show

Corner of the Meadow with Reeds and Other Plants, Adrian Zingg, c. 1800, Pen and black ink, with brush and gray wash, over traces of graphite, on off-white wove paper

Corner of the Meadow with Reeds and Other Plants

Adrian Zingg · c. 1800

Pen and black ink, with brush and gray wash, over traces of graphite, on off-white wove paper

Art Institute of Chicago

CC0

1 show

Portrait of Catherine Clemens and Her Son, John Marcus Clemens, Richard Cosway, c. 1800, watercolor on ivory in a gold and split pearl frame

Portrait of Catherine Clemens and Her Son, John Marcus Clemens

Richard Cosway · c. 1800

watercolor on ivory in a gold and split pearl frame

Cleveland Museum of Art

CC0

5 shows

Cléombrote and Léonidas, Baron François-Xavier Fabre, c. 1795, Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper

Cléombrote and Léonidas

Baron François-Xavier Fabre · c. 1795

Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper

Art Institute of Chicago

CC0

1 show

The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), Kitagawa Utamaro, c. 1800/01, Color woodblock print; oban

The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu)

Kitagawa Utamaro · c. 1800/01

Color woodblock print; oban

Art Institute of Chicago

CC0

1 show

Portrait of Catherine Grey, Lady Manners, Thomas Lawrence, 1794, oil on canvas

Portrait of Catherine Grey, Lady Manners

Thomas Lawrence · 1794

oil on canvas

Cleveland Museum of Art

CC0

8 shows

Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), Kitagawa Utamaro, 1804, Color woodblock-printed book

Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji)

Kitagawa Utamaro · 1804

Color woodblock-printed book

Art Institute of Chicago

CC0

1 show

Yamauba with Kintaro Holding a Toy Mask, Kitagawa Utamaro, c. 1801/04, Color woodblock print; oban

Yamauba with Kintaro Holding a Toy Mask

Kitagawa Utamaro · c. 1801/04

Color woodblock print; oban

Art Institute of Chicago

CC0

1 show

Urizen, William Blake, 1794, Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

Urizen

William Blake · 1794

Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

Art Institute of Chicago

CC0

1 show

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