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The collection

362 works match your filters.

Medium:Print139 Painting70 Drawing70 Sculpture12 Ceramics8

Image

With image312
All362
Metadata only50

Year range

to

Decade

2020s420
2010s1,943
2000s3,026
1990s3,024
1980s3,248
1970s3,667
1960s2,433
1950s1,533
1940s1,467
1930s1,373
1920s1,892
1910s2,300
1900s1,679
1890s1,151
1880s646
1870s568
1860s552
1850s594
1840s516
1830s505
1820s362
1810s290
1800s2,596
1790s3,022
1780s362

Medium

Painting70
Print139
Drawing70
Sculpture12
Ceramics8

Institution

National Gallery of Art152
Tate56
The Metropolitan Museum of Art46
Queensland Art Gallery and Gallery of Modern Art40
Art Institute of Chicago33
Städel Museum11
Minneapolis Institute of Art9
Walters Art Museum8
Cleveland Museum of Art5
Harvard Art Museums1
National Portrait Gallery1

Nationality

French137
British80
American20
Japanese19
Italian17
German10
Spanish2
Australian1
Flemish1
Kingdom of Hanover1
Landgraviate of Hesse-Kassel1
Staffordshire1
Swedish1
Unknown1
Venetian1

Movement

English painting53
Romanticism51
Rococo26
Baroque11
Neoclassicism8
Classicism1

Exhibition History

Has exhibition record35

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)11
graphite3
bronze2
charcoal2
inorganic material2
laid paper2
wash2
black chalk1
black wash1
brown wash1
chalk1
chalk sticks1
copper alloy1
crayons1
ink1

1780s×Remove filter All works×Remove filter Last exhibited before 2026×Remove filter Clear all

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View:Works Exhibitions35 works

A Seated Stag, with the Head of Another Deer, Joseph Mallord William Turner, c.1789, Graphite on paper

A Seated Stag, with the Head of Another Deer

Joseph Mallord William Turner · c.1789

Graphite on paper

Bocca di Capri, Christoph Heinrich Kniep, 1789, Aquarell über Bleistift, allseitige Einfassungslinie in Schwarz, auf Velinpapier

Bocca di Capri

Christoph Heinrich Kniep · 1789

Aquarell über Bleistift, allseitige Einfassungslinie in Schwarz, auf Velinpapier

Public domain

Baron FitzGibbon, Gilbert Stuart, 1789, oil on canvas

Baron FitzGibbon

Gilbert Stuart · 1789

oil on canvas

Cleveland Museum of Art

CC0

4 shows

Study of a Dog with Schematic Drawings of Quoining, Windows and Mouldings, Joseph Mallord William Turner, c.1789, Graphite on paper

Study of a Dog with Schematic Drawings of Quoining, Windows and Mouldings

Joseph Mallord William Turner · c.1789

Graphite on paper

Venus and Cupid, John Deare, 1789, Pen and black ink on cream laid paper

Venus and Cupid

John Deare · 1789

Pen and black ink on cream laid paper

Art Institute of Chicago

CC0

1 show

Sunningwell Church, from the North-East, Joseph Mallord William Turner, c.1789, Graphite on paper

Sunningwell Church, from the North-East

Joseph Mallord William Turner · c.1789

Graphite on paper

Inscription by Turner: Architectural Notes, Joseph Mallord William Turner, c.1789, Graphite on paper

Inscription by Turner: Architectural Notes

Joseph Mallord William Turner · c.1789

Graphite on paper

L'accident imprevu, J.-Louis Darcis, 1789, stipple etching and engraving

L'accident imprevu

J.-Louis Darcis · 1789

stipple etching and engraving

National Gallery of Art

Public domain

View of Nuneham Courtenay from the Thames, with a Barge in the Foreground, Joseph Mallord William Turner, c.1789, Graphite on paper

View of Nuneham Courtenay from the Thames, with a Barge in the Foreground

Joseph Mallord William Turner · c.1789

Graphite on paper

Nuneham Courtenay: The House and Park Looking towards Oxford, Joseph Mallord William Turner, c.1789, Graphite on paper

Nuneham Courtenay: The House and Park Looking towards Oxford

Joseph Mallord William Turner · c.1789

Graphite on paper

Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", Kitagawa Utamaro, 1794, Color woodblock print; oban

Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)"

Kitagawa Utamaro · 1794

Color woodblock print; oban

Art Institute of Chicago

CC0

1 show

Radley Hall from the North-East, Joseph Mallord William Turner, c.1789, Graphite on paper

Radley Hall from the North-East

Joseph Mallord William Turner · c.1789

Graphite on paper

Half-length Écorché Figure, Joseph Mallord William Turner, ?1789–90, Graphite on paper

Half-length Écorché Figure

Joseph Mallord William Turner · ?1789–90

Graphite on paper

Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", Kitagawa Utamaro, c. 1793/94, Color woodblock print; oban

Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)"

Kitagawa Utamaro · c. 1793/94

Color woodblock print; oban

Art Institute of Chicago

CC0

1 show

Young Couple Dressed as Mendicant Monks, Kitagawa Utamaro, c. 1794, Color woodblock print; oban

Young Couple Dressed as Mendicant Monks

Kitagawa Utamaro · c. 1794

Color woodblock print; oban

Art Institute of Chicago

CC0

1 show

Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", Kitagawa Utamaro, c. 1794, Color woodblock print; oban

Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)"

Kitagawa Utamaro · c. 1794

Color woodblock print; oban

Art Institute of Chicago

CC0

1 show

Two Rows of Buildings Seen in Perspective, Joseph Mallord William Turner, c.1789, Graphite on paper

Two Rows of Buildings Seen in Perspective

Joseph Mallord William Turner · c.1789

Graphite on paper

A Stableman in a Striped Coat with Dog and Saddled Horse in Front of Trees, Joseph Mallord William Turner, c.1789, Graphite and watercolour on paper

A Stableman in a Striped Coat with Dog and Saddled Horse in Front of Trees

Joseph Mallord William Turner · c.1789

Graphite and watercolour on paper

Study of a Stag Seen from the Front, Joseph Mallord William Turner, c.1789, Graphite on paper

Study of a Stag Seen from the Front

Joseph Mallord William Turner · c.1789

Graphite on paper

A Sailing Boat, Joseph Mallord William Turner, c.1789, Graphite and watercolour on paper

A Sailing Boat

Joseph Mallord William Turner · c.1789

Graphite and watercolour on paper

It's Too Late (Il est trop tard), Antoine-François Sergent, 1789, color etching and wash manner on laid paper

It's Too Late (Il est trop tard)

Antoine-François Sergent · 1789

color etching and wash manner on laid paper

National Gallery of Art

Public domain

Blank, Joseph Mallord William Turner, c.1789

Blank

Joseph Mallord William Turner · c.1789

Part of Nuneham Courtenay, Joseph Mallord William Turner, c.1789, Graphite on paper

Part of Nuneham Courtenay

Joseph Mallord William Turner · c.1789

Graphite on paper

+ 1 metadata-only matchshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

‘Songs of Innocence’: Title-PageWilliam Blake · 1789, reprinted 1831 or later

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