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The collection

25 works match your filters.

Medium:Print111 Painting42 Drawing25 Sculpture17 Ceramics12

Image

With image25
All26
Metadata only1

Year range

to

Decade

2010s14
2000s21
1990s97
1980s131
1970s245
1960s325
1950s169
1940s215
1930s170
1920s204
1910s317
1900s109
1890s99
1880s38
1870s50
1860s53
1850s41
1840s15
1830s50
1820s12
1810s14
1800s1,405
1790s1,555
1780s68
1770s25

Medium

Painting42
Print111
Drawing25
Sculpture17
Ceramics12

Institution

The Metropolitan Museum of Art12
National Gallery of Art6
Art Institute of Chicago5
Cleveland Museum of Art1
Tate1

Nationality

- Europe
French17
British3
German1

Movement

Rococo3
Classicism1

Exhibition History

Has exhibition record6

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)5
colored ink3
ink3
brown ink2
graphite2
gray wash2
wash2
black ink1
chalk1
coating (material)1
laid paper1
red chalk1
red wash1

1770s×Remove filter Drawing×Remove filter Last exhibited before 2020×Remove filter Clear all

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View:Works Exhibitions6 works

The Belvedere Torso [verso], William Blake, probably c. 1779/1780, graphite on two joined sheets

The Belvedere Torso [verso]

William Blake · probably c. 1779/1780

graphite on two joined sheets

National Gallery of Art

Public domain

St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?, William Blake, ?c.1779–80, Ink on paper. Verso: graphite on paper

St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?

William Blake · ?c.1779–80

Ink on paper. Verso: graphite on paper

Yes or No, Jean-Michel Moreau the Younger, 1778, graphite and red chalk heightened with white on laid paper

Yes or No

Jean-Michel Moreau the Younger · 1778

graphite and red chalk heightened with white on laid paper

National Gallery of Art

Public domain

A Dancer, Jean-Michel Moreau the Younger, 1777, black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk

A Dancer

Jean-Michel Moreau the Younger · 1777

black, red, and white chalk on brown laid paper, with a faint border line by the artist in red chalk

National Gallery of Art

Public domain

Invocation to Love, Jean Honoré Fragonard, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper

Invocation to Love

Jean Honoré Fragonard · c. 1781

Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper

Cleveland Museum of Art

CC0

25 shows

A Rocky Landscape at Civita Castellana, Jakob Philipp Hackert, 1776, Brush and brown wash over graphite; framing lines in pen and brown ink

A Rocky Landscape at Civita Castellana

Jakob Philipp Hackert · 1776

Brush and brown wash over graphite; framing lines in pen and brown ink

The Metropolitan Museum of Art

CC0

Figure of a Woman, George Romney, c. 1776, Brush and brown ink on cream laid paper

Figure of a Woman

George Romney · c. 1776

Brush and brown ink on cream laid paper

Art Institute of Chicago

CC0

1 show

Young Woman with a Rose, Gilles Demarteau the Elder, c. 1776, chalk manner printed in green, red, and black on green prepared paper

Young Woman with a Rose

Gilles Demarteau the Elder · c. 1776

chalk manner printed in green, red, and black on green prepared paper

National Gallery of Art

Public domain

Equestrian Portrait of Napoleon, Auvrest, n.d., Pen and black ink, brush and gray wash; framing lines in pen and brown ink

Equestrian Portrait of Napoleon

Auvrest · n.d.

Pen and black ink, brush and gray wash; framing lines in pen and brown ink

The Metropolitan Museum of Art

CC0

Equestrian Portrait of Henry IV, Auvrest, late 18th–early 19th century, Pen and black ink, brush and gray wash; framing lines in pen and brown ink

Equestrian Portrait of Henry IV

Auvrest · late 18th–early 19th century

Pen and black ink, brush and gray wash; framing lines in pen and brown ink

The Metropolitan Museum of Art

CC0

Portrait of Maria Gaet - Agnesi, Jean-Baptiste-François Bosio, n.d., Brush and brown wash over graphite

Portrait of Maria Gaet - Agnesi

Jean-Baptiste-François Bosio · n.d.

Brush and brown wash over graphite

The Metropolitan Museum of Art

CC0

Nude Male Figures Bearing the Bodies of their Dead Companions, James Jefferys, c. 1779, Pen and black ink and brush and reddish-brown wash on cream laid paper

Nude Male Figures Bearing the Bodies of their Dead Companions

James Jefferys · c. 1779

Pen and black ink and brush and reddish-brown wash on cream laid paper

Art Institute of Chicago

CC0

1 show

Le Rendez-vous, Louis-Marin Bonnet, 1771, chalk manner

Le Rendez-vous

Louis-Marin Bonnet · 1771

chalk manner

National Gallery of Art

Public domain

Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”, George Romney, c. 1776, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper

Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”

George Romney · c. 1776

Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper

Art Institute of Chicago

CC0

1 show

Design for a Covered Bowl with Stand, Henri Auguste, c. 1770–1816, Pen and black ink, brush and gray wash.

Design for a Covered Bowl with Stand

Henri Auguste · c. 1770–1816

Pen and black ink, brush and gray wash.

The Metropolitan Museum of Art

CC0

Spray of Canterbury Bells, Antoine Berjon, n.d., Purple, blue, black, and white chalk

Spray of Canterbury Bells

Antoine Berjon · n.d.

Purple, blue, black, and white chalk

The Metropolitan Museum of Art

CC0

Yellow Daisies and Pink Wild Rose, Antoine Berjon, n.d., Green, yellow, black, brown, pink, and white chalk

Yellow Daisies and Pink Wild Rose

Antoine Berjon · n.d.

Green, yellow, black, brown, pink, and white chalk

The Metropolitan Museum of Art

CC0

Floral Design, Antoine Berjon, n.d., White chalk with graphite

Floral Design

Antoine Berjon · n.d.

White chalk with graphite

The Metropolitan Museum of Art

CC0

Louis-Auguste, Dauphin de France, Louis-Marin Bonnet, 1770, chalk manner

Louis-Auguste, Dauphin de France

Louis-Marin Bonnet · 1770

chalk manner

National Gallery of Art

Public domain

Design for a Wine Fountain, Henri Auguste, c. 1770–1816, Pen, black ink with brush and gray wash

Design for a Wine Fountain

Henri Auguste · c. 1770–1816

Pen, black ink with brush and gray wash

The Metropolitan Museum of Art

CC0

Odin in the Underworld, Henry Fuseli, 1770/72, Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper

Odin in the Underworld

Henry Fuseli · 1770/72

Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper

Art Institute of Chicago

CC0

1 show

Floral Design, Antoine Berjon, n.d., Purple, pink, black, and white chalk

Floral Design

Antoine Berjon · n.d.

Purple, pink, black, and white chalk

The Metropolitan Museum of Art

CC0

White Hollyhocks, Antoine Berjon, n.d., Black, white, yellow and orange chalk

White Hollyhocks

Antoine Berjon · n.d.

Black, white, yellow and orange chalk

The Metropolitan Museum of Art

CC0

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, Henry Fuseli, 1770–71, Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon

Henry Fuseli · 1770–71

Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card

Art Institute of Chicago

CC0

1 show

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