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dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

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The collection

317 works match your filters.

Medium:Print117 Painting46 Ceramics35 Drawing26 Sculpture19 Textile3

Image

With image256
All317
Metadata only61

Year range

to

Decade

2020s420
2010s1,943
2000s3,026
1990s3,024
1980s3,248
1970s3,667
1960s2,433
1950s1,533
1940s1,467
1930s1,373
1920s1,892
1910s2,300
1900s1,679
1890s1,151
1880s646
1870s568
1860s552
1850s594
1840s516
1830s505
1820s362
1810s290
1800s2,596
1790s3,022
1780s362

Medium

Painting46
Print117
Drawing26
Sculpture19
Ceramics35
Textile3

Institution

National Gallery of Art139
The Metropolitan Museum of Art51
Queensland Art Gallery and Gallery of Modern Art49
Minneapolis Institute of Art22
Art Institute of Chicago15
Walters Art Museum12
Cooper Hewitt, Smithsonian Design Museum11
Cleveland Museum of Art10
Städel Museum7
Tate1

Nationality

French151
British26
American24
Italian12
German7
Japanese4
Spanish4
English3
American (born Switzerland)2
Archduchy of Austria2
Chinese2
Austrian1
Continental1
Paris1
Unknown1
Worcester1

Movement

Rococo18
English painting5
Neoclassicism5
Romanticism4
Classicism2
Neo-impressionism2
Orphism2
simultanism2

Exhibition History

Has exhibition record22

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)10
wash4
colored ink3
graphite3
ink3
laid paper3
oil paint (paint)3
brown ink2
canvas2
coating (material)2
gray wash2
paint2
painting2
black chalk1
black ink1

1770s×Remove filter All works×Remove filter Exhibited in 1960s×Remove filter Clear all

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View:Works Exhibitions22 works

Invocation to Love, Jean Honoré Fragonard, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper

Invocation to Love

Jean Honoré Fragonard · c. 1781

Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper

Cleveland Museum of Art

CC0

25 shows

Portrait of a Man, Possibly Sir Soulden Lawrence, John I Smart, 1770, watercolor on ivory in an amalgam frame

Portrait of a Man, Possibly Sir Soulden Lawrence

John I Smart · 1770

watercolor on ivory in an amalgam frame

Cleveland Museum of Art

CC0

3 shows

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