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The collection

138 works match your filters.

Medium:Print76 Painting15 Ceramics9 Drawing7 Textile3 Sculpture1

Image

With image138
All157
Metadata only19

Year range

to

Decade

2020s4
2010s97
2000s156
1990s440
1980s618
1970s831
1960s1,062
1950s622
1940s553
1930s505
1920s1,212
1910s1,306
1900s1,249
1890s843
1880s329
1870s308
1860s357
1850s410
1840s380
1830s426
1820s253
1810s218
1800s1,848
1790s2,342
1780s312

Medium

Painting15
Print76
Drawing7
Sculpture1
Ceramics9
Textile3

Institution

National Gallery of Art96
Minneapolis Institute of Art16
The Metropolitan Museum of Art8
Art Institute of Chicago5
Cleveland Museum of Art5
Städel Museum5
Cooper Hewitt, Smithsonian Design Museum1
National Museum of Asian Art1
Walters Art Museum1

Nationality

French68
Italian37
Chinese13
American7
British2
German2
Austrian1
Hungarian1

Movement

Rococo34
Baroque painting3
Baroque2

Exhibition History

Has exhibition record9

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

coating (material)1
colorant1
gouache1
lead white1
opaque white pigment1
paint1
paper (fiber product)1
pigment1
wash1
water-base paint1
watercolor1
white pigment1

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View:Works Exhibitions9 works

Large Perspective Picture of the Kaomise Performance on the Kabuki Stage (Shibai kyogen butai kaomise o uki-e), Okumura Masanobu, c. 1740, Hand-colored woodblock print; horizontal o-oban, beni-e

Large Perspective Picture of the Kaomise Performance on the Kabuki Stage (Shibai kyogen butai kaomise o uki-e)

Okumura Masanobu · c. 1740

Hand-colored woodblock print; horizontal o-oban, beni-e

Art Institute of Chicago

CC0

1 show

Enjoying the Evening Cool near Ryogoku Bridge (Ryogoku bashi yusuzumi uki-e), Okumura Masanobu, c. 1740, Hand-colored woodblock print; beni-e, horizontal ōban

Enjoying the Evening Cool near Ryogoku Bridge (Ryogoku bashi yusuzumi uki-e)

Okumura Masanobu · c. 1740

Hand-colored woodblock print; beni-e, horizontal ōban

Art Institute of Chicago

CC0

1 show

Covered Tureen on Stand (Pot-à-oille), Juste-Aurèle Meissonnier, 1735–38, silver

Covered Tureen on Stand (Pot-à-oille)

Juste-Aurèle Meissonnier · 1735–38

silver

Cleveland Museum of Art

CC0

5 shows

A Young Woman Buying a Pink from a Young Man, Giovanni Battista Piazzetta, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper

A Young Woman Buying a Pink from a Young Man

Giovanni Battista Piazzetta · c. 1740

black crayon (wetted and rubbed) heightened with white chalk on faded blue paper

Cleveland Museum of Art

CC0

19 shows

A Man and a Courtesan Watching a Young Man Writing, first sheet of the album "Mountain of Dyed Color, Specimens of Bedrooms (Someiro no yama neya no hinagata)", Okumura Masanobu, c. 1739, Hand-colored woodblock print; oban, sumizuri-e

A Man and a Courtesan Watching a Young Man Writing, first sheet of the album "Mountain of Dyed Color, Specimens of Bedrooms (Someiro no yama neya no hinagata)"

Okumura Masanobu · c. 1739

Hand-colored woodblock print; oban, sumizuri-e

Art Institute of Chicago

CC0

1 show

The Actor Segawa Kikunojo I as Kuzunoha, Torii Kiyomasu II, c. 1737, Hand-colored woodblock print; hosoban, urushi-e

The Actor Segawa Kikunojo I as Kuzunoha

Torii Kiyomasu II · c. 1737

Hand-colored woodblock print; hosoban, urushi-e

Art Institute of Chicago

CC0

1 show

Fountain with Two Tritons Blowing Conch Shells, François Boucher, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper

Fountain with Two Tritons Blowing Conch Shells

François Boucher · c. 1736

Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper

Cleveland Museum of Art

CC0

14 shows

A Wild Swan Attacked by a Dog, Jean-Baptiste Oudry, c. 1740, Brush and gray wash and black gouache, heightened with lead white (discolored), on blue laid paper (faded), laid down on cream board

A Wild Swan Attacked by a Dog

Jean-Baptiste Oudry · c. 1740

Brush and gray wash and black gouache, heightened with lead white (discolored), on blue laid paper (faded), laid down on cream board

Art Institute of Chicago

CC0

1 show

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