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dartabase Play Browse Movements

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The collection

30 works match your filters.

Medium:Print15 Painting10 Sculpture3 Drawing1

Image

With image30
All30
Metadata only0

Year range

to

Decade

1990s1
1980s17
1970s7
1960s48
1950s63
1940s71
1930s46
1920s670
1910s752
1900s928
1890s321
1880s131
1870s162
1860s153
1850s156
1840s221
1830s287
1820s27
1810s25
1800s47
1790s46
1780s153
1770s160
1760s71
1750s89

Medium

Painting10
Print15
Drawing1
Sculpture3

Institution

National Gallery of Art16
Cleveland Museum of Art10
The Metropolitan Museum of Art2
Art Institute of Chicago1
Minneapolis Institute of Art1

Nationality

- Europe
Bohemian144
Dutch67
French18
Italian7
Flemish5
Spanish3
Habsburg Netherlands2
Austrian1
British1
Continental1
German1
Papal States1
Unknown1

Movement

Baroque2
Classicism2
Flemish Baroque painting2

Exhibition History

Has exhibition record11

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)1

1640s×Remove filter Flemish×Remove filter French×Remove filter Italian×Remove filter Exhibited in 2000s×Remove filter Clear all

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View:Works Exhibitions11 works

The Holy Family on the Steps, Nicolas Poussin, 1648, oil on canvas

The Holy Family on the Steps

Nicolas Poussin · 1648

oil on canvas

Cleveland Museum of Art

CC0

7 shows

Portrait of Pope Innocent X Pamphili, Alessandro Algardi, designed 1647–48; cast 1650–1700, bronze

Portrait of Pope Innocent X Pamphili

Alessandro Algardi · designed 1647–48; cast 1650–1700

bronze

Cleveland Museum of Art

CC0

5 shows

Saint Peter Repentant, Georges de La Tour, 1645, oil on canvas

Saint Peter Repentant

Georges de La Tour · 1645

oil on canvas

Cleveland Museum of Art

CC0

11 shows

The Conversion of Saul with Christ and the Cross, Jacob Jordaens, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

The Conversion of Saul with Christ and the Cross

Jacob Jordaens · c. 1645–47

brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Cleveland Museum of Art

CC0

16 shows

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