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The collection

15 works match your filters.

Medium:Painting11 Drawing1

Image

With image15
All15
Metadata only0

Year range

to

Decade

2010s1
2000s30
1990s110
1980s194
1970s157
1960s122
1950s52
1940s29
1930s41
1920s144
1910s105
1900s41
1890s20
1880s14
1870s1
1860s2
1850s2
1840s2
1830s9
1820s3
1810s3
1800s11
1790s3
1780s10
1770s7

Medium

Painting11
Drawing1

Institution

Städel Museum5
The Metropolitan Museum of Art5
Cleveland Museum of Art2
National Gallery of Art2
Minneapolis Institute of Art1

Nationality

- Europe
Dutch61
French50
Bohemian22
Flemish11
Southern Netherlands4
German3
Italian3
Spanish3
Habsburg Netherlands2
Kingdom of Naples1
Spanish Netherlands1

Movement

Flemish Baroque painting7
Baroque6
Baroque painting5

Exhibition History

Has exhibition record2

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions2 works

Catherine Howard, Lady d'Aubigny, Sir Anthony van Dyck, c. 1638, oil on canvas

Catherine Howard, Lady d'Aubigny

Sir Anthony van Dyck · c. 1638

oil on canvas

National Gallery of Art

Public domain

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Stillleben mit Obst und Zuckerwerk, Georg Flegel, um 1635 - um 1637, Öl auf Buchenholz

Stillleben mit Obst und Zuckerwerk

Georg Flegel · um 1635 - um 1637

Öl auf Buchenholz

Public domain

The Triumph of Cybele, after Paolo Fiammingo's "Triumph of Earth", Hans Friedrich Schorer, 1634, Pen and black ink, gray wash and white heightening

The Triumph of Cybele, after Paolo Fiammingo's "Triumph of Earth"

Hans Friedrich Schorer · 1634

Pen and black ink, gray wash and white heightening

The Metropolitan Museum of Art

CC0

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

The Garden of Love (left portion), Peter Paul Rubens, c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Garden of Love (left portion)

Peter Paul Rubens · c. 1633–35

Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Metropolitan Museum of Art

CC0

The Garden of Love (right portion), Peter Paul Rubens, c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Garden of Love (right portion)

Peter Paul Rubens · c. 1633–35

Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Metropolitan Museum of Art

CC0

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34, Oil on gessoed wood (oak) panel

The Union of England and Scotland (Charles I as the Prince of Wales)

Peter Paul Rubens · 1633–34

Oil on gessoed wood (oak) panel

Minneapolis Institute of Art

CC0

Stillleben mit Brot und Zuckerwerk, Georg Flegel, um 1633 - um 1636, Öl auf Nussbaumholz

Stillleben mit Brot und Zuckerwerk

Georg Flegel · um 1633 - um 1636

Öl auf Nussbaumholz

Public domain

James Stuart (1612–1655), Duke of Richmond and Lennox, Sir Anthony van Dyck, c. 1633–35, Oil on canvas

James Stuart (1612–1655), Duke of Richmond and Lennox

Sir Anthony van Dyck · c. 1633–35

Oil on canvas

The Metropolitan Museum of Art

CC0

Bildnis des Hendrick van Steenwyck des Jüngeren, Sir Anthony van Dyck, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso

Bildnis des Hendrick van Steenwyck des Jüngeren

Sir Anthony van Dyck · c. 1632–1635

Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso

Public domain

Philip, Lord Wharton, Sir Anthony van Dyck, 1632, oil on canvas

Philip, Lord Wharton

Sir Anthony van Dyck · 1632

oil on canvas

National Gallery of Art

Public domain

Hélène Fourment, Peter Paul Rubens, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Hélène Fourment

Peter Paul Rubens · c. 1632

Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Public domain

Robert Rich (1587–1658), Second Earl of Warwick, Sir Anthony van Dyck, c. 1632–35, Oil on canvas

Robert Rich (1587–1658), Second Earl of Warwick

Sir Anthony van Dyck · c. 1632–35

Oil on canvas

The Metropolitan Museum of Art

CC0

Das Opfer Abrahams, Cornelis de Vos, c. 1631–1635, Öl auf Leinwand

Das Opfer Abrahams

Cornelis de Vos · c. 1631–1635

Öl auf Leinwand

Public domain