Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Browse

The collection

14 works match your filters.

Medium:Painting11 Drawing1

Image

With image14
All14
Metadata only0

Year range

to

Decade

1980s4
1970s1
1960s9
1950s29
1940s14
1930s33
1920s21
1910s26
1900s22
1890s1
1880s1
1860s13
1820s4
1810s5
1800s4
1790s22
1780s2
1770s4
1750s3
1700s1
1680s1
1670s3
1660s3
1650s2
1640s8

Medium

Painting11
Drawing1

Institution

Cleveland Museum of Art5
The Metropolitan Museum of Art4
National Gallery of Art2
Städel Museum2
Minneapolis Institute of Art1

Nationality

- Europe
Dutch61
French50
Bohemian22
Flemish11
Southern Netherlands4
German3
Italian3
Spanish3
Habsburg Netherlands2
Kingdom of Naples1
Spanish Netherlands1

Movement

Baroque8
Flemish Baroque painting6
Baroque painting5

Exhibition History

Has exhibition record5

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

1630s×Remove filter Flemish×Remove filter Spanish×Remove filter Clear all

Sort:

Export:Download

View:Works Exhibitions5 works

Saint Jerome, Jusepe de Ribera, c. 1638–40, oil on canvas

Saint Jerome

Jusepe de Ribera · c. 1638–40

oil on canvas

Cleveland Museum of Art

CC0

4 shows

Catherine Howard, Lady d'Aubigny, Sir Anthony van Dyck, c. 1638, oil on canvas

Catherine Howard, Lady d'Aubigny

Sir Anthony van Dyck · c. 1638

oil on canvas

National Gallery of Art

Public domain

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán, c. 1640, oil on canvas

Christ and the Virgin in the House at Nazareth

Francisco de Zurbarán · c. 1640

oil on canvas

Cleveland Museum of Art

CC0

5 shows

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

The Garden of Love (left portion), Peter Paul Rubens, c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Garden of Love (left portion)

Peter Paul Rubens · c. 1633–35

Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Metropolitan Museum of Art

CC0

The Garden of Love (right portion), Peter Paul Rubens, c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Garden of Love (right portion)

Peter Paul Rubens · c. 1633–35

Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Metropolitan Museum of Art

CC0

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34, Oil on gessoed wood (oak) panel

The Union of England and Scotland (Charles I as the Prince of Wales)

Peter Paul Rubens · 1633–34

Oil on gessoed wood (oak) panel

Minneapolis Institute of Art

CC0

James Stuart (1612–1655), Duke of Richmond and Lennox, Sir Anthony van Dyck, c. 1633–35, Oil on canvas

James Stuart (1612–1655), Duke of Richmond and Lennox

Sir Anthony van Dyck · c. 1633–35

Oil on canvas

The Metropolitan Museum of Art

CC0

Bildnis des Hendrick van Steenwyck des Jüngeren, Sir Anthony van Dyck, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso

Bildnis des Hendrick van Steenwyck des Jüngeren

Sir Anthony van Dyck · c. 1632–1635

Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso

Public domain

Philip, Lord Wharton, Sir Anthony van Dyck, 1632, oil on canvas

Philip, Lord Wharton

Sir Anthony van Dyck · 1632

oil on canvas

National Gallery of Art

Public domain

Hélène Fourment, Peter Paul Rubens, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Hélène Fourment

Peter Paul Rubens · c. 1632

Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Public domain

Robert Rich (1587–1658), Second Earl of Warwick, Sir Anthony van Dyck, c. 1632–35, Oil on canvas

Robert Rich (1587–1658), Second Earl of Warwick

Sir Anthony van Dyck · c. 1632–35

Oil on canvas

The Metropolitan Museum of Art

CC0

Portrait of the Jester Calabazas, Diego Velázquez, c. 1631–32, oil on canvas

Portrait of the Jester Calabazas

Diego Velázquez · c. 1631–32

oil on canvas

Cleveland Museum of Art

CC0

10 shows