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The collection

13 works match your filters.

Medium:Painting10 Drawing1

Image

With image13
All13
Metadata only0

Year range

to

Decade

1750s2
1700s1
1690s1
1680s1
1670s2
1660s2
1650s2
1640s7
1630s13
1620s24
1610s14
1600s8
1590s5
1580s28
1570s10
1560s4
1550s1
1540s1
1530s1
1520s38
1510s2
1500s1
1490s5
1480s2
1470s1

Medium

Painting10
Drawing1

Institution

Städel Museum4
The Metropolitan Museum of Art4
Cleveland Museum of Art2
National Gallery of Art2
Minneapolis Institute of Art1

Nationality

- Europe
Dutch61
French50
Bohemian22
Flemish11
Southern Netherlands4
German3
Italian3
Spanish3
Habsburg Netherlands2
Kingdom of Naples1
Spanish Netherlands1

Movement

Baroque7
Flemish Baroque painting6
Baroque painting5

Exhibition History

Has exhibition record2

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions2 works

Catherine Howard, Lady d'Aubigny, Sir Anthony van Dyck, c. 1638, oil on canvas

Catherine Howard, Lady d'Aubigny

Sir Anthony van Dyck · c. 1638

oil on canvas

National Gallery of Art

Public domain

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Stillleben mit Fischen auf einer Verkaufsbank, Jacob Foppens van Es, c. 1635–1640, Öl auf Leinwand

Stillleben mit Fischen auf einer Verkaufsbank

Jacob Foppens van Es · c. 1635–1640

Öl auf Leinwand

Public domain

Zwei rauchende Bauern am Kohlenfeuer, David Teniers d. J., c. 1634, Öl auf Eichenholz

Zwei rauchende Bauern am Kohlenfeuer

David Teniers d. J. · c. 1634

Öl auf Eichenholz

Public domain

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

The Garden of Love (left portion), Peter Paul Rubens, c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Garden of Love (left portion)

Peter Paul Rubens · c. 1633–35

Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Metropolitan Museum of Art

CC0

The Garden of Love (right portion), Peter Paul Rubens, c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Garden of Love (right portion)

Peter Paul Rubens · c. 1633–35

Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Metropolitan Museum of Art

CC0

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34, Oil on gessoed wood (oak) panel

The Union of England and Scotland (Charles I as the Prince of Wales)

Peter Paul Rubens · 1633–34

Oil on gessoed wood (oak) panel

Minneapolis Institute of Art

CC0

James Stuart (1612–1655), Duke of Richmond and Lennox, Sir Anthony van Dyck, c. 1633–35, Oil on canvas

James Stuart (1612–1655), Duke of Richmond and Lennox

Sir Anthony van Dyck · c. 1633–35

Oil on canvas

The Metropolitan Museum of Art

CC0

Bildnis des Hendrick van Steenwyck des Jüngeren, Sir Anthony van Dyck, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso

Bildnis des Hendrick van Steenwyck des Jüngeren

Sir Anthony van Dyck · c. 1632–1635

Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso

Public domain

Philip, Lord Wharton, Sir Anthony van Dyck, 1632, oil on canvas

Philip, Lord Wharton

Sir Anthony van Dyck · 1632

oil on canvas

National Gallery of Art

Public domain

Hélène Fourment, Peter Paul Rubens, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Hélène Fourment

Peter Paul Rubens · c. 1632

Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Public domain

Robert Rich (1587–1658), Second Earl of Warwick, Sir Anthony van Dyck, c. 1632–35, Oil on canvas

Robert Rich (1587–1658), Second Earl of Warwick

Sir Anthony van Dyck · c. 1632–35

Oil on canvas

The Metropolitan Museum of Art

CC0