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The collection

220 works match your filters.

Medium:Print156 Painting50 Drawing5 Sculpture2 Ceramics2 Textile1

Image

With image213
All220
Metadata only7

Year range

to

Decade

2020s420
2010s1,943
2000s3,026
1990s3,024
1980s3,248
1970s3,667
1960s2,433
1950s1,533
1940s1,467
1930s1,373
1920s1,892
1910s2,300
1900s1,679
1890s1,151
1880s646
1870s568
1860s552
1850s594
1840s516
1830s505
1820s362
1810s290
1800s2,596
1790s3,022
1780s362

Medium

Painting50
Print156
Drawing5
Sculpture2
Ceramics2
Textile1

Institution

National Gallery of Art93
Statens Museum for Kunst (National Gallery of Denmark)77
The Metropolitan Museum of Art13
Städel Museum12
Cleveland Museum of Art10
Queensland Art Gallery and Gallery of Modern Art6
Walters Art Museum3
Art Institute of Chicago2
Minneapolis Institute of Art2
National Museum of Asian Art1
National Portrait Gallery1

Nationality

- Europe
- Asia
Dutch89
French43
Italian40
Flemish23
German3
Bohemian2
Chinese2
Continental2
French?1
Habsburg Netherlands1
Japanese1
Spanish1
Spanish Netherlands1
Unknown1

Movement

Baroque61
Baroque painting17
Dutch Golden Age painting7
Flemish Baroque painting5
Classicism2
Utrecht Caravaggism1

Exhibition History

Has exhibition record11

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)2
black chalk1
chalk1
chalk sticks1
coating (material)1
inorganic material1
wash1

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View:Works Exhibitions11 works

Temperance, Domenichino, 1628–30, black chalk heightened with white chalk, squared with black chalk

Temperance

Domenichino · 1628–30

black chalk heightened with white chalk, squared with black chalk

Cleveland Museum of Art

CC0

16 shows

The Annunciation, Jacques Callot, c. 1633/1634, etching on laid paper

The Annunciation

Jacques Callot · c. 1633/1634

etching on laid paper

National Gallery of Art

Public domain

Frontispiece for "The Life of the Virgin", Jacques Callot, c. 1633/1634, etching on laid paper

Frontispiece for "The Life of the Virgin"

Jacques Callot · c. 1633/1634

etching on laid paper

National Gallery of Art

Public domain

The Death of the Virgin, Jacques Callot, c. 1633/1634, etching on laid paper

The Death of the Virgin

Jacques Callot · c. 1633/1634

etching on laid paper

National Gallery of Art

Public domain

Giovanni Ciampoli, Papal Secretary, Ottavio Leoni, 1627, engraving

Giovanni Ciampoli, Papal Secretary

Ottavio Leoni · 1627

engraving

National Gallery of Art

Public domain

The Mineral Spring, Wenceslaus Hollar, 1627–1636, etching

The Mineral Spring

Wenceslaus Hollar · 1627–1636

etching

National Gallery of Art

Public domain

The Martyrs of Japan, Jacques Callot, c. 1627/1628, etching on laid paper

The Martyrs of Japan

Jacques Callot · c. 1627/1628

etching on laid paper

National Gallery of Art

Public domain

Zwei Reiterkämpfe, Peter Paul Rubens, 1627–1628, Öl auf Eichenholz

Zwei Reiterkämpfe

Peter Paul Rubens · 1627–1628

Öl auf Eichenholz

Public domain

Bildnis der Susanna de Vos, der dritten Tochter des Malers, Cornelis de Vos, 1627, Öl auf Eichenholz

Bildnis der Susanna de Vos, der dritten Tochter des Malers

Cornelis de Vos · 1627

Öl auf Eichenholz

Public domain

Madonna of the Hernleberg, Italian 17th Century, 1626, woodcut printed in orange on laid paper

Madonna of the Hernleberg

Italian 17th Century · 1626

woodcut printed in orange on laid paper

National Gallery of Art

Public domain

Giovanni Vincenzo Imperiale, Sir Anthony van Dyck, 1626, oil on canvas

Giovanni Vincenzo Imperiale

Sir Anthony van Dyck · 1626

oil on canvas

National Gallery of Art

Public domain

A Genoese Noblewoman and Her Son, Sir Anthony van Dyck, c. 1626, oil on canvas

A Genoese Noblewoman and Her Son

Sir Anthony van Dyck · c. 1626

oil on canvas

National Gallery of Art

Public domain

A Young Man in a Large Hat, Frans Hals, 1626/1629, oil on panel

A Young Man in a Large Hat

Frans Hals · 1626/1629

oil on panel

National Gallery of Art

Public domain

Virgin and Child with Saint Catherine of Alexandria, Sir Anthony van Dyck, c. 1630, Oil on canvas

Virgin and Child with Saint Catherine of Alexandria

Sir Anthony van Dyck · c. 1630

Oil on canvas

The Metropolitan Museum of Art

CC0

A Man Mounting a Horse, Sir Anthony van Dyck, c. 1630, Oil on wood

A Man Mounting a Horse

Sir Anthony van Dyck · c. 1630

Oil on wood

The Metropolitan Museum of Art

CC0

Simon Vouet, Ottavio Leoni, 1625, engraving

Simon Vouet

Ottavio Leoni · 1625

engraving

National Gallery of Art

Public domain

Cupid (Amor), Johann Liss, c. 1630, oil on canvas

Cupid (Amor)

Johann Liss · c. 1630

oil on canvas

Cleveland Museum of Art

CC0

3 shows

Francis White, Bishop of Ely, Gerard Mountain, 1625–30, Engraving on paper; Image: 18.5 × 11.2 cm (7 5/16 × 4 3/8"); Sheet: 27.9 × 16.8 cm (11 × 6 5/8"); Book closed: 28.8 × 18.2 cm (11 5/16 × 7 3/16"); Book open: 37.5 × 18.2 cm (14 3/4 × 7 3/16")

Francis White, Bishop of Ely

Gerard Mountain · 1625–30

Engraving on paper; Image: 18.5 × 11.2 cm (7 5/16 × 4 3/8"); Sheet: 27.9 × 16.8 cm (11 × 6 5/8"); Book closed: 28.8 × 18.2 cm (11 5/16 × 7 3/16"); Book open: 37.5 × 18.2 cm (14 3/4 × 7 3/16")

National Portrait Gallery

CC0

Portrait of a Woman, Continental Painter, 1625, Oil on metal laid on card

Portrait of a Woman

Continental Painter · 1625

Oil on metal laid on card

The Metropolitan Museum of Art

CC0

The Adoration of the Shepherds, Anonymous Artist, c. 1625/1675, terracotta

The Adoration of the Shepherds

Anonymous Artist · c. 1625/1675

terracotta

National Gallery of Art

Public domain

Charity, Cesare Dandini, c. 1630, Oil on canvas

Charity

Cesare Dandini · c. 1630

Oil on canvas

The Metropolitan Museum of Art

CC0

Portrait of a Woman, Continental Painter, 1625, Oil on copper

Portrait of a Woman

Continental Painter · 1625

Oil on copper

The Metropolitan Museum of Art

CC0

Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin, c. 1625–27, oil on canvas

Nymphs and a Satyr (Amor Vincit Omnia)

Nicolas Poussin · c. 1625–27

oil on canvas

Cleveland Museum of Art

CC0

9 shows

+ 1 metadata-only matchshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Tile: (Triton)UNKNOWN · c.1625–50

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