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The collection

27 works match your filters.

Medium:Painting8 Ceramics7 Drawing4 Sculpture4 Print2

Image

With image25
All27
Metadata only2

Year range

to

Decade

1990s2
1980s13
1970s3
1960s16
1950s13
1940s14
1930s2
1920s4
1910s41
1900s12
1890s1
1880s1
1870s1
1860s2
1820s1
1810s1
1790s3
1780s17
1770s12
1760s5
1750s38
1740s8
1730s38
1720s11
1710s2

Medium

Painting8
Print2
Drawing4
Sculpture4
Ceramics7

Institution

National Gallery of Art17
The Metropolitan Museum of Art4
Cleveland Museum of Art2
Städel Museum2
Walters Art Museum2

Nationality

- Europe
German113
Italian27
Netherlandish22
Swiss3
Dutch1
Flemish1
French1
Italian (Padua)1
Unknown1

Movement

Mannerism2
High Renaissance1

Exhibition History

Has exhibition record2

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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Shallow bowl on low foot with the death of Laocoön and his two sons, Francesco Xanto Avelli, 1539, tin-glazed earthenware (maiolica)

Shallow bowl on low foot with the death of Laocoön and his two sons

Francesco Xanto Avelli · 1539

tin-glazed earthenware (maiolica)

National Gallery of Art

Public domain

Plate with Hero leaping to her death from her tower and the drowned Leander; in the center, a shield of arms, Francesco Xanto Avelli, 1538, tin-glazed earthenware (maiolica)

Plate with Hero leaping to her death from her tower and the drowned Leander; in the center, a shield of arms

Francesco Xanto Avelli · 1538

tin-glazed earthenware (maiolica)

National Gallery of Art

Public domain

Antonio Da Mula, c. 1460-after 1539, Duke of Candia 1536 [obverse], Andrea Spinelli, 1538, bronze

Antonio Da Mula, c. 1460-after 1539, Duke of Candia 1536 [obverse]

Andrea Spinelli · 1538

bronze

National Gallery of Art

Public domain

Antonio Da Mula and Marcantonio Trevisan [reverse], Andrea Spinelli, 1538, bronze

Antonio Da Mula and Marcantonio Trevisan [reverse]

Andrea Spinelli · 1538

bronze

National Gallery of Art

Public domain

Hieronymus Alexander, Archbishop of Brindisi, Agostino dei Musi, 1536, engraving

Hieronymus Alexander, Archbishop of Brindisi

Agostino dei Musi · 1536

engraving

National Gallery of Art

Public domain

The Baptism of Christ, Paris Bordone, c. 1535/1540, oil on canvas

The Baptism of Christ

Paris Bordone · c. 1535/1540

oil on canvas

National Gallery of Art

Public domain

Shallow bowl on low foot with the muse Clio riding on a swan through a watery landscape, Italian 16th Century, c. 1535/1540, tin-glazed earthenware (maiolica)

Shallow bowl on low foot with the muse Clio riding on a swan through a watery landscape

Italian 16th Century · c. 1535/1540

tin-glazed earthenware (maiolica)

National Gallery of Art

Public domain

Broad-rimmed bowl with the sacrifice of the Greeks at Aulis and the omen of the serpent devouring nine birds, interpreted by the priest Calchas; arms of Anne de Montmorency, Italian 16th Century, 1535, tin-glazed earthenware (maiolica)

Broad-rimmed bowl with the sacrifice of the Greeks at Aulis and the omen of the serpent devouring nine birds, interpreted by the priest Calchas; arms of Anne de Montmorency

Italian 16th Century · 1535

tin-glazed earthenware (maiolica)

National Gallery of Art

Public domain

Design for a Vase with Hercules and Farnese Lilies, Francesco Salviati (Francesco de' Rossi), c. 1540, Pen and brown ink, brush and brown wash

Design for a Vase with Hercules and Farnese Lilies

Francesco Salviati (Francesco de' Rossi) · c. 1540

Pen and brown ink, brush and brown wash

The Metropolitan Museum of Art

CC0

Seated Boy, Girolamo Macchietti, 1555–92, Red chalk, highlighted with white chalk; framing outlines in pen and brown ink

Seated Boy

Girolamo Macchietti · 1555–92

Red chalk, highlighted with white chalk; framing outlines in pen and brown ink

The Metropolitan Museum of Art

CC0

Pope Paul III, Agostino dei Musi, 1534, engraving on laid paper

Pope Paul III

Agostino dei Musi · 1534

engraving on laid paper

National Gallery of Art

Public domain

Bildnis einer Dame in Rot (Francesca Salviati?), Agnolo Bronzino, c. 1533, Mischtechnik auf Pappelholz

Bildnis einer Dame in Rot (Francesca Salviati?)

Agnolo Bronzino · c. 1533

Mischtechnik auf Pappelholz

Public domain

A Tabernacle Containing a Papal Escutcheon Supported by Angels, Giulio Romano, c. 1538–40, Pen and brown ink, over leadpoint or soft black chalk and stylus-ruling

A Tabernacle Containing a Papal Escutcheon Supported by Angels

Giulio Romano · c. 1538–40

Pen and brown ink, over leadpoint or soft black chalk and stylus-ruling

The Metropolitan Museum of Art

CC0

Portrait of a Man, Possibly Girolamo Rosati, Lorenzo Lotto, 1533–34, oil on canvas

Portrait of a Man, Possibly Girolamo Rosati

Lorenzo Lotto · 1533–34

oil on canvas

Cleveland Museum of Art

CC0

11 shows

Broad-rimmed bowl with Neptune raping Theophane; arms of Pucci with an "ombrellino", Francesco Xanto Avelli, 1532, tin-glazed earthenware (maiolica)

Broad-rimmed bowl with Neptune raping Theophane; arms of Pucci with an "ombrellino"

Francesco Xanto Avelli · 1532

tin-glazed earthenware (maiolica)

National Gallery of Art

Public domain

Portrait of a Lady, Italian 16th Century, 1532, tempera on panel

Portrait of a Lady

Italian 16th Century · 1532

tempera on panel

National Gallery of Art

Public domain

Circular plaque with fruited wreath enclosing a shield of arms, Italian 16th Century, 1532, tin-glazed earthenware (maiolica)

Circular plaque with fruited wreath enclosing a shield of arms

Italian 16th Century · 1532

tin-glazed earthenware (maiolica)

National Gallery of Art

Public domain

The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), Domenico Beccafumi, c. 1536, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso)

The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)

Domenico Beccafumi · c. 1536

Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso)

The Metropolitan Museum of Art

CC0

Bildnis einer Dame, Girolamo da Carpi, c. 1530–1540, Öl auf Pappelholz

Bildnis einer Dame

Girolamo da Carpi · c. 1530–1540

Öl auf Pappelholz

Public domain

Inkstand with Bound Satyrs and Three Labors of Hercules, Italian 16th Century, c. 1530/1540, bronze

Inkstand with Bound Satyrs and Three Labors of Hercules

Italian 16th Century · c. 1530/1540

bronze

National Gallery of Art

Public domain

Portrait of a Young Woman, Florentine 16th Century, 1530/1540, oil on panel

Portrait of a Young Woman

Florentine 16th Century · 1530/1540

oil on panel

National Gallery of Art

Public domain

Venus, Bernardino Luini, c. 1530, oil on panel

Venus

Bernardino Luini · c. 1530

oil on panel

National Gallery of Art

Public domain

+ 2 metadata-only matchesshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Dish with Symbols of Christ's PassionItalian · c. 1550–1600 (Renaissance)
Locket with the Deaths of Pyramus and ThisbeItalian · c. 1550 (Renaissance)

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