Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Untitled (Oil Can) from Untitled Tool Series, Jim Dine | Dartabase

Untitled (Oil Can) from Untitled Tool Series, Jim Dine, 1973, Graphite, charcoal, and crayon on paper

Untitled (Oil Can) from Untitled Tool Series

Cite ↓Compare

Artist: Jim Dine
Date: 1973
Medium: Graphite, charcoal, and crayon on paper
Dimensions: 25 5/8 x 19 3/4" (65.1 x 50.2 cm)
Location: The Museum of Modern Art
Credit: Gift of the Robert Lehman Foundation, Inc.

Exhibition history

More works by Jim Dine

Study for The Car Crash: Band Aid, Possible Mask for Girl as a Man, Jim Dine, 1960, Cut-and-pasted paper, pencil, ink, colored ink, and Band Aid on paper

Study for The Car Crash: Band Aid, Possible Mask for Girl as a Man

1960

Cut-and-pasted paper, pencil, ink, colored ink, and Band Aid on paper

The Museum of Modern Art

Study for The Car Crash: Man in Woman's Costume and Woman in Man's Costume, Jim Dine, 1960, Ballpoint pen, ink, chalk, watercolor, colored pencil, pencil, and cut-and-pasted paper on paper

Study for The Car Crash: Man in Woman's Costume and Woman in Man's Costume

1960

Ballpoint pen, ink, chalk, watercolor, colored pencil, pencil, and cut-and-pasted paper on paper

The Museum of Modern Art

The Birth of the Black Rainbow, Jim Dine, (1960), Torn and cut-and-pasted cardboard, oil, and pastel on board

The Birth of the Black Rainbow

(1960)

Torn and cut-and-pasted cardboard, oil, and pastel on board

The Museum of Modern Art

More from The Museum of Modern Art, 1970s

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Jim Dine, Untitled (Oil Can) from Untitled Tool Series, 1973, Graphite, charcoal, and crayon on paper, The Museum of Modern Art, New York.

Stable URL (what's this?)

https://dartabase.art/cite/moma/37131

Also citing Dartabase? Get the database citation →

Metadata sourced from The Museum of Modern Art open data collection

Rights reserved – Image rights belong to the holding institution. Check the source record before reusing. See source record.

View source record ↗Suggest a correction ↗

Study for The Car Crash: Car Costume for Girl, Jim Dine, 1960, Pencil and red pencil on paper

Study for The Car Crash: Car Costume for Girl

1960

Pencil and red pencil on paper

The Museum of Modern Art

Proscenium arch design for the play A Midsummer Nights's Dream, Jim Dine, 1966, Felt-tip pen, pencil, and paint sample chart on transparentized paper

Proscenium arch design for the play A Midsummer Nights's Dream

1966

Felt-tip pen, pencil, and paint sample chart on transparentized paper

The Museum of Modern Art

3 Rainbows for CORE, Jim Dine, 1966, Felt-tip pen, pencil, ink, watercolor, and crayon on paper

3 Rainbows for CORE

1966

Felt-tip pen, pencil, ink, watercolor, and crayon on paper

The Museum of Modern Art

Costume study for A Midsummer Night's Dream: Theseus, Jim Dine, 1966, Cut-and-pasted colored papers, pen and ink, and pencil on tracing paper

Costume study for A Midsummer Night's Dream: Theseus

1966

Cut-and-pasted colored papers, pen and ink, and pencil on tracing paper

The Museum of Modern Art

Costume study for William Shakespeare's A Midsummer Night's Dream: Tom Snout, Jim Dine, 1966, Cut-and-pasted papers, pencil, ink, felt-tip pen, and watercolor on transparentized paper

Costume study for William Shakespeare's A Midsummer Night's Dream: Tom Snout

1966

Cut-and-pasted papers, pencil, ink, felt-tip pen, and watercolor on transparentized paper

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 12) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art