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Untitled (How It Feels to Be Colored Me), Glenn Ligon | Dartabase

Untitled (How It Feels to Be Colored Me), Glenn Ligon, 1991, Oilstick on paper

Untitled (How It Feels to Be Colored Me)

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Artist: Glenn Ligon
Date: 1991
Medium: Oilstick on paper
Dimensions: 31 3/4 x 16" (80.6 x 41 cm)
Location: The Museum of Modern Art
Credit: Gift of The Bohen Foundation

Exhibition history

More works by Glenn Ligon

Untitled (There is a consciousness we all have...), Glenn Ligon, 1988, Oil, oilstick, pencil, and acrylic on two sheets of paper

Untitled (There is a consciousness we all have...)

1988

Oil, oilstick, pencil, and acrylic on two sheets of paper

The Museum of Modern Art

Backlash, Backlash..., Glenn Ligon, 1991, Oilstick on heavy white wove card, ruled with graphite

Backlash, Backlash...

1991

Oilstick on heavy white wove card, ruled with graphite

Art Institute of Chicago

oil sticks oil pastels crayons

Untitled (I am an invisible man), Glenn Ligon, 1991, Oilstick on paper

Untitled (I am an invisible man)

1991

Oilstick on paper

The Museum of Modern Art

Study for Black Like Me #2, Glenn Ligon, 1992, Oilstick on paper

Study for Black Like Me #2

1992

Oilstick on paper

The Museum of Modern Art

More from The Museum of Modern Art, 1990s

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Glenn Ligon, Untitled (How It Feels to Be Colored Me), 1991, Oilstick on paper, The Museum of Modern Art, New York.

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Study for Frankenstein #1, Glenn Ligon, 1992, Oilstick on paper

Study for Frankenstein #1

1992

Oilstick on paper

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 12) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art