Untitled: cover for "Times Literary Supplement"

R. B. Kitaj

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Untitled: cover for "Times Literary Supplement"

R. B. Kitaj

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Artist: R. B. Kitaj
Date: (1963)
Movement: pop art
Medium: Cut and pasted paper, charcoal, and pencil on paper
Dimensions: 15 x 10 3/4" (38 x 27.4 cm)

More works by R. B. Kitaj

See all 24 →

Americans Abroad; Biggar, Lanarkshire (frontispiece) from the portfolio Mahler Becomes Politics, Beisbol

1964–67

Cut-and-pasted paper

The Museum of Modern Art

What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol

1964

One from a portfolio of fifteen screenprints

The Museum of Modern Art

Republic of the Southern Cross from the portfolio Mahler Becomes Politics, Beisbol

1965

Screenprint with varnish additions from a portfolio of fifteen screenprints

The Museum of Modern Art

More pop art works

[no title]

Andy Warhol · 1971

Screenprint on paper

Tate

Trace from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Witness

Gerald Laing · 1968

Portfolio of ten screenprints with collage additions

The Museum of Modern Art

Headers from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Cite this work

R. B. Kitaj, Untitled: cover for "Times Literary Supplement", (1963), Cut and pasted paper, charcoal, and pencil on paper, The Museum of Modern Art, New York.

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Untitled: cover for "Times Literary Supplement"

More works by R. B. Kitaj

Americans Abroad; Biggar, Lanarkshire (frontispiece) from the portfolio Mahler Becomes Politics, Beisbol

What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol

Republic of the Southern Cross from the portfolio Mahler Becomes Politics, Beisbol

More pop art works

[no title]

Trace from Witness

Witness

Headers from Witness

Exhibition history

Cite this work

Hellebore for Georg Trakl from the portfolio Mahler Becomes Politics, Beisbol

The Gay Science from the portfolio Mahler Becomes Politics, Beisbol

His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol

Let Us Call It Arden / And Live In It! from the portfolio Mahler Becomes Politics, Beisbol

The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol

Two Players from Witness

Chevelere Assigne from Witness