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The Chained One (Der Gefesselte), Max Beckmann | Dartabase

The Chained One (Der Gefesselte), Max Beckmann, (1944), Ink on paper

The Chained One (Der Gefesselte)

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Artist: Max Beckmann
Date: (1944)
Medium: Ink on paper
Dimensions: 15 7/8 x 10" (40.3 x 25.4 cm)
Location: The Museum of Modern Art
Credit: Gift of Curt Valentin

Exhibition history

More works by Max Beckmann

Selbstbildnis, Max Beckmann, 1905, Öl auf Leinwand

Selbstbildnis

1905

Öl auf Leinwand

Public domain

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

1909

Lithograph

The Museum of Modern Art

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

1909

Lithograph

The Museum of Modern Art

More from The Museum of Modern Art, 1940s

Valia Zdanevich, Aleksei Kruchenykh, 1923, Collage with photograph, pencil and watercolor manuscript text.

Valia Zdanevich

Aleksei Kruchenykh · 1923

Collage with photograph, pencil and watercolor manuscript text.

The Museum of Modern Art

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Max Beckmann, The Chained One (Der Gefesselte), (1944), Ink on paper, The Museum of Modern Art, New York.

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Wasserturm in Hermsdorf, Max Beckmann, 1909, Öl auf Leinwand

Wasserturm in Hermsdorf

1909

Öl auf Leinwand

Public domain

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

1909

Lithograph

The Museum of Modern Art

Porträt Fridel Battenberg, den Kopf in beide Hände gestützt, Max Beckmann, 1916, Bleistift auf Velinpapier

Porträt Fridel Battenberg, den Kopf in beide Hände gestützt

1916

Bleistift auf Velinpapier

Public domain

Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess), Max Beckmann, (1917, published 1918), Drypoint

Second Illustration for Chapter One (Zweite Illustration zu Kapitel Eins) from Die Fürstin (The Duchess)

(1917, published 1918)

Drypoint

The Museum of Modern Art

Selbstbildnis, Max Beckmann, 1918–1919, Kreidelithografie (Umdruck) auf Simile-Japanpapier

Selbstbildnis

1918–1919

Kreidelithografie (Umdruck) auf Simile-Japanpapier

Public domain

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art