Study of the Composition of Claude’s ‘Landscape with the Landing of Aeneas’

Joseph Mallord William Turner

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Study of the Composition of Claude’s ‘Landscape with the Landing of Aeneas’

Joseph Mallord William Turner

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Artist: Joseph Mallord William Turner
Date: c.1799–1802
Movement: Romanticism · English painting
Medium: Ink and graphite on paper

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Folly Bridge and Bacon’s Tower, Oxford

1787

Pen and ink and watercolour on paper

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View of Nuneham Courtenay from the Thames

1787

Gouache, graphite and watercolour on paper

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Eton College from the River

c.1787

Gouache, graphite and watercolour on paper

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Works in the same movement

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)

John Constable · 1818

Oil on canvas

The Metropolitan Museum of Art

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Stoke-by-Nayland

John Constable · c. 1810–11

Oil on canvas

The Metropolitan Museum of Art

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Salisbury Cathedral from the Bishop's Grounds

John Constable · c. 1825

Oil on canvas

The Metropolitan Museum of Art

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The Natchez

Eugène Delacroix · 1823–24 and 1835

Oil on canvas

The Metropolitan Museum of Art

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Cite this work

Joseph Mallord William Turner, Study of the Composition of Claude’s ‘Landscape with the Landing of Aeneas’, c.1799–1802, Ink and graphite on paper, Tate, London.

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Study of the Composition of Claude’s ‘Landscape with the Landing of Aeneas’

More works by Joseph Mallord William Turner

Folly Bridge and Bacon’s Tower, Oxford

View of Nuneham Courtenay from the Thames

Eton College from the River

Works in the same movement

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)

Stoke-by-Nayland

Salisbury Cathedral from the Bishop's Grounds

The Natchez

Exhibition history

Cite this work

Oxford from the South-West

A Large House with Trees Beyond

Radley Hall from the North-East

Nuneham Courtenay: The East Front with the Principal Entrance

Nuneham Courtenay: The House and Park Looking towards Oxford

Urizen

The Marquesa de Pontejos