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Safety Pin, Man Ray (Emmanuel Radnitzky) | Dartabase

Safety Pin, Man Ray (Emmanuel Radnitzky), 1936, Ink and pencil on paper

Safety Pin

Man Ray (Emmanuel Radnitzky)

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Artist: Man Ray (Emmanuel Radnitzky)
Date: 1936
Medium: Ink and pencil on paper
Dimensions: 14 1/8 x 10 1/8" (35.9 x 25.8 cm)
Location: The Museum of Modern Art
Credit: Katherine S. Dreier Bequest (by exchange)

Exhibition history

More works by Man Ray (Emmanuel Radnitzky)

Untitled, Man Ray (Emmanuel Radnitzky), 1908, Ink and pencil on paper

Untitled

1908

Ink and pencil on paper

The Museum of Modern Art

Ridgefield Landscape, Man Ray (Emmanuel Radnitzky), 1914, Charcoal on paper

Ridgefield Landscape

1914

Charcoal on paper

The Museum of Modern Art

Promenade, Man Ray (Emmanuel Radnitzky), 1915/1945, Gouache over gelatin silver print

Promenade

1915/1945

Gouache over gelatin silver print

The Museum of Modern Art

Untitled, Man Ray (Emmanuel Radnitzky), 1915, Charcoal on paper

Untitled

1915

Charcoal on paper

The Museum of Modern Art

More from The Museum of Modern Art, 1930s

Valia Zdanevich, Aleksei Kruchenykh, 1923, Collage with photograph, pencil and watercolor manuscript text.

Valia Zdanevich

Aleksei Kruchenykh · 1923

Collage with photograph, pencil and watercolor manuscript text.

The Museum of Modern Art

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Man Ray (Emmanuel Radnitzky), Safety Pin, 1936, Ink and pencil on paper, The Museum of Modern Art, New York.

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Metadata sourced from The Museum of Modern Art open data collection

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Admiration of the Orchestrelle for the Cinematograph, Man Ray (Emmanuel Radnitzky), 1919, Airbrushed gouache, colored ink, and pencil on paperboard

Admiration of the Orchestrelle for the Cinematograph

1919

Airbrushed gouache, colored ink, and pencil on paperboard

The Museum of Modern Art

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), Vladimir Mayakovsky (Владимир Маяковский), 1914, Lithograph

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal")

Vladimir Mayakovsky (Владимир Маяковский) · 1914

Lithograph

The Museum of Modern Art

Untitled (Futurist Landscape), Olga Rozanova, 1913, Pen and ink on paper

Untitled (Futurist Landscape)

Olga Rozanova · 1913

Pen and ink on paper

The Museum of Modern Art