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Reclining Nude, Elie Nadelman | Dartabase

Reclining Nude, Elie Nadelman, c. 1917, Pencil and ink on paper

Reclining Nude

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Artist: Elie Nadelman
Date: c. 1917
Medium: Pencil and ink on paper
Dimensions: 7 3/4 x 9 7/8" (19.9 x 25.1 cm)
Location: The Museum of Modern Art
Credit: Gift of Lincoln Kirstein in honor of René d'Harnoncourt

Exhibition history

More works by Elie Nadelman

Head, Elie Nadelman, c. 1904–07, Ink on paper

Head

c. 1904–07

Ink on paper

The Museum of Modern Art

Figure, Elie Nadelman, c. 1904–12, Ink on paper

Figure

c. 1904–12

Ink on paper

The Museum of Modern Art

Head, Elie Nadelman, c. 1904–07, Ink on paper

Head

c. 1904–07

Ink on paper

The Museum of Modern Art

Head of a Woman, Elie Nadelman, c. 1904–07, Ink on paper

Head of a Woman

c. 1904–07

Ink on paper

The Museum of Modern Art

More from The Museum of Modern Art, 1910s

Valia Zdanevich, Aleksei Kruchenykh, 1923, Collage with photograph, pencil and watercolor manuscript text.

Valia Zdanevich

Aleksei Kruchenykh · 1923

Collage with photograph, pencil and watercolor manuscript text.

The Museum of Modern Art

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Elie Nadelman, Reclining Nude, c. 1917, Pencil and ink on paper, The Museum of Modern Art, New York.

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Standing Nude, Elie Nadelman, c. 1904–12, Ink and pencil on paper

Standing Nude

c. 1904–12

Ink and pencil on paper

The Museum of Modern Art

Head of a Woman, Elie Nadelman, c. 1904–07, Ink and pencil on paper

Head of a Woman

c. 1904–07

Ink and pencil on paper

The Museum of Modern Art

Head, Elie Nadelman, c. 1906, Ink and pencil on paper

Head

c. 1906

Ink and pencil on paper

The Museum of Modern Art

Head, Elie Nadelman, c. 1906, Pencil on paper

Head

c. 1906

Pencil on paper

The Museum of Modern Art

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), Vladimir Mayakovsky (Владимир Маяковский), 1914, Lithograph

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal")

Vladimir Mayakovsky (Владимир Маяковский) · 1914

Lithograph

The Museum of Modern Art

Untitled (Futurist Landscape), Olga Rozanova, 1913, Pen and ink on paper

Untitled (Futurist Landscape)

Olga Rozanova · 1913

Pen and ink on paper

The Museum of Modern Art