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Queu poisson!

Honoré Daumier

Cite ↓
Artist
Honoré Daumier
Date
1856
Movement
realism
Medium
Lithograph on cream wove paper
Dimensions
28 x 36cm
Location
Queensland Art Gallery and Gallery of Modern Art
Credit
Purchased 1975

Exhibition history

Exhibition history not yet ingested for Queensland Art Gallery and Gallery of Modern Art. View at source ↗

Cite this work

Honoré Daumier, Queu poisson!, 1856, Lithograph on cream wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane.

Stable URL (what's this?)

https://dartabase.art/cite/qagoma/3100

Purchased 1975

Metadata sourced from Queensland Art Gallery and Gallery of Modern Art open data collection

Image rights: unknown

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Don Quixote and the Dead Mule

Don Quixote and the Dead Mule

after 1864

Oil on wood

The Metropolitan Museum of Art

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Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs

1839

Lithograph in black on ivory wove paper

Art Institute of Chicago

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I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs

I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs

1839/42

Lithograph in black, with additions in pen and iron gall ink, on cream wove paper

Art Institute of Chicago

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“Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs

“Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs

1840

Lithograph in black on off-white wove paper

Art Institute of Chicago

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The Drinkers

The Drinkers

by 1861

Oil on wood

The Metropolitan Museum of Art

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Art Lovers

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c. 1863

Gray and black wash, charcoal, and graphite, with watercolor, on cream laid paper

Cleveland Museum of Art

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The Bath at 4 Sous, plate 29 from Croquis D'été

The Bath at 4 Sous, plate 29 from Croquis D'été

1858

Lithograph in black on off-white wove paper

Art Institute of Chicago

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At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été

At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été

1858

Lithograph in black on off-white wove paper

Art Institute of Chicago

CC0

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Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)

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John Constable · 1818

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The Metropolitan Museum of Art

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Salisbury Cathedral from the Bishop's Grounds

Salisbury Cathedral from the Bishop's Grounds

John Constable · c. 1825

Oil on canvas

The Metropolitan Museum of Art

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In a Railway Carriage (After a Night's Journey)

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Adolph von Menzel · 1851

Gouache, with touches of pastel and oil paint, on cream wove paper, laid down on Japanese paper

Art Institute of Chicago

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Woman with a Crushed Velvet Hat

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Adolph von Menzel · 1894

Graphite

The Metropolitan Museum of Art

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Salisbury Cathedral from Lower Marsh Close

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John Constable · 1820

oil on canvas

National Gallery of Art

Public domain

Am Fenster

Am Fenster

Fritz von Uhde · 1890–1891

Öl auf Leinwand

Städel Museum

Public domain