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Nude Woman Seen from Behind, Odilon Redon | Dartabase

Nude Woman Seen from Behind, Odilon Redon, (after 1895), Charcoal and chalk on paper on cardstock

Nude Woman Seen from Behind

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Artist: Odilon Redon
Date: (after 1895)
Medium: Charcoal and chalk on paper on cardstock
Dimensions: 20 1/4 x 12 3/8" (51.4 x 31.4 cm)
Location: The Museum of Modern Art
Credit: Gift of The Ian Woodner Family Collection

Exhibition history

More works by Odilon Redon

Melancholy, Odilon Redon, c. 1868, graphite on beige wove paper

Melancholy

c. 1868

graphite on beige wove paper

Cleveland Museum of Art

CC0

Trees, Odilon Redon, c. 1865–68, Pencil on colored paper

Trees

c. 1865–68

Pencil on colored paper

The Museum of Modern Art

The Battle, Odilon Redon, 1865, Charcoal, on colored paper

The Battle

1865

Charcoal, on colored paper

The Museum of Modern Art

Portrait of a Young Man (after Holbein), Odilon Redon, c. 1866, Pencil on colored paper

Portrait of a Young Man (after Holbein)

c. 1866

Pencil on colored paper

The Museum of Modern Art

More from The Museum of Modern Art, 1890s

Valia Zdanevich, Aleksei Kruchenykh, 1923, Collage with photograph, pencil and watercolor manuscript text.

Valia Zdanevich

Aleksei Kruchenykh · 1923

Collage with photograph, pencil and watercolor manuscript text.

The Museum of Modern Art

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Odilon Redon, Nude Woman Seen from Behind, (after 1895), Charcoal and chalk on paper on cardstock, The Museum of Modern Art, New York.

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Metadata sourced from The Museum of Modern Art open data collection

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The Head of Saint John the Baptist (after Andrea Solario), Odilon Redon, c. 1868, Pencil and chalk on paper

The Head of Saint John the Baptist (after Andrea Solario)

c. 1868

Pencil and chalk on paper

The Museum of Modern Art

Winged Horseman, Odilon Redon, c. 1875, Pencil on paper

Winged Horseman

c. 1875

Pencil on paper

The Museum of Modern Art

Windmill, Odilon Redon, c. 1875, Pastel on colored paper

Windmill

c. 1875

Pastel on colored paper

The Museum of Modern Art

Centaur Aiming at the Clouds, Odilon Redon, c. 1875, Pencil on paper

Centaur Aiming at the Clouds

c. 1875

Pencil on paper

The Museum of Modern Art

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), Vladimir Mayakovsky (Владимир Маяковский), 1914, Lithograph

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal")

Vladimir Mayakovsky (Владимир Маяковский) · 1914

Lithograph

The Museum of Modern Art

Untitled (Futurist Landscape), Olga Rozanova, 1913, Pen and ink on paper

Untitled (Futurist Landscape)

Olga Rozanova · 1913

Pen and ink on paper

The Museum of Modern Art