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Harlech (No.2), Francis Seymour Haden | Dartabase

Harlech (No.2), Francis Seymour Haden, 1880, mezzotint with etching and drypoint (copper) in brown-black

Harlech (No.2)

Francis Seymour Haden

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Artist: Francis Seymour Haden
Date: 1880
Medium: mezzotint with etching and drypoint (copper) in brown-black
Dimensions: sheet: 28 × 38.4 cm (11 × 15 1/8 in.)
Location: National Gallery of Art
Credit: Rosenwald Collection

Exhibition history

More works by Francis Seymour Haden

Amalfi, Francis Seymour Haden, in or before 1858, etching and drypoint

Amalfi

in or before 1858

etching and drypoint

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Public domain

Mytton Hall, Francis Seymour Haden, 1859, drypoint in brown

Mytton Hall

1859

drypoint in brown

National Gallery of Art

Public domain

Early Morning - Richmond, Francis Seymour Haden, 1859, etching and drypoint

Early Morning - Richmond

1859

etching and drypoint

National Gallery of Art

Public domain

Thames Fishermen, Francis Seymour Haden, 1859, drypoint with etching in dark brown on chine colle

Thames Fishermen

1859

drypoint with etching in dark brown on chine colle

National Gallery of Art

Public domain

More from National Gallery of Art, 1880s

The Long Gallery, Louvre, James McNeill Whistler, 1894, lithograph in black on wove paper

The Long Gallery, Louvre

James McNeill Whistler · 1894

lithograph in black on wove paper

National Gallery of Art

Public domain

Madonna and Child, Florentine 19th Century, c. 1860, marble

Madonna and Child

Florentine 19th Century · c. 1860

marble

overall: 70 x 47 cm (27 9/16 x 18 1/2 in.); framed: 95.89 x 75.57 x 20.96 cm (37 3/4 x 29 3/4 x 8 1/4 in.)

National Gallery of Art

Public domain

Christ with Saint John the Baptist as Children, Anonymous Artist, probably 1855/1860, marble

Christ with Saint John the Baptist as Children

Anonymous Artist · probably 1855/1860

marble

overall: 40.2 x 40.2 cm (15 13/16 x 15 13/16 in.); framed: 60.3 x 73 x 6 cm (23 3/4 x 28 3/4 x 2 3/8 in.)

National Gallery of Art

Public domain

Portrait of a Lady, "Giovanna Albizzi", Giovanni Bastianini, c. 1860, gesso and polychrome over wood and mixed media

Portrait of a Lady, "Giovanna Albizzi"

Giovanni Bastianini · c. 1860

gesso and polychrome over wood and mixed media

National Gallery of Art

Public domain

Exhibition history not yet ingested for National Gallery of Art. View at source ↗

Cite this work

Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington.

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Mytton Hall, Francis Seymour Haden, 1859, drypoint in brown

Mytton Hall

1859

drypoint in brown

National Gallery of Art

Public domain

Early Morning - Richmond, Francis Seymour Haden, 1859, etching and drypoint

Early Morning - Richmond

1859

etching and drypoint

National Gallery of Art

Public domain

Kensington Gardens (The Small Plate), Francis Seymour Haden, 1859, etching in dark brown

Kensington Gardens (The Small Plate)

1859

etching in dark brown

National Gallery of Art

Public domain

Thames Fishermen, Francis Seymour Haden, 1859, drypoint with etching

Thames Fishermen

1859

drypoint with etching

National Gallery of Art

Public domain

Perugino's Udienza del Cambio in the Collegio del Cambio, Perugia, John Russell Pope, 1896, graphite

Perugino's Udienza del Cambio in the Collegio del Cambio, Perugia

John Russell Pope · 1896

graphite

National Gallery of Art

Public domain

Study of an Altarpiece and Ceiling Panels, John Russell Pope, 1896, graphite

Study of an Altarpiece and Ceiling Panels

John Russell Pope · 1896

graphite

National Gallery of Art

Public domain