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Crossection of Spiraling Jetty, Robert Smithson | Dartabase

Crossection of Spiraling Jetty, Robert Smithson, (c. 1970), Felt-tip pen and pencil on paper

Crossection of Spiraling Jetty

Robert Smithson

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Artist: Robert Smithson
Date: (c. 1970)
Medium: Felt-tip pen and pencil on paper
Dimensions: 9 x 12" (22.9 x 30.5 cm)
Location: The Museum of Modern Art
Credit: Fractional and promised gift of Tony Ganz in memory of Victor and Sally Ganz

Exhibition history

More works by Robert Smithson

Enantiomorphic Chambers, Drawing Y, Robert Smithson, 1965, Pencil and colored pencil on paper

Enantiomorphic Chambers, Drawing Y

1965

Pencil and colored pencil on paper

The Museum of Modern Art

Enantiomorphic Chambers, Drawing Z, Robert Smithson, 1965, Pencil and colored pencil on paper

Enantiomorphic Chambers, Drawing Z

1965

Pencil and colored pencil on paper

The Museum of Modern Art

Untitled, Robert Smithson, (c. 1965–67), Pencil on graph paper

Untitled

(c. 1965–67)

Pencil on graph paper

The Museum of Modern Art

More from The Museum of Modern Art, 1970s

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Robert Smithson, Crossection of Spiraling Jetty, (c. 1970), Felt-tip pen and pencil on paper, The Museum of Modern Art, New York.

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Proposal for a Monument on the Red Sea, Robert Smithson, 1966, Cut-and-pasted printed paper and pencil on printed paper

Proposal for a Monument on the Red Sea

1966

Cut-and-pasted printed paper and pencil on printed paper

The Museum of Modern Art

Mirror with Rock Salt (Salt Mine and Museum Proposal), Robert Smithson, 1968, Pencil, cut-and-pasted gelatin-silver print, and cut-and-pasted paper on paper

Mirror with Rock Salt (Salt Mine and Museum Proposal)

1968

Pencil, cut-and-pasted gelatin-silver print, and cut-and-pasted paper on paper

The Museum of Modern Art

Fossil Quarry Mirror (Outdoor and Indoor Proposal), Robert Smithson, 1968, Pencil on paper

Fossil Quarry Mirror (Outdoor and Indoor Proposal)

1968

Pencil on paper

The Museum of Modern Art

Sketch for Quarry Project: Texas Overflow, Robert Smithson, 1970, Pencil on paper

Sketch for Quarry Project: Texas Overflow

1970

Pencil on paper

The Museum of Modern Art

Sketch for Quarry Project: Texas Overflow, Robert Smithson, 1970, Crayon on paper

Sketch for Quarry Project: Texas Overflow

1970

Crayon on paper

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 12) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art