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Cover design for The Enemy No. 1, Wyndham Lewis | Dartabase

Cover design for The Enemy No. 1, Wyndham Lewis, (1926), Gouache, ink, and pencil on paper

Cover design for The Enemy No. 1

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Artist: Wyndham Lewis
Date: (1926)
Medium: Gouache, ink, and pencil on paper
Dimensions: 9 3/8 x 4 3/4" (23.7 x 11.9 cm)
Location: The Museum of Modern Art
Credit: Joseph M. and Dorothy B. Edinburg Fund

Exhibition history

More works by Wyndham Lewis

Untitled, Wyndham Lewis, 1912, Watercolor and ink on paper

Untitled

1912

Watercolor and ink on paper

The Museum of Modern Art

Standing Figure, Wyndham Lewis, 1912, Watercolor and ink on paper

Standing Figure

1912

Watercolor and ink on paper

The Museum of Modern Art

Self-Portrait, Wyndham Lewis, (1920), Pencil and watercolor on paper

Self-Portrait

(1920)

Pencil and watercolor on paper

The Museum of Modern Art

Roman Actors, Wyndham Lewis, (1934), Watercolor, gouache, ink, and pencil on paper

Roman Actors

(1934)

Watercolor, gouache, ink, and pencil on paper

The Museum of Modern Art

More from The Museum of Modern Art, 1920s

Valia Zdanevich, Aleksei Kruchenykh, 1923, Collage with photograph, pencil and watercolor manuscript text.

Valia Zdanevich

Aleksei Kruchenykh · 1923

Collage with photograph, pencil and watercolor manuscript text.

The Museum of Modern Art

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Wyndham Lewis, Cover design for The Enemy No. 1, (1926), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York.

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Metadata sourced from The Museum of Modern Art open data collection

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A Hand of Bananas, Wyndham Lewis, (c. 1938), Gouache, watercolor, pencil, and ink on paper

A Hand of Bananas

(c. 1938)

Gouache, watercolor, pencil, and ink on paper

The Museum of Modern Art

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), Vladimir Mayakovsky (Владимир Маяковский), 1914, Lithograph

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal")

Vladimir Mayakovsky (Владимир Маяковский) · 1914

Lithograph

The Museum of Modern Art

Untitled (Futurist Landscape), Olga Rozanova, 1913, Pen and ink on paper

Untitled (Futurist Landscape)

Olga Rozanova · 1913

Pen and ink on paper

The Museum of Modern Art