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Composition study for Gods of the Modern World, José Clemente Orozco | Dartabase

Composition study for Gods of the Modern World, José Clemente Orozco, (c. 1932–34), Crayon on paper

Composition study for Gods of the Modern World

José Clemente Orozco

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Artist: José Clemente Orozco
Date: (c. 1932–34)
Medium: Crayon on paper
Dimensions: 18 1/2 x 25 1/8" (46.9 x 63.6 cm)
Location: The Museum of Modern Art

More works by José Clemente Orozco

Male Torso, José Clemente Orozco, (1923), Crayon on brown paper

Male Torso

(1923)

Crayon on brown paper

The Museum of Modern Art

Feet (no. 2), José Clemente Orozco, (1923), Charcoal on paper

Feet (no. 2)

(1923)

Charcoal on paper

The Museum of Modern Art

Head of Quetzalcoatl (Study for the Dartmouth College Mural, "An Epic of American Civilization"), José Clemente Orozco, (c. 1932–34), Crayon on transparentized paper over colored paper

Head of Quetzalcoatl (Study for the Dartmouth College Mural, "An Epic of American Civilization")

(c. 1932–34)

Crayon on transparentized paper over colored paper

The Museum of Modern Art

Legs, José Clemente Orozco, 1938, Charcoal on gray paper

Legs

1938

Charcoal on gray paper

The Museum of Modern Art

More from The Museum of Modern Art, 1930s

Valia Zdanevich, Aleksei Kruchenykh, 1923, Collage with photograph, pencil and watercolor manuscript text.

Valia Zdanevich

Aleksei Kruchenykh · 1923

Collage with photograph, pencil and watercolor manuscript text.

The Museum of Modern Art

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Credit

Gift of Clemente Orozco

Exhibition history

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

José Clemente Orozco, Composition study for Gods of the Modern World, (c. 1932–34), Crayon on paper, The Museum of Modern Art, New York.

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Self-Portrait, José Clemente Orozco, 1940, Tempera on board, mounted on board

Self-Portrait

1940

Tempera on board, mounted on board

The Museum of Modern Art

Crouching Model, José Clemente Orozco, (1947), Charcoal on paper

Crouching Model

(1947)

Charcoal on paper

The Museum of Modern Art

Clenched Fist, José Clemente Orozco, (1948), Crayon and charcoal on paper

Clenched Fist

(1948)

Crayon and charcoal on paper

The Museum of Modern Art

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), Vladimir Mayakovsky (Владимир Маяковский), 1914, Lithograph

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal")

Vladimir Mayakovsky (Владимир Маяковский) · 1914

Lithograph

The Museum of Modern Art

Untitled (Futurist Landscape), Olga Rozanova, 1913, Pen and ink on paper

Untitled (Futurist Landscape)

Olga Rozanova · 1913

Pen and ink on paper

The Museum of Modern Art