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Charenton. Les Bords de la Marne, Eugène Atget | Dartabase

Charenton. Les Bords de la Marne, Eugène Atget, 1898–99, Albumen silver print

Charenton. Les Bords de la Marne

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Artist: Eugène Atget
Date: 1898–99
Medium: Albumen silver print
Dimensions: Approx. 6 1/2 × 8 1/2" (16.5 × 21.6 cm)
Location: The Museum of Modern Art
Credit: Abbott-Levy Collection. Acquired through the generosity of Shirley C. Burden, and Family of Man Fund

Exhibition history

More works by Eugène Atget

See all 199 →

La Rochelle, beffroi, Eugène Atget, 1896?, Albumen silver print

La Rochelle, beffroi

1896?

Albumen silver print

The Museum of Modern Art

La Rochelle -- Bateaux, Eugène Atget, 1896?, Gelatin silver printing-out-paper print

La Rochelle -- Bateaux

1896?

Gelatin silver printing-out-paper print

The Museum of Modern Art

La Rochelle, Eugène Atget, 1896?, Gelatin silver printing-out-paper print

La Rochelle

1896?

Gelatin silver printing-out-paper print

The Museum of Modern Art

Soleil, Eugène Atget, 1896?, Albumen silver print

Soleil

1896?

Albumen silver print

The Museum of Modern Art

More from The Museum of Modern Art, 1890s

Valia Zdanevich, Aleksei Kruchenykh, 1923, Collage with photograph, pencil and watercolor manuscript text.

Valia Zdanevich

Aleksei Kruchenykh · 1923

Collage with photograph, pencil and watercolor manuscript text.

The Museum of Modern Art

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Eugène Atget, Charenton. Les Bords de la Marne, 1898–99, Albumen silver print, The Museum of Modern Art, New York.

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Metadata sourced from The Museum of Modern Art open data collection

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Fleurs, Eugène Atget, c. 1896, Gelatin silver printing-out-paper print

Fleurs

c. 1896

Gelatin silver printing-out-paper print

The Museum of Modern Art

La Rochelle, Eugène Atget, 1896?, Gelatin silver printing-out-paper print

La Rochelle

1896?

Gelatin silver printing-out-paper print

The Museum of Modern Art

Bouillon-Blanc, Eugène Atget, 1896?, Albumen silver print

Bouillon-Blanc

1896?

Albumen silver print

The Museum of Modern Art

Untitled, Eugène Atget, 1898–99, Albumen silver print

Untitled

1898–99

Albumen silver print

The Museum of Modern Art

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos), Max Beckmann, 1909, Lithograph

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Max Beckmann · 1909

Lithograph

The Museum of Modern Art

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), Vladimir Mayakovsky (Владимир Маяковский), 1914, Lithograph

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal")

Vladimir Mayakovsky (Владимир Маяковский) · 1914

Lithograph

The Museum of Modern Art

Untitled (Futurist Landscape), Olga Rozanova, 1913, Pen and ink on paper

Untitled (Futurist Landscape)

Olga Rozanova · 1913

Pen and ink on paper

The Museum of Modern Art