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A Standing Female Nude Seen from Behind, Joseph Mallord William Turner | Dartabase

A Standing Female Nude Seen from Behind, Joseph Mallord William Turner, c.1799–1805, Chalk on paper

A Standing Female Nude Seen from Behind

Joseph Mallord William Turner

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Artist: Joseph Mallord William Turner
Date: c.1799–1805
Movement: Romanticism · English painting
Medium: Chalk on paper
Dimensions: support: 433 x 272 mm
Location

More works by Joseph Mallord William Turner

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Folly Bridge and Bacon’s Tower, Oxford, Joseph Mallord William Turner, 1787, Pen and ink and watercolour on paper

Folly Bridge and Bacon’s Tower, Oxford

1787

Pen and ink and watercolour on paper

View of Nuneham Courtenay from the Thames, Joseph Mallord William Turner, 1787, Gouache, graphite and watercolour on paper

View of Nuneham Courtenay from the Thames

1787

Gouache, graphite and watercolour on paper

Eton College from the River, Joseph Mallord William Turner, c.1787, Gouache, graphite and watercolour on paper

Eton College from the River

c.1787

Gouache, graphite and watercolour on paper

Works in the same movement

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), John Constable, 1818, Oil on canvas

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)

John Constable · 1818

Oil on canvas

The Metropolitan Museum of Art

CC0

Stoke-by-Nayland, John Constable, c. 1810–11, Oil on canvas

Stoke-by-Nayland

John Constable · c. 1810–11

Oil on canvas

The Metropolitan Museum of Art

CC0

Salisbury Cathedral from the Bishop's Grounds, John Constable, c. 1825, Oil on canvas

Salisbury Cathedral from the Bishop's Grounds

John Constable · c. 1825

Oil on canvas

The Metropolitan Museum of Art

CC0

The Natchez, Eugène Delacroix, 1823–24 and 1835, Oil on canvas

The Natchez

Eugène Delacroix · 1823–24 and 1835

Oil on canvas

The Metropolitan Museum of Art

CC0

Credit

Accepted by the nation as part of the Turner Bequest 1856

Exhibition history

Exhibition history not yet ingested for Tate. View at source ↗

Cite this work

Joseph Mallord William Turner, A Standing Female Nude Seen from Behind, c.1799–1805, Chalk on paper, Tate, London.

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https://dartabase.art/cite/tate/D04904

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Metadata sourced from Tate open data collection

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Oxford from the South-West, Joseph Mallord William Turner, ?1787–8, Graphite, watercolour and pen and ink on paper

Oxford from the South-West

?1787–8

Graphite, watercolour and pen and ink on paper

A Large House with Trees Beyond, Joseph Mallord William Turner, c.1787–9, Graphite on paper

A Large House with Trees Beyond

c.1787–9

Graphite on paper

Radley Hall from the North-East, Joseph Mallord William Turner, c.1789, Graphite on paper

Radley Hall from the North-East

c.1789

Graphite on paper

Nuneham Courtenay: The East Front with the Principal Entrance, Joseph Mallord William Turner, c.1789, Graphite on paper

Nuneham Courtenay: The East Front with the Principal Entrance

c.1789

Graphite on paper

Nuneham Courtenay: The House and Park Looking towards Oxford, Joseph Mallord William Turner, c.1789, Graphite on paper

Nuneham Courtenay: The House and Park Looking towards Oxford

c.1789

Graphite on paper

Urizen, William Blake, 1794, Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

Urizen

William Blake · 1794

Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

Art Institute of Chicago

CC0

paper (fiber product)watercolor water-base paint+6

The Marquesa de Pontejos, Francisco Goya, c. 1786, oil on canvas

The Marquesa de Pontejos

Francisco Goya · c. 1786

oil on canvas

National Gallery of Art

Public domain