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Battered Man

Gordon Parks

Cite ↓
Artist
Gordon Parks
Date
1948
Medium
Gelatin silver print
Materials
photographic paper
Dimensions
23.5 × 18.6 cm (9 1/4 × 7 5/16 in.) (image/paper/mount)
Location
Art Institute of Chicago
Credit
Laura T. Magnuson Acquisition Fund

Exhibition history

Other works in Invisible Man: Gordon Parks and Ralph Ellison in Harlem

See all →
The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

Untitled

Untitled

Ralph Ellison · 1940s

Gelatin silver print

Art Institute of Chicago

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Gordon Parks · 1952

Gelatin silver print

Art Institute of Chicago

Contact Sheet, from the series "Harlem is Nowhere"

Contact Sheet, from the series "Harlem is Nowhere"

Ralph Ellison · 1948

Gelatin silver print

Art Institute of Chicago

Cite this work

Gordon Parks, Battered Man, 1948, Gelatin silver print, Art Institute of Chicago, Chicago.

Stable URL (what's this?)

https://dartabase.art/cite/aic/184378

Laura T. Magnuson Acquisition Fund

Metadata sourced from Art Institute of Chicago open data collection

Image rights: Rights reserved (see source)

View source record ↗How to cite ↓Suggest a correction ↗

More works by Gordon Parks

<I>Washington, D.C. Government Charwoman (American Gothic)</I>

<I>Washington, D.C. Government Charwoman (American Gothic)</I>

1942; printed 1990s

silver and photographic gelatin on photographic paper; H x W: 14 × 11 in. (35.6 × 27.9 cm)

National Museum of African American History and Culture

Public domain

Off on My Own (Harlem, New York), from the series "Harlem is Nowhere"

Off on My Own (Harlem, New York), from the series "Harlem is Nowhere"

1948

Gelatin silver print

Art Institute of Chicago

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

1952

Gelatin silver print

Art Institute of Chicago

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

1952

Gelatin silver print

Art Institute of Chicago

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

1952

Gelatin silver print

Art Institute of Chicago

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

1952

Gelatin silver print

Art Institute of Chicago

Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952)

Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952)

1952

Gelatin silver print

Art Institute of Chicago

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

The Invisible Man (Harlem, New York), from the series "A Man Becomes Invisible" (1952)

1952

Gelatin silver print

Art Institute of Chicago