Man, Keys, Phone, Clock

Louise Bourgeois

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Man, Keys, Phone, Clock

Louise Bourgeois

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Artist: Louise Bourgeois
Date: 1994
Movement: surrealism · abstract expressionism · modernism
Medium: Drypoint on paper
Dimensions: image: 221 x 168 mm
Location: Tate
Credit: Purchased 1994

Exhibition history

Exhibition history not yet ingested for Tate. View at source ↗

Cite this work

Louise Bourgeois, Man, Keys, Phone, Clock, 1994, Drypoint on paper, Tate, London.

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https://dartabase.art/cite/tate/P77689

Purchased 1994

Metadata sourced from Tate open data collection

Image rights: © The Easton Foundation

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Works in the same movement

Plate I from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate X from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art