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Artist

Georges Rouault

Georges Rouault

1871–1958French34 works in Dartabase

Movements: Expressionism · Symbolism · Fauvism

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Works, earliest first

Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere

Trial proof for The Bad Grain Will Be Removed Tomorrow I, rejected plate from Miserere

c. 1922–1927

Lift ground aquatint and aquatint over photogravure

The Museum of Modern Art

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

c. 1922–1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere

Trial proof for ...The Accused Indicted Beneath A Forgotten Crucifix, rejected plate from Miserere

c. 1922–1927

Aquatint over photogravure

The Museum of Modern Art

Trial proof for The Bay Of The Dead, rejected plate from Miserere

Trial proof for The Bay Of The Dead, rejected plate from Miserere

c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere

Trial proof for Tomorrow Will Be Beautiful, Said The Shipwrecked Man, plate XI from Miserere

1922

Aquatintand drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for It is Hard to Live..., plate XII from Miserere

Trial proof for It is Hard to Live..., plate XII from Miserere

1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere

Trial proof for Daughter of Joy, So-Called, plate XIV from Miserere

1922

Aquatint and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere

Trial proof for Mouth that was Fresh, Bitter as Gall, plate XV from Miserere

1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere

Trial proof for The Society Lady Fancies She Has a Rserved Seat in Heaven, plate XVI from Miserere

1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for The Condemned is Led Away..., plate XVIII from Miserere

Trial proof for The Condemned is Led Away..., plate XVIII from Miserere

1922

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Street of the Lonely, plate XXIII from Miserere

Trial proof for Street of the Lonely, plate XXIII from Miserere

1922

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere

Trial proof for Sing Matins, A New Day Is Born, plate XXIX from Miserere

1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere

Trial proof for And Veronica With Her Delicate Linen Still Goes Her Way..., plate XXXIII from Miserere

1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere

Trial proof for In The Press, The Grapes Were Trodden, plate XLVIII from Miserere

1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Abandoned, rejected plate from Miserere

Trial proof for Abandoned, rejected plate from Miserere

c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for Old Mother, Now Cries Alone

Trial proof for Old Mother, Now Cries Alone

c. 1922–1927.

Lift ground aquatint, aquatint, and drypoint over photogravure

The Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere

1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

Trial proof for Christ Laying On His Hands, rejected plate from Miserere

c. 1922–1927

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for Jesus Mocked..., plate II from Miserere

Trial proof for Jesus Mocked..., plate II from Miserere

1922

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Eternally Scourged..., plate III from Miserere

Trial proof for Eternally Scourged..., plate III from Miserere

1922

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere

Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere

1922

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

Trial proof for It Would be So Sweet to Love!, plate XIII from Miserere

1923

Lift ground aquatint, etching, and drypoint over photogravure

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Trial proof for We Think Ourselves Kings, plate VII from Miserere

1923

Aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere

Trial proof for We Think Ourselves Kings, plate VII from Miserere

1923

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

Trial proof for Who Does Not Paint Himself a Face?, plate VIII from Miserere

1923

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

Trial proof for In the Land of Thirst and Terror, plate XXVI from Miserere

1923

Aquatint and lift ground aquatint with roulette over photogravure

The Museum of Modern Art

Trial proof for Face To Face, plate XL from Miserere

Trial proof for Face To Face, plate XL from Miserere

1926

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

1926, published 1948

Aquatint, drypoint and photogravure with ink additions

The Museum of Modern Art

Trial proof for "With Tooth and Nail," plate L from Miserere

Trial proof for "With Tooth and Nail," plate L from Miserere

1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

1926

Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

1926

Aquatint and drypoint over photogravure, with pen and ink additions

The Museum of Modern Art

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere

1926

Aquatint, lift ground aquatint, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

1927

Aquatint, etching, and drypoint with roulette over photogravure

The Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

1927

Aquatint and drypoint with roulette over photogravure

The Museum of Modern Art