Artist

George Baxter

1804–1867200 works in Dartabase

Source record ↗

Suggest a correction ↗

Works, earliest first

The Bridesmaid

n.d.

Steel engraving colored with wooden blocks on paper

Art Institute of Chicago

CC0

The Dogs of St. Bernard

n.d.

Steel engraving colored with wooden blocks on paper

Art Institute of Chicago

CC0

Her Most Gracious Majesty Queen Victoria Receiving the Sacrament at her Coronation

n.d.

Steel engraving colored with wooden blocks on paper

Art Institute of Chicago

CC0

Arrival of Her Most Gracious Majesty at House of Lords to Open First Parliament of her Reign

n.d.

Steel engraving colored with wooden blocks on paper

Art Institute of Chicago

CC0

The Mountain Stream

n.d.

Steel engraving colored with wooden blocks on paper

Art Institute of Chicago

CC0

Eagle and Vulture

1834

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Eagle and Vulture

1834

Block printing in colors on ivoy wove paper

Art Institute of Chicago

CC0

Little Grebes and Nests, from The Feathered Tribes of the British Islands

1834

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Hindoo and Mohamedan Buildings

1834, printed 1835

Block printing in colors, on ivory wove paper, laid down on card

Art Institute of Chicago

CC0

Dippers and Nest, from The Feathered Tribes of the British Islands

1834

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

The Seasons

1835

Block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The End of Time

1835

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Modifications of Clouds

1835

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Temperate

1835

Steel etching printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Welsh Harper

1835

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Scene on the Mountain Tops

1835

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Tropical Scenery

1835

Steel etching and stipple printed in green, with block printing in colors, on ivory wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Shore

1835

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Caroline Mordaunt

1835

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Air Bird

1835

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Temperate

1835

Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Polar Sky

1835

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Tropical Scenery

1835

Steel etching printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Tropical Scenery

1835

Steel etching and stipple printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Evening on the Sea

1835

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Polar Sky

1835

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

South Down Sheep

1836

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

The New Year's Token, also called Christmas Present

1836

Book with letterpress and two color wood engravings on ivory wove paper, bound in cover with tooled red leather

Art Institute of Chicago

CC0

Children Outside Gates of a Mansion (Tales for Girls)

1836

Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Convolvulus Leaves, Flower, and Bud, from Baxter's Agricultural and Horticultural Gleaner

1836

Block printing in colors, and letterpress, on ivory wove paper

Art Institute of Chicago

CC0

Bohemian Peasants, Near Toplitz

1836

Steel etching, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Mosaic Pavement at Pitney, also called At Pitney, Co. Somt. 1829

1836

Block printing in colors, with debossing, on ivory wove paper

Art Institute of Chicago

CC0

The Mosaic Pavement at Pitney, also called The Roman Pavement at Pitney

1836

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

The Conqueror of Europe (Auricula)

1836

Steel etching and roulette printed in green, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Seasons

1836

Steel etching printed in brown, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Virginia Water

1836

Block printing in colors on ivory wove paper

Art Institute of Chicago

CC0

Hungarian Peasants

1836

Steel etching, with block printing in colors (from 10 blocks), on ivory wove paper

Art Institute of Chicago

CC0

Sir David Scott, Bart. K.G.H.

c. 1836

Aquatint, mezzotint, and roulette in black on ivory wove paper

Art Institute of Chicago

CC0

Isola Bella, Lago Maggiore, Italy

1837

Steel etching printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Vineyard near Mount St. Bernard

1837

Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Te Po, a Chief of Rarotonga

1837

Steel etching printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Winter Bird

1837

Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Cleopatra

1837

Steel etching and stipple printd in purple, with block printing in colors (from 16 blocks), on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Advice on the Care of Teeth

1837

Steel etching printed in black with block printing in colors, with liftable flap, on wove paper

Art Institute of Chicago

CC0

Rev. John Williams

1837

Steel etching and aquatint, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Summer Fly

1837

Steel etching printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Rev. John Williams

1837

Steel etching and aquatint printed in black on ivory wove paper

Art Institute of Chicago

CC0

Avalanche at Lewes

1837

Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Autumnal Artist

1837

Steel etching printed in blue, with block printing in colors, on ivoy wove paper

Art Institute of Chicago

CC0

Turn of the Monsoon

1837

Steel etching and aquatint printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

A Bird of Spring

1837

Steel etching printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Old Water Mill

1838

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The John Wesley Missionary Ship

1838/41

Steel etching, aquating, and stipple printed in black on ivory wove paper

Art Institute of Chicago

CC0

Milo of Crotona Rending the Oak

1838

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

English Ship by Moonlight (Melaia)

1838

Steel etching, aquatint, and roulette printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The John Wesley Missionary Ship

1838/41

Steel etching, aquatint, and stipple printed in black on ivory wove paper

Art Institute of Chicago

CC0

The Dying Gladiator

1838

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Rafaralahy, Governor of Foule Point Madagascar

1839

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

Parsonage at Ovingham

1839

Steel etching with block printing in sepia, on ivory wove paper

Art Institute of Chicago

CC0

Victoria, Queen of Great Britain, also called Queen's Hand on Table

after 1839

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Lo Studio

1839

Steel etching and aquatint printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Lo Studio

1839

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Michaelangelo's Moses

1839

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Domestic Happiness

1840

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Judgment of Brutus

1840

Steel etching, aquatint, and stipple printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Maritime Discovery and Christian Missions: Considered in Their Mutual Relations

1840

Book with letterpress, one Baxter print, and one engraving in black, on cream wove paper, bound in hardcover with dark blue cloth

Art Institute of Chicago

CC0

Man as a Moral and Accountable Being

1840

Book with letterpress and two Baxter prints on ivory wove paper, bound in hardcover with green cloth

Art Institute of Chicago

CC0

The Six Malagasy Christians (now in England) Waiting at Tamatava to Embark for Mauritius

1840

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

Rev. John Williams (Small)

1840

Stipple and etching in black on ivory wove paper

Art Institute of Chicago

CC0

Prospectus with Royal Arms in Gold and Colours

1840

Letterpress in black and block printing in colours on ivory wove paper

Art Institute of Chicago

CC0

Socrates

1840

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Child on a Bed

1840

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Reception of the Rev. J. Williams, at Tanna in the South Seas, the Day Before He was Massacred, from Two Specimens

1841

Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

The Reception of the Rev. J. Williams, at Tanna in the South Seas, the Day Before He was Massacred

1841

Steel etching printed in blue, with block printing in colors, on wove paper, laid down on card

Art Institute of Chicago

CC0

The Massacre of the Lamented Missionary, The Rev. J. Williams and Mr Harris

1841

Steel etching and stipple printed in blue, with block printing in colors, on wove paper, laid down on card

Art Institute of Chicago

CC0

The Massacre of the Lamented Missionary the Rev. J. Williams and Mr. Harris, from Two Specimens

1841

Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

The Rev. J. Williams First Interview with the Natives of Erromanga

1842

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

The Mission Premises at the Kuruman Station

1842

Steel etching and aquatint, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Parhelia, from Astronomy and Scripture

1843

Steel etching, printed in blue, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

The Wreck of the Reliance (November 12, 1842)

November 1, 1843

Steel engraving, with block printing in oil-based colored inks on paper

Art Institute of Chicago

CC0

The Ordinance of Baptism, from Missions in Jamaica

1843

Etching and stipple printed in black, with block printing in color, on wove paper, varnishd, laid down on original mount

Art Institute of Chicago

CC0

The Ordinance of Baptism, from Missions in Jamaica

1843

Etching and stipple printed in black, with block printing in color, on wove paper, varnished, laid down on original mount

Art Institute of Chicago

CC0

Destruction of the Tanjore by Lightening, off Ceylon

1844

Steel etching and stipple printed in black, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

London from Greenwich Observatory

1845

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

George Pritchard

1845

Steel etching printed in black, with block printing in colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

View from Richmond Hill, Morning

1845

Steel etching, aquatint, and stipple printed in blue, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

Wesleyan Mission Station at Waingaroa, New Zealand. Natives Assembling for Worship

1846

Steel etching and stipple, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Miss Aldersey's School at Ningpo

1847

Steel etching printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Bolton Abbey

1847

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Hindoo Temple at Gyah Bahar

1847

Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on wove paper

Art Institute of Chicago

CC0

Near Folkstone, Midday

1847

Steel etching and stipple printed in blue, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

Miss Aldersby's School at Ningpo

1847

Steel etching printed in blue, with block printing in colors, on ivory wove paper

Art Institute of Chicago

CC0

Dove Dale

1847

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

England's Queen, or Her Most Gracious Majesty the Queen

1848

Steel etching and stipple printed in black, with block printing in colors (from 13 blocks), on laid paper, laid down on buff wove paper, with framing line in blue ink

Art Institute of Chicago

CC0

His Royal Highness Prince Albert (Blue Breeches)

1848

Steel etching and stipple printed in black, with block printing in colors (from 12 blocks), on laid paper, laid down on buff wove paper with framing line in blue ink

Art Institute of Chicago

CC0

Paul and Virginia, also called The Small Paul and Virginia

1848

Steel etching printed in black, with block printing in colors, on wove paper, laid down on buff wove paper

Art Institute of Chicago

CC0

The Holy Family

1849–50

Steel etching and stipple printed in brown, with block printing in colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

The Child's Companion and Juvenile Instructor, New Series 1849

1849

Lithograph on ivory wove paper

Art Institute of Chicago

View from Deserted Rock Quarry on the Wye (top), and Winter, also called The Small Winter, the long print (bottom)

1849, printed 1936

Aquatint in black (top), and aquatint and stipple engraving in black (bottom), on ivory wove paper

Art Institute of Chicago

CC0

Jerusalem, from the Mount of Olives

1849

Steel etching, aquatint, roulette, and stipple printed in purple, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

The Fisherman's Home

1849

Steel etching and stipple printed in purple, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Derwent Water, Cumberland

1849

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

View From a Deserted Rock Quarry on the Wye

1849

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Greek Dance

1850

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Netley Abbey

1850

Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Her Majesty, H.R.H. Prince Albert, and Family Leaving Kingston Harbour, Ireland

1850

Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card

Art Institute of Chicago

CC0

View from Richmond Hill, Noon

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

View from Richmond Hill, Noon

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Dripping Well, Hastings

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Lovers' Seat, Hastings

1850

Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on wove card

Art Institute of Chicago

CC0

Brighton Chain Pier

1850

Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Greek Dance

1850

Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Bala Lake, North Wales

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Llangollen

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Cader Idris

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

River Tiefy, Cardiganshire

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Welsh Drovers

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

Welsh Drovers

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Crucis Abbey

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

St. Ruth's Priory

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Indian Settlement

1850

Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

His Royal Highness Prince of Wales

1850

Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Bride, cover for The Prima Donna Waltz sheet music

1850

Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold

Art Institute of Chicago

CC0

Queen's Floral Needle Box Set, also called Ten Bouquets

1850

Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper

Art Institute of Chicago

CC0

Queen's Floral Needle Box Set, also called Ten Bouquets

1850

Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper

Art Institute of Chicago

CC0

Queen's Floral Needle Box Set, also called Ten Bouquets

1850

Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper

Art Institute of Chicago

CC0

Needle Box decorated with The Regal Set

1850

Box with steel etching printed in brown, with block printing in colors, on ivory wove paper, laid down on box lid, and with ten small boxes, each with Baxter prints on ivory wove paper laid down on box lid, on the inside

Art Institute of Chicago

CC0

Her Majesty Queen Victoria, also called The De la Rue Queen

c. 1850

Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper

Art Institute of Chicago

CC0

His Royal Highness Prince Albert (Buckskin Trousers)

1850

Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down

Art Institute of Chicago

CC0

La Tarantella Needle Box, also called The Small Tarantella

c. 1850

Box with color wood engraving on ivory wove paper, laid down on box lid, and with ten small boxes, each with color wood engraving on ivory wove paper laid down on box lid, on the inside

Art Institute of Chicago

CC0

The Bride, cover for The Prima Donna Waltz sheet music

1850

Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on ivory wove paper with letterpress in gold

Art Institute of Chicago

CC0

The Circassian Lady at the Bath

1850

Steel engraving, with stipple and roulette, printed in black, with block printing in colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

Queen's Floral Needle Box Set, also called Ten Bouquets

1850

Steel etching and stipple printed in purple, with block printing in colors (from 9 blocks), on wove paper

Art Institute of Chicago

CC0

The Landing of Her Majesty and Her Royal Highness Prince Albert, in Ireland

1850

Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

The First Impression

1850

Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on card

Art Institute of Chicago

CC0

The Conchologists, also called The Large Conchologists

1850

Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Paul and Virginia, also called The Large Paul and Virginia

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Conchologists, also called The Large Conchologists

1850

Steel etching and roulette printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Harem

1850

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Bride, also called The Large Bride

1850

Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Shall I Succeed?

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Balmoral Castle

1850

Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on wove card

Art Institute of Chicago

CC0

Windsor Castle, also called Returning From Stag Hunting

1850

Steel etching and stipple printed in purple, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Windsor Castle, from the Long Walk

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

Jenny Lind (Mademoiselle Jenny Lind)

1850

Steel etching, stipple, and roulette printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

View from Windsor Forest

1850

Steel etching and stipple printed in purple, with block printing in colors from 11 blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Windsor Forest (Pocket Book version)

1850

Steel etching and stipple printed in brown, with block printing in colors from 11 blocks, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

River Carnel, Cornwall

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

River Carnel, Cornwall

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Greek Dance And Harem Set

1850

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper (two compositions on one sheet)

Art Institute of Chicago

CC0

Jetty Treffz (Mademoiselle Jetty Treffz)

1850

Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Great Exhibition (Small Exterior)

1851

Steel etching and stipple printed in puple, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Fairy Scenes

c. 1851

Steel etching and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

View from Harrow-on-the-Hill

1851

Steel etching, aquatint, and stipple printed in purple, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Houses of Parliament

1851

Steel etching and stipple printed in purple, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Pas des Trois and Fairy Scenes (from Set of Needle Prints)

c. 1851

Steel etching and stipple printed in black, with block printing in colors, on wove paper (two compositions on one sheet)

Art Institute of Chicago

CC0

The Birth of the Saviour, also called The Nativity or The Adoration

1852

Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Finding of Moses, from Religious Events, No. 1 and No. 2

c. 1852

Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold

Art Institute of Chicago

CC0

Flora, also called Flora the Gypsy Girl

1852

Steel engraving, with stipple, printed in black, with block printing in 11 colors, on wove paper, laid down on original mount

Art Institute of Chicago

CC0

The Saviour, from Religious Events, No. 1 and No. 2

c. 1852

Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold

Art Institute of Chicago

CC0

King Saul, from Religious Events, No. 1 and No. 2.

c. 1852

Steel etching and stipple printed in black, with block printing in colors, on wove paper, laid down on original mount with printing in gold

Art Institute of Chicago

CC0

The Birth of the Saviour, also called The Nativity or The Adoration

1852

Steel etching, aquatint, and stipple printed in black, with block printing in colors from 14 blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

"So Nice!"

1852

Steel etching, aquatint, and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Religious Events No. 1

1852

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Hagar And Ishmael, from Religious Events, No. 1 and No. 2

c. 1852

Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold

Art Institute of Chicago

CC0

Religious Events No. 2

1852

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Salutation, from Religious Events, No. 1 and No. 2

c. 1852

Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold

Art Institute of Chicago

CC0

David, from Religious Events, No. 1 and No. 2

c. 1852

Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold

Art Institute of Chicago

CC0

The Late Duke of Wellington, also called Wellington without arm

1852

Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Finding of Moses, from Religious Events No. 1

c. 1852

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Christ Blessing Bread, from Religious Events, No. 1 and No. 2

c. 1852

Steel etching and stipple, with block printing in colors (from 8 blocks), on wove paper, laid down on wove paper mount with block printing in gold

Art Institute of Chicago

CC0

Sir Robert Peel (without Finger)

1853

Steel etching and stipple printed in brown, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Late Duke of Wellington (with Arm)

1853

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

"So Tired!"

1853

Steel etching and stipple printed in brown, with block printing in colors from eight blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Sir Robert Peel, also called Peel with Extended Finger

1853

Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Emperor Napoleon I

1853

Steel etching, aquatint, and stipple printed in black, with block printing in colors from 12 blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Day before Marriage

1854

Etching, aquatint, and roulette on steel, printed in black, with block printing in colors, on wove paper, varnished, laid down on board

Art Institute of Chicago

CC0

Lord Nelson

1853

Steel etching, aquatint, and stipple printed in brown, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

News from Australia

1854

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount (trimmed)

Art Institute of Chicago

CC0

"Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache

c. 1854

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

"Vive L'Empereur!" Napoleon III, also called Napoleon III, long moustache

c. 1854

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Eugenie, Empress of the French

1854

Steel etching, aquatint, and stipple printed in brown, with block printing in colors from nine blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Saviour, also called Ecce Homo

1854

Steel etching, aquatint, and stipple printed in brown, with block printing in sepia from two blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

"I Don't Like It!," also called "So Nasty!"

1854

Steel etching, aquatint, and stipple printed in black, with block printing in colors from eight zinc blocks, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Victoria, Queen of Great Britain, India, etc., also called The Large Queen

1859

Etching, mezzotint, and roulette on steel, printed in black, with color block printing, on ivory wove paper, varnished, laid down on original mount

Art Institute of Chicago

CC0

The Third Day He Rose Again

1854

Steel etching, aquatint, and stipple printed in black, with block printing in colors, on wove paper, laid down on original card mount

Art Institute of Chicago

CC0

Belle of the Village

1854

Aquatint, stipple, and engraving on steel, printed in black, on wove paper

Art Institute of Chicago

CC0

Belle of the Village

1854

Aquatint, stipple, and engraving on steel, printed in brown, with block printing in colors, on wove paper, varnished, laid down on wove paper mount

Art Institute of Chicago

CC0

St. Peter and St. John Healing the Sick, from The Raphael Cartoons

1855

Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Dover Coast

1855

Steel etching and aquatint printed in black, with block printing in sepia, on ivory wove paper

Art Institute of Chicago

CC0

The Allied Sovereigns and the Commanders of Their Forces

1855

Steel etching and stipple printed in black, with block printing in colors, on wove paper

Art Institute of Chicago

CC0

St. Paul Preaching at Athens, from The Raphael Cartoons

1855

Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on ivory wove paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Siege of Sebastopol

1855

Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

The Soldier's Farewell, The Parents' Gift

1855

Steel etching and stipple printed in black, with block printing in colors, on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

Dover Coast

1855

Steel etching and aquatint printed in black on wove paper

Art Institute of Chicago

CC0

The Slaves

1855

Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on thick wove paper

Art Institute of Chicago

CC0

The Holy Family, also called The Large Holy Family

1855

Etching and aquatint on steel, printed in black, with block printing in sepia, on wove paper, varnished (Baxterotype), laid down on original mount

Art Institute of Chicago

CC0

The Crucifixion, also called The Large Crucifixion

1855

Etching and aquatint in black and block printing in sepia on ivory wove paper, varnished (Baxterotype), laid downon original blindstamped mount

Art Institute of Chicago

CC0

"It is Finished!"

1855

Steel etching, aquatint, and stipple printed in brown, with block printing in sepia, on wove paper, laid down on original stamped mount (Baxterotype process)

Art Institute of Chicago

CC0

Victoria, Queen of Great Britain, also called Queen and Headdress

1855

Steel etching and stipple printed in black, with block printing in colors (from 9 blocks), on laid paper, laid down on original stamped mount

Art Institute of Chicago

CC0

How to cite works by George Baxter

Example citation for The Bridesmaid. Switch format, then copy.

George Baxter, The Bridesmaid, n.d., Steel engraving colored with wooden blocks on paper, Art Institute of Chicago, Chicago.

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Dartabase holds 200 works by George Baxter.