Artist

Kitagawa Utamaro

1753–1806Japanese39 works in Dartabase

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Works, earliest first

Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)"

c. 1795/96

Color woodblock print; oban

Art Institute of Chicago

CC0

Three Beauties of Yoshiwara (Seiro san bijin)

1793

Color woodblock print; oban

Art Institute of Chicago

CC0

Sato Shirobei Tadanobu (Sato Shirobei Tadanobu)

c. 1776–80

Color woodblock print; hosoban

Art Institute of Chicago

CC0

Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)"

1783

Color woodblock print; oban

Art Institute of Chicago

CC0

Enjoying the Cool in a Garden

c. 1788/90

Color woodblock print; oban triptych

Art Institute of Chicago

CC0

Chinese Beauties at a Banquet

1788/90

Color woodblock prints; oban triptych

Art Institute of Chicago

CC0

A Page from Gifts from the Ebb Tide

1789

Color woodblock-printed book; 1 vol.

Art Institute of Chicago

CC0

Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase)

c. 1790

Color woodblock-printed book

Art Institute of Chicago

CC0

Towing a Barge in the Snow, from the album The Silver World

1790

Woodblock print; oban

Art Institute of Chicago

CC0

Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)"

c. 1792/93

Color woodblock print; oban

Art Institute of Chicago

CC0

Naniwaya Okita

c. 1793

Color woodblock print; oban

Art Institute of Chicago

CC0

Takashima Ohisa

c. 1793

Color woodblock print; oban

Art Institute of Chicago

CC0

The Flirtatious Type, from Ten Types in the Physiognomy of Women

c. 1793

color woodblock print

Cleveland Museum of Art

CC0

Kitchen Scene

c. 1794/95

Color woodblock print, oban diptych

Art Institute of Chicago

CC0

Double Pillow

c. 1794/95

Color woodblock print; oban (left sheet of a triptych)

Art Institute of Chicago

CC0

Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)"

c. 1794

Color woodblock print; oban

Art Institute of Chicago

CC0

Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)"

c. 1794

Color woodblock print; oban

Art Institute of Chicago

CC0

Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)"

c. 1794/95

Color woodblock print; oban

Art Institute of Chicago

CC0

Young Couple Dressed as Mendicant Monks

c. 1794

Color woodblock print; oban

Art Institute of Chicago

CC0

Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)"

c. 1793/94

Color woodblock print; oban

Art Institute of Chicago

CC0

Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)"

1794

Color woodblock print; oban

Art Institute of Chicago

CC0

Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)"

c. 1795/96

Color woodblock print; oban

Art Institute of Chicago

CC0

Woman Holding a Tortoise-shell Hair-comb

c. 1795/96

Color woodblock print; oban

Art Institute of Chicago

CC0

The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)"

c. 1796/98

Color woodblock print; oban

Art Institute of Chicago

CC0

Abalone Divers

c. 1797/98

Color woodblock prints; oban triptych

Art Institute of Chicago

CC0

Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)"

c. 1797/98

Color woodblock print; oban

Art Institute of Chicago

CC0

Yoshiwara Impromptu

c. 1797/98

Color woodblock prints; oban septaptych

Art Institute of Chicago

CC0

Woman Holding a Round Fan

c. 1797

Color woodblock print; oban

Art Institute of Chicago

CC0

Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe)

1793–94

Key block print with mica; ōban

Art Institute of Chicago

CC0

Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)"

c. 1798/99

Color woodblock print; oban

Art Institute of Chicago

CC0

Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)"

c. 1798/1800

Color woodblock print; oban

Art Institute of Chicago

CC0

Preparing a Meal

c. 1798/99

Color woodblock print; oban

Art Institute of Chicago

CC0

Yamauba with Kintaro Holding a Toy Mask

c. 1801/04

Color woodblock print; oban

Art Institute of Chicago

CC0

Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji)

1804

Color woodblock-printed book

Art Institute of Chicago

CC0

The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu)

c. 1800/01

Color woodblock print; oban

Art Institute of Chicago

CC0

Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo)

c. 1800

Color woodblock print; hashira-e

Art Institute of Chicago

CC0

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)

c. 1800

Color woodblock print; hashira-e

Art Institute of Chicago

CC0

Yamauba Holding Chestnuts while Kintaro Reaches for Them

c. 1804/05

Color woodblock print; naga-oban

Art Institute of Chicago

CC0

+ 1 metadata-only matchshow

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Shaving the neck (from 'Furyu goyo no matsu' (Elegant five-needled pine) series)c.1797–98