Artist

Sir Edward Coley, Bt Burne-Jones

1833–189857 works in Dartabase

Source record ↗

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Works, earliest first

Study of the Head of a Female Attendant for ‘The Adoration of the Kings’

c.1861

Graphite on paper

Tate

Head of a Woman: ?Georgiana Burne-Jones

c.1861

Graphite on paper

Tate

Head of a Girl

c.1861

Graphite on paper

Tate

Study of a Male Figure for ‘Clerk Saunders’

c.1861

Graphite on paper

Tate

Head of a Man

c.1861

Graphite on paper

Tate

Composition Study for ‘Clerk Saunders’

c.1861

Graphite on paper

Tate

Sketch of Two Seated Figures for ?‘The Backgammon Players’

?c.1861

Graphite on paper

Tate

Two Studies of Tristram for ‘The Madness of Sir Tristram’

c.1862

Graphite on paper

Tate

Sketch of Two Seated Figures: ‘Chant d’Amour’

c.1862–5

Graphite on paper

Tate

Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’

c.1862, c.1863

Graphite on paper. Verso: graphite on paper

Tate

Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram

c.1862

Graphite on paper. Verso: graphite on paper

Tate

Study of the Head of Tristram for ‘The Madness of Sir Tristram’

c.1862

Graphite on paper

Tate

Composition Study for ‘The Merciful Knight’

c.1863

Graphite on paper

Tate

Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity

c.1863

Graphite on paper. Verso: graphite on paper

Tate

Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’

c.1863

Graphite on paper. Verso: graphite on paper

Tate

Nude Study of Knight for ‘The Merciful Knight’

c.1863

Graphite on paper

Tate

Nude Study of the Knight for ‘The Merciful Knight’

c.1863

Graphite on paper

Tate

Study of Knight for ‘The Merciful Knight’

c.1863

Graphite on paper

Tate

Nude Study of Knight for ‘The Merciful Knight’

c.1863

Graphite on paper

Tate

Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

c.1863

Graphite and chalk on paper

Tate

Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

c.1863

Graphite and chalk on paper

Tate

Study of a Seated Woman for ‘The Hours’

c.1866

Graphite on paper

Tate

Study of a Man’s Head

1866

Graphite on paper

Tate

Study of a Girl’s Head

1866

Graphite on paper

Tate

Roundel with the Head of a Woman

c.1870–5

Graphite on paper

Tate

Study of a Woman’s Head

1870

Graphite on paper

Tate

Roundel with the Head of a Warrior

c.1870–5

Graphite on paper

Tate

Roundel with the Head of a Woman

c.1870–5

Graphite on paper

Tate

Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series

c.1871–3

Graphite on paper

Tate

Study of a Female Head for ‘The Hours’

c.1872

Graphite on paper

Tate

Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’

c.1872–7

Charcoal and graphite on paper. Verso: graphite on paper

Tate

Three Studies for ‘The Beguiling of Merlin’

c.1872–7

Graphite on paper

Tate

Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

c.1873

Graphite on paper

Tate

Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

c.1873

Graphite on paper

Tate

St Boniface

1875

Charcoal and graphite on paper

Tate

St Oswald

1875

Charcoal and graphite on paper

Tate

Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’

c.1875

Graphite on paper

Tate

St Alban

1875

Charcoal and graphite on paper

Tate

Study of a Standing Woman for ‘The Passing of Venus’

1877

Graphite and watercolour on paper

Tate

Study of a Seated Woman for ‘The Passing of Venus’

c.1877

Graphite and watercolour on paper

Tate

Ruth and Boaz

1879

Graphite on paper

Tate

The Finding of Moses

1879

Graphite on paper

Tate

Two Studies for the Head of the King in ‘King Cophetua and the Beggar Maid’

c.1880

Graphite on paper

Tate

Study of a Reclining Figure

date not known

Graphite on paper

Tate

Kneeling Woman

date not known

Chalk on paper

Tate

Studies for a Nativity

date not known

Graphite on paper

Tate

Design for a Window: Ethelbert

date not known

Graphite and watercolour on paper

Tate

Design for a Window: St James the Greater

date not known

Graphite and watercolour on paper

Tate

Study for ‘Blind Love’

date not known

Graphite on paper

Tate

Study for ‘Blind Love’

date not known

Graphite on paper

Tate

Studies of a Sleeve

date not known

Graphite on paper

Tate

Stooping Woman

date not known

Chalk on paper

Tate

Study of Heads for a Pietà

date not known

Graphite and chalk on paper

Tate

Head of a Girl

date not known

Graphite on paper

Tate

Figure Study

date not known

Graphite on paper

Tate

Female Head

date not known

Graphite on paper

Tate

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St Aidan1875